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366: Welcome to the Idea Factory (Good Writing Comes Last, Part 2)
About this Episode
Writers, I have IDEAS. Usually a lot of them. 99% of them go nowhere. You can feel me bubbling over with ideas in every episode and even in the title of many episodes. There is so much I always want to say.
Like me, Jennie Nash is an idea cannon. So between us, we come up with a lot of plans. This is all to say that first: this episode, and the 7 “Idea Factory” episodes that follow, are the result of one such idea. At the beginning of this year, I (It’s KJ here) was deciding on what to do for what I hope will be my fourth novel, and Jennie and I got to talking, as we often do, about the difference between a “spark” and an actual, full on IDEA.
In this episode, we talk about what makes a full idea and why it’s so fantastic, in memoir, fiction and non-fiction, to have that idea in hand before you start writing a book—or why, when you hit a wall in drafting, the answer often involves going back and figuring out what that idea was in the first place.
It’s the first of 8 Idea Factory Episodes that will take us through my process for coming up with ideas, kicking their tires, and letting them evolve in fiction as well as involve sitting down with guests to talk more in depth about non-fiction and memoir ideas (because yes, you need an “idea” even for a book that’s based on your own life.
Every time I sit down to write, I wish it were easier. One of my most common thoughts is that I wish there were an instruction book. I was a gold star student back in the day. Just tell me how many words to write and about what, teach! I’m on it.
Sadly writing doesn’t work that way—but Jennie Nash’s books, Blueprint for a Book and Blueprint for Nonfiction, really are the closest thing I’ve found to a guide for getting through draft after draft. I start with them, and I go back to them when I’m stuck. The Blueprints keep me on track and help me write the book I set out to write for the readers I hope to reach. They give me tools to figure out the answers to questions that I’ve been known to avoid, like “why now” and “why does the reader care”.
But even more than that, the Blueprints serve as a reminder that while writing a book is hard, it’s do-able. It’s not magic, and there’s no muse. There’s just going at it, again and again, until you get it done. Blueprint for a Book and Blueprint for Nonfiction are available on Amazon and you can pre-order her newest: Blueprint for a Memoir: How to Write a Memoir for the Marketplace—coming August 1. Pre-order that one, and there’s a super cool bonus.
Preorder now
Pssst: if you love #AmWriting, kick in some $$ to support us and get bonuses and appreciation. Lots of appreciation!
Subscribe now
Like me, Jennie Nash is an idea cannon. So between us, we come up with a lot of plans. This is all to say that first: this episode, and the 7 “Idea Factory” episodes that follow, are the result of one such idea. At the beginning of this year, I (It’s KJ here) was deciding on what to do for what I hope will be my fourth novel, and Jennie and I got to talking, as we often do, about the difference between a “spark” and an actual, full on IDEA.
In this episode, we talk about what makes a full idea and why it’s so fantastic, in memoir, fiction and non-fiction, to have that idea in hand before you start writing a book—or why, when you hit a wall in drafting, the answer often involves going back and figuring out what that idea was in the first place.
It’s the first of 8 Idea Factory Episodes that will take us through my process for coming up with ideas, kicking their tires, and letting them evolve in fiction as well as involve sitting down with guests to talk more in depth about non-fiction and memoir ideas (because yes, you need an “idea” even for a book that’s based on your own life.
Every time I sit down to write, I wish it were easier. One of my most common thoughts is that I wish there were an instruction book. I was a gold star student back in the day. Just tell me how many words to write and about what, teach! I’m on it.
Sadly writing doesn’t work that way—but Jennie Nash’s books, Blueprint for a Book and Blueprint for Nonfiction, really are the closest thing I’ve found to a guide for getting through draft after draft. I start with them, and I go back to them when I’m stuck. The Blueprints keep me on track and help me write the book I set out to write for the readers I hope to reach. They give me tools to figure out the answers to questions that I’ve been known to avoid, like “why now” and “why does the reader care”.
But even more than that, the Blueprints serve as a reminder that while writing a book is hard, it’s do-able. It’s not magic, and there’s no muse. There’s just going at it, again and again, until you get it done. Blueprint for a Book and Blueprint for Nonfiction are available on Amazon and you can pre-order her newest: Blueprint for a Memoir: How to Write a Memoir for the Marketplace—coming August 1. Pre-order that one, and there’s a super cool bonus.
Preorder now
Pssst: if you love #AmWriting, kick in some $$ to support us and get bonuses and appreciation. Lots of appreciation!
Subscribe now
Hosts & Guests
No transcript available for this episode.
