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那一代中国吉他手，几乎无一例外经历了对《小林克己》的如获至宝，反复复印传播。但那一代人成为“大师”后，都默契的不再提起“小林克己”，只字不提，都想让历史成为秘密。因为中国音乐人更愿意在秘密中享受被称为某种“鼻祖”的快感。可是中国现代音乐真正的先驱，是在真相中前行的。
道尔吉改编 - 草帽歌
西城秀樹 - YOUNG MAN
崔健 - 新长征路上的摇滚
道尔吉 - 草帽歌
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