Loading...
Loading...

Leanne Hughes wrote the name of a podcast she didn’t have on a blue Post-it note, dropped it in a hat, and when her name was called — walked on stage and described the show as if it existed. It didn’t. A few months later, the First Time Facilitator was born. That’s also how she landed a Wiley publishing deal, and sold out a 50-person consulting conference in eight days.
The pattern is always the same: claim it first, build it second. Resourcefulness shows up after commitment, not before it. Waiting until you’re ready is the riskier move.
In this episode: why tight deadlines are a gift, what happens when you fuse your identity with your work, and why disliking failure and fearing it are two very different things.
Links to learn more about Leanne:
Website: https://www.leannehughes.com
Work Fame Substack: https://workfa.me
LinkedIn: https://www.linkedin.com/in/leannehughes/
Instagram: https://www.youtube.com/@LeanneHughes
YouTube: https://www.instagram.com/leannehughes/
Any thoughts? Share them with us!
✨✨✨
If you miss the "workshops work" podcast, join us on Substack, where Myriam builds a Podcast Club with monthly gatherings around old episodes: https://myriamhadnes.substack.com/
What happens if we dare to tear off the mask of professionalism and actually risk showing
up for real? I'm your host, and I'm happy. And this is unprofessionalism.
If there's some excitement from you about doing something nervous, whatever type of feeling,
I think if that can fade actually. So if you wait, if you linger a bit too long on it,
there's only sight thinking around blah blah blah. But if you just commit to it,
through yourself and the deep end, you've got to trust your resourcefulness though. Don't worry
about the how, you will find it, you will find the people, you will find the tools, you will find
a system or a coach. Either way, you'll find it if that's what you really want.
Liam, welcome back. Miriam, it's always great to chat. I jump right in and always start with the
same question. When has being unprofessional in air quotes? Be the best thing that you could have
done in your career. Yeah, I was thinking about this question and the most unprofessional thing
I did actually is led to this conversation today. I'm sure you've heard this story, but maybe
you listeners haven't. When I was working for this big organization, I was obsessed with podcasts,
like listening to them. And there was a big podcasting conference in Brisbane that I really wanted
to go to to meet my favorite podcasters, Jordan Harbinger and a few others. So I asked my
company to pay for me to go because I thought, well, it's about learning and they rejected the
offer. So well, I really want to go. So I took annually, if I paid for my own ticket and went to this
event. And over the two days, I learned so much about podcasting. It was amazing. And there was
an opportunity on the second day to win a business book, but to win it that you had to submit the name
of your podcast to be in the running. I didn't have one, but I wasn't going to like that stop.
So I guess what I did was very unprofessional. I made up a podcast. I just wrote down first
time facilitator on this blue post at note. I put it in the heart and I said, okay, if this gets
picked, I'm going to create this podcast. And what do you know? Five minutes later, he pulls out
my blue post at note and he's like, first time facilitator Lee Ann Hughes. It's like, come on down
and tell us about your show. And I ran down there and I made it. I told them what the show was about.
I didn't say, oh, I'm so sorry, this show doesn't exist. I just pretended that it was a real thing.
And then a few months later, I launched the show. And that's how we know each other. It was through
the first time facilitator podcast, three workshops work. So that's the origin story. And it was
extremely unprofessional, but I'm so grateful. I did it. This story. And yes, I knew it before.
In listening to it every time, it's just hilarious. The guts. And the guts you show and the
determination. But this is what I do. And keeping the word. So these are three, I think,
characteristics that I hear in this story that I totally link to the Ann Hughes.
Yeah. Well, I was like, well, first of all, I thought, what are the chances of mine getting picked?
I mean, there's like, how many, you know, there's hundreds of people at this thing. So I didn't,
I didn't think it was a huge risk. But then when I actually saw this because of a blue poster,
no, it gave me time. I'm like, that's mine. And yet, it's half a second of what you can do.
I think it goes back to, you know, improv. When you, when you learn improv, it's like, don't,
like, don't stop it. Like go along with it. And I was like, let's just improv this and,
and see where it goes. And it was funny when I was talking to Andrew, when he's announced,
when I was telling him about my idea, he's like, oh, that's a great idea for a podcast.
He was like, validating it on stage. Like, this is perfect. Perfect. You have to grab the
opportunities when they come. And I would, yeah, there is. That is now what fourth,
no, seven years ago, eight years ago. I would say, yeah, I would say eight years ago. Now,
what the 2018, tell us about the entrepreneur, solo printer VM. Or maybe the human VM.
Yeah, I think it tells you a lot. I think it tells you pretty much everything on how I like to do
things. And Miriam, we're just celebrating because I've just finished the first draft of my book,
called WorkFame, which is coming out in October. And it's being published by Wiley. And I
remember waking up one morning, so before I got the deal, I've self-published my first book
to our workshop blueprint. And I was like, I really like a publishing deal for the next one,
just to try something different. And I was in bed. I was at a coffee in my laptop. I went on,
and I just searched for publishers, connected with them. And then later, I data sent a two-minute
loom video. I didn't even know what the book was about myself. I was like, here's an idea. I think
these two words are called WorkFames, is what I think it could do. And that's what led to the book deal.
So I think it tells you everything. It's just my approach. I don't think there's any point
investing in stuff upfront. You've really got to validate things. And yeah, that's how I approach
a lot of different things. Even running, I guess, would be the same. Yeah. Tell me more.
Well, my first, I mean, I'm not a runner. This is going back to 2014. And I was like,
I was just sick of letting myself down. I was very good at committing and following through
with everyone else. But when I was like, oh, I want to do something, I would just constantly let
myself down. So the ultimate thing you can do that proves your discipline to yourself,
a marathon. So I went to the beach and broom that day. And I wrote 42.2 kilometers and took a photo
of it, put it on Instagram and said, go all-case marathon next year. And so, I mean, I wasn't a runner,
like at all. I'd run like maybe a few kilometers at that point. Yeah. So it's just kind of like
public declaration accountability and follow-through. Wow. And just setting a goal because your mind came up
with it. And then before it's perfect. And I think that is something that's so many I'm missing,
that is that being successful doesn't mean that we have to be pitch perfect already.
Yeah. Yeah. I think it's like going, like if you have, if there's some excitement from you about
doing something, nervous, whatever type of feeling, I think it's definitely, I think if that can
fade, actually, like so if you wait, if you linger a bit too long on it, it can become a bit,
then you start thinking around, blah, blah, blah. But if you kind of just commit to it,
through yourself and the deep end, you've got to trust your resourcefulness, though. I think
that I talked about resourceful last week is like, I think it's just a key skill right now.
I mean, it's always been a key skill, but for me, even more so. It's like, don't worry about
the how you will find it. You will find the people. You will find the tools. You will find a system
or a coach. Either way, you'll find it if that's what you really want. Sean D'Souza, I went to his
workshop in Singapore. It was about how to run right sales pages. I really admire Sean,
like others said to us, podcast. So I was really just loved the two day experience. And he's like,
okay, if you want feedback on your material, he goes, you need to send it to me by tomorrow
before I get out of my plane. And that was the best thing because if he said, you send me your
article in two weeks, I would have been like trying, like, to be two weeks is like, get this right.
But it's like, overnight, I'm going to have to, we're all going out that night. So I'm going to have
to scramble in the morning, like, give it a couple of hours and send it to him scrappy. But it just
kept that momentum going. So I do think time is part of this, like the more time it gets heavier,
more weighty. You're going to keep it light for yourself. That's why I like tight deadlines.
I love and just bring up one memory, my very first internship I did for German development
company. And my, the first boss there told me, me, I'm just gratitude to do perfect work.
In business, nobody has time to deliver perfect work. Just make it work, make it good enough.
And yeah, I think back then I haven't, I was stirred uni. So I didn't understand the concept.
But now you just made me think of it. Yeah, it was maybe one of the best advice.
That's brilliant advice. So yeah, and I hear this, I'm a great quote I heard from one of my clients,
is like, the first draft is the hardest. And I think it's even establishing like, what is good
enough? It's like, because you're in your own head, I think it's always about what you're worried
about is like that person's impression on what, as in it's a reflection of me as a person,
you're going to kind of separate yourself from the thing. It's like, the critique is about that.
It's not about lian hues. I always try to like separate, because once ego comes in, of course,
what is good enough? I mean, how fun do you go? What's that? Yeah. Yeah. And I think the,
the reaching out to other people, since we are and you're a big AI user, you're not allowed to use
AI for your book. No. So that's also an interesting kind of distinction suddenly that you're
deprived of the tool that you're so used to. But what I'm coming to is when you're used to
communicating with AI, and it's, it's easy to be caught in this echo chamber. So it becomes even
more important to reach out to real people to get their feedback on our work. Yeah. Big time.
This is like a lot of us are outsourcing a lot of life decisions to chat, like literally,
and it's like what chat GBT is like an average of what you see online. And when you really think
about it, like, who's posting the stuff online? And, and it's all based on historical, like,
it's all based on history stuff that's been out there. It's not about prediction. And that's the
value of, I guess, our prefrontal cortex is a, like, imagination. So, yeah, it's quite
theoryony. Yeah, it's quite scary that we do outsource a lot of our decisions and to AI.
Yeah. And then I think the, the importance of keeping work original, so not relying on it and
seeing the difference. And it's, so I used AI in my writing. And at some point had these
loud voices in my hand, you're an imposter, you're not creative, you're not a writer, you should not
use AI for your writing. And then realized that it's a different ways to approach it. So I found
my own, yes, my own reasoning around it. But I would be, and I understand that as a, as a publisher,
you don't want your authors to use AI in order not to lose this creative edge.
Yes. Saying that though, like, sometimes when I write my weekly newsletter, like, where I start
is with a voice note. So it's like, just voice note it out. And then sometimes I will go into a
claw to be like, just, can you just sequence this? Because like, this is just random musings from me.
So you just sequence it and like, construct is probably not my greatest strength. I'm very
great at idea burst. And it's like, okay, where's the logic in this? And how do I fit it together?
And so having that as a buddy is good. But I think it's as only as good as the input.
Yes. Yes. And it becomes a mirror to yourself. I realized that at some point,
God became very impatient. And like, okay, so that's good. Shall we move to the next chapter now?
I'm like, no, wait a moment. I'm not done yet. But I realized that I'm usually the impatient one.
Oh, that's good enough. Let's move on. I don't have time for details.
That's fascinating. I don't think mine has ever said that. That's so great.
Yeah. And then when I saw it in Claude, I was like, oh, Jesus. It's kind of reflecting my own
behavior back to me. And that was very healing. That's a really funny story. Yeah.
Come on. So that's, I think since then, for me, it's a really good reminder to watch out too.
Okay. So what I get back is usually what I put in as you said. Yeah. Yeah. Yeah.
And what makes for you the, what's a professional writer?
Or would you consider yourself as a professional writer now that you have almost published two books?
I mean, there's the logical answer. So a professional writer is someone that gets paid for their writing.
Like, that's the simple definition. I would say it's like when I look at
sporting people, there's amateurs, there's professionals and the professionals get paid.
I mean, I get paid how much I get about $1500 a year from my sub-stack. So from my beautiful
15 annual subscribers. So I guess I could say that I'm a professional writer. I do like the term
author. I like the term author because there's, well, actually, I get a bit weirded by it, but it's
authority. I prefer kind of expert. And this is because I feel like I write more on expert,
the root word about is experience. You know, experience. You write, writing from your experience.
So I feel like I do that. So I'm in the expert on this topic, but the tool that I'm using is
writing. I wouldn't call myself a professional writer. I don't see myself. I feel like that's more,
I don't know, more fiction that type of thing. I see myself more as, hey, the expert on this topic.
And I'll talk about it through podcasting. I'll write about it. I'm an author. But I guess the
professional, I mean, I don't like labels either at all, you know, I really dislike them because
I think we all, we like a couple of people in boxes and I think that really takes away from who
the person is and their value. Yes. Would you call yourself a professional hotcaster? No.
No, well, I've never been paid directly to podcast. Like the revenue's been from the stuff
because of the podcast, but no one's, I mean, I've had sponsorship occasionally, but no,
it's a little bit different, I think. What would you call yourself a professional hotcaster?
It's interesting. I was just, as I asked the question, I went to all the labels that I could
potentially put on myself or, yeah, yeah, put the word professional in front of it. And all of them
feel a key. And then I think there's a distinction where it's maybe not only about the paycheck.
So, but about how serious are we taking the craft or do have we, so the word profession comes from
professing, professing a vow for quality towards our clients and towards the research.
Oh, and I find it beautiful. And something that got totally lost, I think, in the way we use the word.
Yeah. I think podcasting is maybe amongst all the things that I'm doing,
the thing that I take the most seriously, although I don't earn a single cent from it and it
cost me, maybe my most expensive hobby or marketing tour or what I call filter. My people cannot be.
The quality, okay, now I don't have a microphone, but usually the quality, the cadence,
the commitment, I'm very backwards professional about that.
Yes, yes, you are. But you also approach, I would say, you're a professional conversation
guide or as well. And so you're bringing that in as well. So I think it's not even the technical
stuff. It's, yeah, the quality of the conversation, the rhythm and discipline you have around
the consistency. These are signals of professionalism, right? And still, and I think, and then there is
there's a trap where we let the label and everything that we attach to the label guide our work
instead of us guiding ourselves and our own work. Yeah. And I agree. This is what stands out for
me in your work that you always following your own got your own calling, your own ideas.
Tell me about the festival you are. Oh, yes. And I had that thing.
That was another example, yeah. But in what? In, in a month, less than a month, you sold out?
It sold out in like eight days, I think. It sold out and I got a lot. I remember we recorded a
video that we will no longer do face to face because it's too difficult to sell. And there you
go within eight days, you sell out a high price ticket in person event. Yeah. Yeah. And the events
it was like in 250 days, like it wasn't even next month. It was like in less than a year.
That was a wild experiment. Well, like I mean, like you, I know these great people,
they're all asking me similar questions. And I'm like, how do I was like, how do we,
like, what can we do around this? And obviously, I was kind of sick with all the virtual meetup.
So I'm like, I'm, I want to crave in person. But I'm like, there's no other event that I want to go
do. Like I was looking around, what would I go to my, I don't know, I was like, well, why don't I
host it and just create my own party? And so, yeah. So I actually, this is the funny thing about it
because I gave it a name and the name has stuck, but I think I want to change it. I called it
concon just like the consulting conference. And then even that sounds like a bit of a joke. But
yeah, kind of on. So I don't go right, we're going to host it. I'm a goal coach because I like the
beach. It's an hour from Brisbane. People like going there. I'm going to pick these dates in
June. And that's all I had. The name, the dates and like, and not even a venue, but just does that
city. And then I was like, okay, here's the vision of what I'm thinking. And I basically
what I said to you is like, I want to bring these great people together. You know, we're going
by consultants. Like, let's, you know, here's my vision for the event. And so what I, but what I do
is I think was created a bit of scarcity around that. So I was like, well, it's an experiment.
If 15 people walking on the first within 24 hours, we're doing it. If 15 people don't,
it's gone. We're canning it. And like, honestly, within 20 minutes, I think like 18 people
have signed up. And yeah. And so then I was like, I'm going to cap it at 50 people because I like
that as a number. I think you can create a great community with 50 people. And it, yeah, it just
went from there. And it's what I find fascinating and beautiful. It's very similar. I
story to your podcast. You pitched something before you had it. You first chose the name
and your vision around it. And then stress tested with a real audience. Yes. And well, I guess
so I wanted to come back to this idea around like questioning identities and assumptions,
right? Because I think the biggest thing that I challenged with this was why does the event host
take on all the risks when running an event? Like, why? When the benefit is actually for everyone
involved. So I was like, let's share the risk here. Like, it's a huge risk for me to put a
deposit on a venue and then try to fill seats. And then I'm like, weird position where I'm begging
people to come along where I'm like, I want this. If you want it to now, we're all sharing the risk.
You're putting money in. And I think so that came from an assumption of like, let's start running the
way of like events. It's not fair for the event host because like, and actually the event host does
are like, it's, you don't, basically, don't make much money of it. It's more of a, I'm going to,
I'm doing this for the love of this. This isn't my core business. So yeah, just question,
like I said, just questioning a label attached to certain things is how you can
yeah, break that. And I, so thank you for adding that. I'm so glad that I helped back with my
questions. What you speak, what I think is below the surface is your years of showing up and
leading with crazy ideas that you follow through and put out there. Yeah. And you're reliable.
So you have spent eight to 10 years building your personal brand. Yeah, that if you say, okay,
I have this crazy idea. Let's share the risk. People who put their money down know that you will
keep your word. Yeah. And I think that's a piece of professionalism where people trust your word
and trust that if you do something, there will be quality behind. So although you're not a
equals professional event host. Correct. Yeah. Right. Yeah. Event organizer because that's a
different ball game. It's a whole other ball game. Yeah. But it won't be the first, first not you
doesn't tank away. Yeah, I think you're right. And I'm now putting a lot of pressure on myself.
I talk about professionals and I'm like, you know, my in a dialogue now is like, this has to be
the most kick-ass event that I've ever delivered is like, that's what I'm trying personally trying
to aim for. So I'm like, yeah, so it's a great challenge for me. And so that's why I'm also
invested in it because like, there's growth for me as well. Like, what can we possibly do with this?
I'm scared. Like, you know, it is, yeah, it's a big bet. People backed me. It's like they've literally
backed me to do this. And so I want to make it awesome. So yeah, like I think, I think you're right.
Just having that, I don't know if it's professional following through what you're going to say. But I
think, I mean, that's the baseline I would, I would imagine on anyone that's that's got a personal
brand. I mean, it's back to trust. Yeah. Yeah. And that's a very long and difficult to build.
It's a long-term investment and very great to break. Gary. And I think that's also where then the
the excitement or the nervousness comes from. How will you be fine success if you say the most
kicker's event? That's yeah, it's big. How would you, what role does success play in all of that?
And who isn't, yeah, who who carries the risk for the success? Because if everyone, I mean,
we all do. Yeah, we will do. And I, so I think, I mean, there's, I guess there's multiple layers of
that. I mean, would be like walking away with a really great connection, finding a new collaboration
buddy. I mean, this is for the people that come along. I would say that I would love to add an
extra 50k to their businesses, but as a result of, you know, I would love to put a metric on that,
even though I'm not a metrics person. But I just think, I think there's a real opportunity to
help people grow. And I think we can do that by sharing and being transparent. I think just the joy
as well that we create over the two days. And also, I mean, we're in a very privileged position
because the work that we do impacts people that also run massive group experiences. So when we
impact a person, we're not impacting that one person, if they go back to an organization and
implement something they picked up, we have huge ripple effects for their work. We are in a very,
like, both you and I, so we can really turn some things around. And so I think that would be, like,
that's probably the bigger impact goal is, I really want to, yeah, decide, I guess, like,
shake everyone up, including myself. And like, hey, what are we doing? What can we do better? How
do we have fun with this? And how can we, like, just, yeah, I don't know, do you better?
But you're right. I should probably put some my hard, like, proper sit down. I think what that is.
And honestly, I got goosebumps when you explained about the ripple effect. And what success
means to you to have the bigger impact and what my gut told me in that moment is, no, don't sit down
with metrics. Right? And I think this, this is from trapping which we hold on, because if you're
suddenly in metrics, you look at the metrics and try to, to check all the boxes where your heart
and Leanne use is in the passion of doing. And then as a side effect, there will be grandios.
Yes, yes, because it's, and you said, you said, a sentence mentioning we inspire people by
being transparent about how we do the things. And I think that's something that you do to the
extreme. And I'm helping so many people around you, including myself, to make better decisions,
about use of money for tech, for instance, right? Every year, you publish how much money you spend
on the latest tech tools. And whether you can endorse them or not for the next year.
Yeah, incredibly transparent. And that's what we are missing very often. Also from event
online, as we only see the shiny side from authors, we only see what works. Yeah, I'm actually,
because even yesterday, I was thinking about this event. And I'm like, how do we, because
what I would love to do is everyone to like, either bring along like that, the best proposal
that I've ever had and like show us the proposal, like show us your costumes, show us. And I'm like,
how do I, how do I do that? Like do I get people to submit anonymous, like, do I get people to put
their name on it? Like how do I, I would love that. I think we'd all learn by going, hey, here's
what you're charging for this. And I'm like, how do I facilitate that? But is it that I just,
I sent out my first one to them and go, hey, here's a proposal I did. Here's everything.
If you're willing to share. Yeah. I don't know. Because money and Australians will money in
everyone. Yes. Yes. It's such a triggering topic. But it's, I mean, we're in business. Oh my
gosh, it shouldn't be. And I love the idea. And I think if you can do that, especially at a close
event, maybe not in day one, you might need to build a little bit of safety and comfort and
around it. But then I think many people will be up for it. And if everyone brings a proposal,
then everyone shares against shares the risk. And then it'd be, yeah. And it's indeed it's so
said and where that we openly share our rates with each other. And there would be so much
to learn from that big time. And I wonder where it comes from because it could be so having
high rates could be something to be proud of without showing off. I don't know where it comes from.
These, um, it's like, I guess the money, it's, it's money, but I don't know what it is either,
but yeah, it could be showing off or you could also think maybe that's not enough. Maybe I'm
no one really knows. Like, it's like, how are people pricing it? Like you just don't know. And
I think there's a lot of things that lead into it. I mean, brand is a big one. Like how do I,
in demand are you, you know, then you, so I think it could, and if you're a solo printer, you
couldn't marry your identity with that, right? That's where it gets personal. Yeah. I think that's
probably the major thing. And it's so difficult, especially as you say, for solo printers, then to
compare. And in the area of facilitation, I assume most of your guests will be facilitators.
Are you really, is your offer, although you might offer a workshop, or is it an experience,
or is it a process? It's very different from each other. So the pricing is also different. Of
course, yeah, it is really hard to compare. It's highly complex, but I think to see the proposal,
also how do you structure it? And what do you price? Do you price? Do you put the price
take on your name? Do you put the price take on the value on the time? There's so many different
ways to do that. Yeah, I agree. And maybe it's maybe we just do like a case study, like a client
that's come to you with this, they want this, how, what would you charge? And what would you think
about? You know, maybe that's more of a discussion. I don't know. But I love the idea. I love the idea
because again, it breaks the walls of what we do, conferences. Yeah. Speaking about money in
the abstract, it's very easy. It's so easy. Speaking about when it's you, very different. Yes,
and maybe that's it. What you said also about the rejection of our work when we send it out early
for people to review, without our pricing, suddenly it's not about our work, it's about ourselves.
Yeah. Yeah. And that can be dangerous. So if we do attach the ego because then where is the
growth opportunity? Like if you're not participating in these conversations, like I remember joining
an Alan Weiss mastermind early on, and I, a guy and a group was charging 50k for strategy. And
I was like, whoa, that's unbelievable. I like to hear that, but it was great to hear that.
Yeah. So these conversations can be really helpful, but yeah, definitely important. I mean,
in everything, it is hard to separate yourself from the idea, but I think that's a really powerful
mindset if you can do it. Yeah. And I think there's a lot of value in this initial intimidation.
Wow. If someone, if he can charge that much, what would it take me to charge that much? And if
charging higher rates as a goal, then this can become a real aspiration. And then, oh, with your
mindset, I could just try it out. Yeah. Well, it's why I love it. They always say, never make
your heroes. And I've met a few of my heroes. And he like, they're great. They're just,
they really great people be like, then they're humans. It's like, we can all do this. And I know
that people have a special talent, of course, but a lot of it is around, I mean, there's a bit of
luck involved as well. You have to admit that. But you've got to, yeah, it's very encouraging to know
that they don't have special powers. They are normal humans. And you can create your moments of luck.
If you don't show up, the chances of being lucky are very yellow. I went, oh, there was a book,
I think, about serendipity. And what I found interesting was that it seems as if extroverts are
more lucky or have higher chances of success. And the way they explained it is that extroverts
take more chances to speak to strangers, for instance. And the more you speak to strangers,
the higher the opportunity, the chance, the probability to meet a random person who can help
you on your adventure. Yeah. Yeah. I know. Yeah. I mean, that's supposed to be a
Dr. Christian Bush. I had him on my podcast. I think he talked about the serendipity. Yeah,
it's such a great book. Something that I've written about as well, I call it the walk of fame.
Like go for a walk and say hi to people. And as I was writing, I'm like, this is quite,
this is going to really throw some people off. People are going to reject this idea. And I was
like, do I believe it? And I was like, yes, actually, like, because, you know, we're also plugged in
and so insular. And a lot of this is about, we're in society. We've got to connect with people.
It's like, that's what it's about. And so if you can develop that every day, but to say hi to
someone, even though they'll probably reject you. I mean, 80% of the time people don't say hello
back to me. It's not about getting a high back. It's about just being the person that's brave
enough to smile at a stranger and say, good day. Yeah. And funny enough, I make a different
experience. Many people actually say hi back. I at least smile. Yeah. And it sometimes can make a day.
Yes. The very short moment of human connection, a smile, a hello, and to practice that every day.
I love that. I want to read your book even more. Thank you. You're too kind. No, I'm just being
honest. Thank you. What would be an unprofessional advice? Something unprofessional that you would
still advise other people to do? I think it's probably the threat of this conversation.
And I don't want to say don't overthink it. I think that's too easy to say, but it's definitely
like follow that joy. If you've got an idea that it's like bursting through with energy,
I think it deserves a place to go. And so just put it out. That's how I'd frame it.
Rather than like make it the best thing and before you put it out, I think just make it a low
friction way of just stress testing it because you'll feel better about it. Like I just have to,
when I have these ideas, like where can I put them? That's why I had my daily podcast last year is
because I just want to place these ideas somewhere and get them out of my system and you can go back
to them later. But it's just a nice thing to do. And even if no one either listens to it or
responds to your ideas, okay, because at least you're creating this practice over time. And it
makes it easier for, you know, right books and do other things and link ideas because
you've captured that somewhere. And so I'm not, you know, it doesn't have to be in public,
but just like do something with that. Because if your body, I think if your full body is saying,
I'm really excited about this. You deserve to try it. So that would be my advice.
It's so beautiful. Yeah. Look. Yeah. I don't want to be too corny. There's another thing that I think
we can learn from you is the, they're not getting attached to it. I think there are two things. One
thing that you, when you can benefit from the process independent of the outcome, just do it.
So you put your podcast out there and it wasn't about the podcast, but it was about your learning and
having this bucket where you can put in your ideas. If then it becomes successful, great.
Nice pipe. Yes. And the second, yeah, no one to stop. So after the year of daily podcasting,
you said, we're good done that now. Yeah. That was a great idea to do that because it's been nice
waking up and not having to worry about it. But I'm so glad I did the whole year of it as well.
Yeah. I like that you differentiated those two points. But I don't know who said this. I
saw it online. But it's like, if you're not getting rejected enough, you're not living like your
true life or something like that. If you're not getting rejected, it's like, God, that's so good.
Yeah. Yeah. I love that. Yeah. I don't remember who said that. And I heard something similar recently
about the most powerful person in the, in the corporate room is the person who made more mistakes.
Oh, really? This position because I made more mistakes than you did. And I love that.
It's that is also say message, but apply to the corporate now like to have this humility as a leader.
That's awesome. That's so good. Well, remember when Alan Weissway talked about he did some work
from Merck over in the US and they brought in, so they hit companies of innovation awards
of the best innovation. They created one the best idea that failed. And they celebrated that.
I was like, that is such a good idea because yeah, two sides the same coin success. You got a love
value. I mean, I was there. I hate it like everyone else, but I'm not scared of it. I just like it,
but I'm not scared of it. Beautiful. It's a mic. Well, I'd like it, but I'm not scared of it. Liam, it's
always such such a treat to speak with you. Thank you so much. Oh, like I was. Miriam, thank you so
much for inviting me on the show. And I remember when I first heard you talk about on professionalism,
you saw how excited I was. It's so, so good. And congratulations on the podcast and the book
that will be out soon. But it's really just for flying the flag on this message. It's so,
it's so powerful, I think. So well done to you. This was a conversation without the script.
Now it's your turn. I'm Miriam Hathness and this has been unprofessionalism.

Unprofessionalism

Unprofessionalism

Unprofessionalism
