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0:00Don't ask me, don't ask me Don't ask me, I'm an England I'm a brave On my life, I'm a leave with tired of me I should worry if the weather's cause a trade I'm a crumb and I'm in your lemonade Don't ask me, don't care or cut to the show or jack you in Don't ask me, don't ask me Don't ask me, I'm an England Let me offer you my life and all my love Let me offer you a mug in Don't tell our plea range, don't forget to change

1:03on us, on us Don't ask me, don't make us sacrifice On my life, I'm cheaper of the price Won't you try, I'm pushing your eyes It's like the world, but very, very nice Don't ask me, don't tell me how It's like the world, but very nice Don't ask me, don't ask me Don't ask me, don't ask me

2:03Don't ask me, don't ask me Don't ask me, don't ask me Don't ask me, don't ask me Don't ask me, don't ask me Don't ask me, don't ask me

10:51When I leave you Oh Why do you have my old job tied? Why do you have the cast of tries? Why don't you throw your mind? You know that I love you You know I always will When you dismiss You'll be shocked again But my back got lost Why do I love you? Why do I love you? Why do I love you? Why do I love you? Oh Hey, you okay? I know that I love you

11:55And all my heart and soul Just one And this is life My life My life Why do I love you? Why do I wish I knew? Why do I love you? Oh Where do I live? Where do I live? Where do I live? Oh Where do I live? the In

12:55behind yesterday the And the world behind me will be slowly small But the world has made it for me I know the basics and I feel they have I have the day on my side I have a red wind A woman in the street running for me I'm going back and look at the deep blue You just look at the eye and just look at it And the world behind me will be slowly small But the world behind me will be slowly small I have a 20-kinder, my wife is beautiful And everyone will come to me to take her out

13:56Oh, I'm going back and look at the deep blue I'm going back and look at the deep blue I'm going back and look at the deep blue

15:10You always look into me all alone I always have a way out Now I see the wind On the scroll below the road is yourzedaciones Riches were left searching for it And thanks to you 20 children take over

16:35Here, so terrific, I wish I could be able to express my fears with the dreamless And just like me, yeah, yeah, just like me How could I be so lucky? Just don't know, how could I be so lucky? Just like me Baby, I can't get you, get you out of my mind You're so narcissistic of the music and the photo of myself Just like me, yeah, just like me

17:40How could I be so lucky? Just don't know How could I be so lucky? Just like me, just like me How could I be so lucky? Just like me How could I be so lucky? Just like me How could I be so lucky? Just like me

18:46How could I be so lucky? Just like me Thank you so much for the score, score, score, score I love you, I love you From the bottom of my heart

19:51Thank you so much for the score Thank you so much for the score, score, score, score, score, score

21:42Thank you so much for the score, score, score, score, score

26:33Hey, now, we're starting to battle. The world won't run. The world won't run. The world won't run.

27:33The world won't run. The world won't run.

28:33The world won't run. The world won't run. МореловAH put a gun down! FroWhat else should we do? Twist through the wind! I'll fill you in the pool! Pull through the room! I know the lies and reasons, I know it's the most I've done in this year. I know the lies and reasons, I know it's the most I've done in this year.

30:23I've lived this record of the past year. I've lived this record of the past year.

31:24We are looking for the real Kommando del Giro! Hop-hop finally we are looking for the real extreme ainda no百th day, take it. We are searching for the real extreme. My best friend ever- They will never be able to help you become an object that we otherwise wouldn't need. The Star of Platon Extra Good evening and welcome to Star of Platon. Today we have two interviews, or actually one big interview. We have invited many people to the only place. We have Lucas Scheele and Casper from the Welder. They have invited this summer as Scheele of the Welder. An album brought by Balz. We will talk about it with you. Of course, that album has also been released on the Brussels Gens.

32:26Label Blikmingel. And the people from that label Peter Dudal and Jellemachtes have also arrived. We will talk about the label with you. We will start with the number of the Scheele of the Welder. This is Varan Greenhavond.

38:35The World of the Welder. Varan from the Welder. We are in the studio, as well as Casper and Lucas from the Welder. Good evening. Good evening. Yes, first logical question. How did you like musical teacons? How did you like it? Actually, I made a solo album. It was my goal to play all the same. From music and instrument. But I was going to play a drummer. And then I had two people. Or I thought they could fit in the music. It was Eric Tielemanns or Casper from the Welder. And we were invited. And you could do this. So it was Eric Tielemanns.

39:37That's what I was thinking. And the summer was the thing that I talked about in our album. Yes, it was fun. And then from there we had the tasting to make a duo project. Where it was really 50-50 or more a duo. Drum plus guitar. And how did I have to describe it? From a music show. How did you like it? Did you have all the ideas? How did you like it? For this album, I actually wrote it in the video. So Lucas made an announcement about guitar. And then I did it. Yes, I did. From half the notes I will write it down. And what is this?

40:38But I think we are more experienced. So a different place would be there. But it's a place where you can be seen. So you can be seen live. But this is the way it is. Yes, exactly. I was invited. The most famous thing I saw was just before Covid. There were a few more. But still I had to do that. And then we will make something of us. We will really talk about it. Of course there is another one. Yes, I will. But Julia also has. And also the people from Blikwinkle have already brought music. To get the third album I will drive. In total, it is something of a 50-50 number. I don't know if it is all in the album. I can't get it. But we have one more request. That Charles Rumback is together with Riley Walker. Why are these musicians together?

41:40Because first of all, the number is different. Can I have a few more? Yes, please. Thank you. Oh, press. Here's another girl over the edge. First time. Happy middle. Yes? Yes. One, two, three, go.

42:40One, two, three, go. One, two, three, go. Again, we go from here. We start. Okay, we start at the end. Sorry, sorry. Okay. Okay. I'm going to do it. Okay. Okay. Okay. Okay. Okay. Okay. Okay.

43:54Okay. Do you need anybody? I need somebody to love. Will you leave anybody? I need somebody to love. Don't you believe in love, but then try. Yes, I deserve to live my whole time. Don't you see when you turn into light? I can tell you where no where is mine Oh, I get glad that you're here for my friends Yeah, who I get glad that you're here for my friends Oh, I can't drive you here for my friends You need anybody I need somebody to love Who did it be? Anybody? I need somebody to love

44:55Who I get glad that you're here for my friends Who I get glad that you're here for my friends Oh, I can't drive you here for my friends Who you get glad that you're here for my friends Oh, I can't drive you here for my friends Right I can't drive you here for my friends I can't drive you here for my friends You need somebody to love Who I get glad that you're here for my friends Marijn, Marijn Do you want to play to make your film my love with us? Come here. I will, I'll have to be a next one. Oh yeah?

46:03And then we'll have a couple. Do you have couple? We all have two. Come, we'll do. Do you want to play? Do you want to play? G. We'll play with you. No. We'll play with you. Okay, I'm not ready yet. Let's go. Let's go. Let's go. What is that? Hey, no, okay. It's a hard-spaned song, yeah? Yeah? Let's see. It's a hard day! Yeah? It's a hard day. Let's sit.

47:04Yeah. It's a hard day. No. Let's sit on your table here. Okay, one desse hope you know. Yes, we have. This is me. Yes. Yeah. The guy knew that so far, he said he had to pay for all the gifts. He's been seeing this stuff for years. Oh, I got it. Is it mine or is it mine? It's mine. It's mine or it's mine. It's mine.

48:13When the evening shadows on his heart appears. And there is no one there to ride your tears. I could hold you for a million years to make you feel my love. I know you have a million mine I get. But I will never do your own. I know it from the moment that we met. You know that I might give you love. I know hungry, I know flat, I know. I know crawling down the avenue. There is nothing that I don't want to do.

49:15To think you feel my love alone. I know you have a million. I know you have a million. I know you have a million. I know you have a million. I know you have a million. The stores are reading over the road in the sea. And all the highway over there. The winds of change are moving while I'm free. You will make me see nothing but you. I can make you happy, make your dreams come true. Nothing that I wouldn't do.

50:17Go to the end of the year for you. To make you feel my love alone. To make you feel my love. You will make me happy. You will make me happy. How did you go? To sing like this. I just have to talk into it.

51:49This is a nice year for the old type of solidarity. You don't know it. You don't know it. When the sun rises, the sun rises. The stars are not there. The stars are not there. When the sun rises, the sun rises. The sun rises.

52:52The sun rises. The hands of the stars are not there. When the sun rises, the sun rises. The sun rises. The sun rises. The sun rises. The sun rises. The stars are not there. The sun rises. When the sun rises, the sun rises. The sun rises. The stars are not there. The stars are not there.

53:54When the sun rises. The stars are not there. When the sun rises. The stars are not there. When the sun rises. The sun rises. The sun rises. The sun rises. The sun rises. When the sun rises. The sun rises. The stars are not there. The sun rises. When the power of all the creeps rings, When the power of all the creeps ring,

54:56The lights are now And the늘wy dawn is here All the sickle to t�歌 When the power of all the creeps ring, When the power of all the creeps ring, The king needs the man And the lion needs the men a all why As it goss, that goss, that goss As it goss, that goss that goss Flame of life, flame of spirit Burden, days, undoubtedly

55:57As it goss, that goss, that goss As it goss, that goss, that goss Oh, let's go. Let's go. Let's go. Oh, yeah. Yes. Yes. Yes. Yes. Yes. Oh, no. Yes. Yes. Yes. Yes. No. Beating. I'm a fear you. Are people that are scared? Yes. Oh, but they seem very much. No. I'll be right back. Yeah. I'll be right back. Yeah. More of the, uh,

56:58Yeah. Yeah. Yeah. Yeah. I think I started, uh, Yeah. I didn't get to the school, I was in my partner's, uh, and I went out and watched a lot of the band. Jim Sissy. And, um, just, uh, So you're making music? Yes, that was a great question. I can't say anything. Are you from the band that plays? No, no, we're from a group of women who get lessons from Leone. Like our young little girl. We're doing it. We're doing it. It's a great idea. It's fun to do. This band is really professional.

58:00Oh, okay, you're coming in. You're coming in, right? Yes, they're coming in. Let's go. Thank you. You're going to have to sing all the men's that you're going to have to work in New York. You know, right? No, no, no. That was a nice one. We're going to sing. Yes, that's a great question. You're going to have to sing. You're going to have to sing. You're going to have to sing. You're going to have to sing. Are you going to sing? Yes. Are you going to sing? Yes. Do you want to sing? Yes. Do you want to sing? Yes. You want to sing?

59:02Yes. Yes, please. Thank you. Are you leaving? Okay, thank you for coming. See you this time. Okay. Thank you.