Amos 'n' Andy - Writing a Letter

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Hey, it's Cole Swendell. After I give everything I've got to land a perfect vocal, I usually take five before jumping into the next track.

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Where's the user stopping in the office of D? He nothing down here to D.

He must have got to figure out the situation. So I thought we could stop in here and figure out what we're going to do.

Yes, Nick. Ruby Taylor coming home tomorrow. I can hardly wait to do it.

I don't like to take care of who I go to bed and let it through be all signed up who I go down to meet her.

You don't want to spend all day tomorrow, though. It's all going to Ruby Taylor. Well, we got to make some money.

The way we are is only going to be in the four hours.

Well, don't tell me you're doing too much work tomorrow. So if I got to spend some time talking to her, I ain't seen her for a long time, you know.

I just can't believe you're coming, you know.

Say, by the way, what are we going to do about the bank account?

I don't know what we're going to do about it. We've got to do something about it. That's going to seem less.

That's one of your company's done, John.

The thing to do is not to put no more money in that bank. What is another bank?

Yeah, but if the one of your company can get it out of one bank, they can get it out of any bank you're putting in.

Well, what is we going to do with the money?

Look at me and me. I ain't going to find no money.

Yeah, but they can hold a fresh air taxi cab company for that money, according to the law.

Well, they ain't got no right to hold it none of my money. I'll tell you what to do.

As we take in the money, you take your hand and give me my hand.

I've got nothing on my mind now, whatever I'm going to do is just going to seem less.

I believe I'll finish writing that letter with a pocket puzzle.

Can't say anything. Never finish that easy.

No.

Can't write a little bit John, watch this. Go on.

I got to write my pocket here.

Read the word you don't read it so far. Let me hear what you're going to say to you.

Here it is, here it is.

I got down here, there's sir. You see, I don't change his round.

Yeah, it was all needed. Let me hear.

Before you married your wife, me and her was having dates till you was ready.

In a minute, what do you mean by that?

Well, I want to let him think that I was kind of looking out for her.

He said he was ready to marry us, you see that.

Yeah, but you were trying to marry yourself.

Yeah, but what's the use of telling him that?

You tell him something like that. You're going to end the tag of the man.

Get him mad.

He's going to do what to him.

It makes up his brain, and that's what we call antagonist.

I don't hear of a lot of ants, but I ain't never hear of a antagonist.

Do you know what else you got down there?

Then I say here, I wanted her to clean up everything, so you wouldn't have no trouble.

You trying to make him think that you was doing it for him, huh?

I was just using pyrrologism.

Pyrrology and pyrrology.

Oh, you hear her, huh?

Yeah, then I say here, don't say nothing to her about this,

but she owes her some furniture, and I figured that you didn't want to worry about nothing on your honeymoon.

So I signed a note for the furniture, and now they are done garnishing.

Wait a minute. That's garnishing.

Well, that's where we go into the past tense.

You drop the sheet.

You drop the sheet, huh?

Yeah.

You want to drop her a long time ago before you sign that note, that's what you're doing.

I ain't talking about her, am I?

I'm talking about she, on the end of garnishing.

Well, what about the intense that you're talking about?

We is past them.

Oh.

Oh, what?

They're clean, old.

Don't come round here, old.

Boy, I owe enough without you, old.

Well, go and read me the rest of it.

I say here, so I signed a note for the furniture, and now they are done garnishing the money.

They ain't garnishing the money, though, they're garnishing you.

No, they're garnishing the money.

They ain't got meat tied up, I can walk around.

The money is the thing they got tied up.

Yeah, I guess you're right about that.

Well, then I say here, let me see, wait a minute.

Go ahead.

I don't think the furniture's up here, man.

All they want is the money, please.

Yeah, that's all they want already, there's the money.

Now, what else is I going to take them?

That's what I got to figure now.

You say, can I see here?

You saw it out there, but you ain't finished that, huh?

No, I'm finished that.

Yeah, that's what I got you to see.

I got to figure out now what to say to them.

Well, what do you think you're going to say to them?

Well, uh...

You, you want him, though?

To be the note for your way of fun, okay?

That was your way of fun, okay?

Yeah.

Why don't you just tell him that, then?

I've got a reproach for something, Samus.

And if he sold it when the letter hit him,

you won't know what hit him will be.

What do you mean?

Well, I can't come right out and ask the man.

I might register to him.

Something like say, uh...

He didn't go make me mad if you paid a note.

Or something like that could be.

I said, ain't gonna make you mad.

By the way, uh...

Don't plan on me driving that back again tomorrow night

cause I'm going over to Rubitela's house.

Here I am, trying to write a letter and you talking about Rubitela.

Well, if he's coming in in the morning,

I can't help but think about it.

Well, now, let's get back to the situation.

Now, what is you going to do?

I'm going to meet the train.

I ain't talking about that anymore.

I was talking about this year, Ghani's business.

Well, I think Rubitela coming in in the morning,

that's what I think, though.

But I still have it, I don't know what to do.

I don't care what they're going as long as I can see my daughter in tomorrow.

How would it be for me to Ghani's your husband?

What do you mean, how would it be?

Think he'd like that?

You bet not enough with a husband.

He's a big business man.

Well, he ain't no bigot nighers.

I was big enough to get Ghani's she, then.

Well, you go ahead and do what you want to do.

Yeah, after, just give me half of the money

for you to put it in the bank, that's all.

Well, now, listen.

I'm going to tell you something else that happened yesterday

that I ain't told you about.

Don't tell me no more bad news now.

All I want to do is to go down and meet Rubitela in the morning

and be happy there one more day without hearing some bad news.

By the way, he didn't see the taxi cab.

You know what sense it didn't see the damn statement on a deal.

Wait a minute.

Let me tell you what I'm going to tell you now.

I bet I know what's here.

What you think it is?

You've been talking to the King's Beast

about moving the taxi cabs under the New York inches.

No, no. I ain't said no more to him about that.

Me and her?

No.

I don't want to move it down there.

Leave Rubitela here and me be in New York.

No, I don't want to do that.

They ain't got no taxi cabs down there.

We go in there with a taxi cab.

We might make a lot of money, boys.

But that ain't what I'm talking about.

Well, what is it talking about?

I kind of hate to tell you this, you know.

It's because it's going to disrepoint you.

What's the matter now?

What time is you planning on taking the taxi cab down

at the depot in the morning to meet Rubitela?

I'll wait a minute.

Wait a minute.

Those before you say no more here now.

Don't plan on me driving that taxi cab

away in the morning, tip to the depots.

So I won't have that type of a cab there

and meet that gal when she get off the train.

I ain't planning on nothing.

I just ask you what time to train.

Get in.

The train ain't getting at nine, so...

Mr. Taylor, expect a telegram from us.

So do I, you see?

That nothing knows exactly what time she's going to get you.

Yeah, well, here's what I got to tell you.

The man from the furniture store was over the sea

me yesterday, and they done piled up the money

we got in the bank yesterday.

But that ain't enough to pay the note.

And he says that if the balance of the money

ate his hands by eight o'clock tomorrow morning,

they are going to take the taxi cab away from us.

What do you mean they're going to take the taxi cab away from us?

They're going to take the taxi cab away from us.

They can't do that, they can't end it.

And they don't let them take the taxi cab away from us yet.

Can you grab one more thing?

I'll come back up pretty cool.

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Really?

No, no, no.

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