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About this Episode
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Dive into the captivating world of classic crime-solving with "Dragnet Radio," where each episode brings to life the thrilling police investigations from the original 1950s radio series. Join Sergeant Joe Friday and his partners as they navigate the mean streets of Los Angeles, unraveling complex cases with meticulous detail and unflinching determination. This podcast not only revisits the groundbreaking drama that set the standard for all future police procedurals but also explores the cultural impact and historical significance of one of the most influential shows of its time.
Hosts & Guests
Transcript
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Ladies and gentlemen, the story you are about to hear is true.
The names have been changed to protect the innocent.
Drag Nets.
You're a detective sergeant. You're assigned a homicide detail.
You get a call from a man who tells you his wife has failed to keep an appointment.
There's no trace of her. There's evidence of foul play.
Your job, find her.
Drag Nets. The documented drama of an actual crime.
For the next 30 minutes in cooperation with the Los Angeles Police Department,
you will travel step by step on the side of the law through an actual case
transcribed from official police files.
From beginning to end, from crime to punishment,
Drag Nets is the story of your police force in action.
It was Friday, August 7th. It was warm in Los Angeles.
We were working the night watch out a homicide detail.
My partner, Frank Smith, the boss is Captain Warming. My name's Friday.
I was on my way back from missing persons and it was 127 a.m. when I got back to room 42.
Homicide Squadroom.
Hi, Joe. You talked to Graham?
Yeah, I just got in. How'd they do?
I only came up with a kid.
Where'd they find him?
The boyfriends. They were watching TV.
The missing youngster told his friend his mother knew he was there.
Uh-huh. Everything's all right then.
Yeah, I guess so. Graham said the kid's going to have to eat standing up for a few days.
You know, it's funny thing about parents.
I mean, thing like this happens and all they care about is getting their kids back.
After a while, they begin to think about it and get sore.
Doesn't make a lot of sense.
You figured you got a couple of kids?
Yeah, I guess it'd be the same way.
I got it.
Homicide, Friday.
Guess it, that's right.
Well, where are we supposed to meet her?
Will I be checked there?
Let's see.
All right, do you want to give me that address?
Yes, sir.
No, we'll be right out.
Right, goodbye, sir.
I got a little better check here.
Yeah.
Bar tender out on Normandy.
Says his wife's supposed to meet him a half hour ago and she hasn't shown up.
He called his house?
Yeah, she's not there either.
Says she's never been late before.
No, it's always the first time.
Well, he doesn't think so, huh?
He thinks she's been kidnapped.
Frank and I left the office and drove over to the bar.
He was located on the corner of Normandy Avenue in Monroe Street.
In the event, the story we've gotten on the phone was true and the woman had been kidnapped.
We parked the car down the street and I walked back to the place.
A couple of minutes later, Frank followed.
We met the man who'd placed a call, George Cabot.
We asked him to tell us what was wrong.
I sure didn't waste any time getting here.
What until what's happened?
Yeah, my wife's gone.
How do you mean?
Ethel's disappeared.
But when did you see her last?
It's morning when I left the house.
Have you talked to her since then?
Yeah, at 12.55 tonight.
She called her to tell me she was on the way down.
Mm-hmm.
Did she see him all right then?
As far as I could tell.
It's possible that she might have stopped at one of the neighbors.
I thought about that, too, but I checked.
Now, I'm a casino.
You called your home, Abby.
Yeah.
I didn't get any answer.
I tell you something's happened, Ethel.
I'm about to blow my car and not know what it is.
Maybe she's still at the house and didn't hear the phone ring.
Yeah, I figured that, too.
Maybe that's her.
Hello.
That's a what?
No, this is Cabot's barn grill.
Yes, ma'am.
Who?
No, I didn't say it tonight.
No, I'm sure.
Yeah, I'd know him.
No, lady, I'm not lying for him.
He isn't here.
Yeah, if I say him well.
Yeah, good night.
Button her.
Yeah.
Well, she's in the same fix.
I'm in on this.
She can't find her husband.
Cabot?
Yes, sir.
I hope you won't be offended by this, but is your wife drink?
You mean you think she stopped at some barn?
Got gasped up and just didn't show up?
Is that what you mean?
That's not exactly what I meant.
I just asked if your wife drank.
Well, you got it all wrong.
Ethel has a martini once in a while before dinner,
but if she wanted to drink anymore,
then that you could come down here and I'd pour for her.
All right.
It's a question we have to ask.
You understand?
This is long as you don't think Ethel's a lush because she had.
You said you checked your house.
Yeah, when she didn't show up, I waited a while,
and then I got worried and called Mrs. Lawrence.
She's the lady next door.
Ask her if she's seen Ethel.
Yeah.
She said my wife had been over there all evening.
They were playing that baseball game line drive, you know,
with the cards.
I don't think I know it.
It's a new game.
Anyway, they played that for a while,
and they watched the television,
and at 12.30, Ethel said she had to come down and make me.
Mrs. Lawrence said she left the house and it's all the way.
His neighbor's kind of bubble-headed, you know?
She's not real bright about things,
so I thought that maybe Ethel had gotten sick
and couldn't answer the phone when I called.
Yeah.
Well, the cabin went home.
The car was gone, so was Ethel.
I checked the whole house in the yard, not a sign of her.
Looked in the front closet too, her coat was gone.
I'm sure she left the house.
I had the cab driver come back to buy the same way
that Ethel always drives it.
I thought maybe there was an accident or something.
There was that being able to see it.
You know, people are cops.
Yeah, I understand.
What many things?
Does she always come down here at night?
Regular is clockwork.
Never misses it.
Excuse me.
Yeah.
Hello.
Yeah.
No, I remember.
No, ma'am, I haven't seen it.
Look, lady, I got my own troubles.
I'm not trying to cover up your husband.
Well, it doesn't make any difference to me
or not what you think.
He hadn't here.
Okay, that's fine with me.
He never ran up on the 30 cents tab anyway.
And even then he ate all the peanuts on the barn.
You tell him I said so.
Yeah, good night.
You're real bright about it.
You were saying that your wife made it a practice
to come down here, is that right?
That's right.
You see, our boy was killed in the Pacific five years ago.
Our only kid.
We both took it pretty hard.
He got on Ethel's nerve, sitting around the house by herself.
So she drive down to pick me up.
Get here a little early and help me with a cleanup.
Yes, sir.
Called at 12.55 to say she was leaving,
walking the door at 105.
Didn't very more than a minute, either way.
Mm-hmm.
Depend on the light at the corner of Denmark,
more in Santa Monica.
If she makes it green, it's 104.
When she walks in, otherwise she's a minute later.
She always called before she leaves the house.
I can walk over to the phone at 501 and pick it up.
No, she's going to be on the other end.
Has your wife been in good mental spirits lately, do you know?
How do you mean?
Well, I mean, there's been anything on her mind.
Anything that worried her more than usual?
No, she didn't say anything.
If that was, I'd have been able to tell.
Is there any special reason why you think she's been kidnapped?
Just that she's gone.
It isn't like Ethel to do something like this.
I know it's not her idea.
Never done anything like this before then.
No.
Do you have a picture ever we get out?
Sure. I got one in my wallet.
You're probably at woman again.
Oh, well, look.
I haven't seen you.
What?
Now, look, don't you try that with me.
No, I don't.
If you're hurt or I'll make you sorry, the rest of your life.
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Hello.
Hello?
Cabot?
Cabot?
What?
What's the matter?
Nothing.
I guess I made a mistake about the whole thing.
What do you mean now?
I guess nothing's happened.
We'll just forget I called you about it.
Is that the way you want it?
Yeah.
I'm sorry to cause you all a trouble.
I'd like to buy you a drink if I can.
No thanks.
Sorry about the whole thing.
You want to tell us what they said?
Oh.
Party on the phone there.
I don't want to talk about anything.
You're not going to help your wife that way.
Now what do they ask for?
Look, I told you guys it was all a mistake.
Now why not let it go at that?
How about the picture you were going to give us?
There's no reason for it.
The whole thing's a goof up.
Well, you're talking the phone didn't make it sound that way.
All right.
She's gone.
Those are the people who have her.
They asked for money?
No.
They said for me to sit tight and not to tell anybody
or they'd kill Ethel.
I'm going to do like they say.
You're taking a big responsibility on your stuff, Cabot?
Maybe so, but she's my wife.
That's a big city.
I'm going to be a little tough for us to find the kidnappers
without your help.
That's so bad.
How do you mean that?
I got an idea who they are.
It isn't going to be too hard to find out.
If you go out in the lemon, you may give your wife more trouble
and help.
Ethel's my wife.
I'm not going to let us help you then, huh?
No, and I don't want to go over it anymore.
I got the only stake in this anyway.
Are you wrong about that?
What?
What about your wife?
Because of his attitude, it was useless to question
George Cabot any further.
We left the barn, got in touch with the office.
We made arrangements for a complete 24-hour surveillance
to be kept on him.
In most cases of this type, the kidnappers usually demand
that the victim's friends or relatives stay away
from law enforcement agencies.
They do this to stall for time.
Statistics proved that in the vast majority of cases,
the victim's fate was decided long before the kidnapping occurred.
It never is the intent of any officer
to endanger the life of a kidnapped victim,
but at the same time, it is necessary for them
to have all available information so they can move rapidly
when the case does break.
In an effort to gain more information on the missing woman,
Frank and I went over to see the victim's next door neighbor.
She identified herself as Carol Lawrence
and asked us into the house.
Not sure.
This is quite proper, you know.
What's that, Miss Lawrence?
A couple of men in my house at this hour,
especially with me and my bathroom.
I'm sure the neighbors will understand.
Well, I hope so.
A couple of real Gabby ones.
From the streets, you know.
Mm-hmm.
Big mouths.
That's right.
Guess you'll be in place minutes, all right, you think?
That's right.
Okay, Ben.
What do you want to know?
When did you see Miss Cabot last?
You mean, Ethel?
That's right.
I started at night.
What time did she leave?
I guess it was about 12.30.
Say where she was going.
You didn't have to.
What do you mean?
Ethel only goes one place that time and I.
Yeah.
Down to pick up George.
We understand she usually calls him before she leaves.
That's right.
I left here at 12.30, went next door to get a coat.
A couple of minutes later,
I heard a drive-off.
What can you tell us about it?
Nice woman.
Real nice.
Yes, ma'am.
We're great chums, you know.
Belong to the same club,
and see a lot of each other.
Mm-hmm.
You see, my husband's gone,
and Ethel's man works every night,
so she's alone a lot of time, too.
Oh, I understand.
Ever since their boy was killed,
she's been kind of empty.
How was that?
Their boy was killed.
Yes, ma'am.
Then kind of empty, ever since.
Then two George don't help much.
What do you mean, my boy?
Oh, maybe I shouldn't have said anything.
What's all right, ma'am?
Oh, I sure don't want to get nobody in trouble.
What you want?
You won't know that around,
and I told you anything.
No, ma'am.
How about you?
No, ma'am.
One thing I can't go,
is a person who carries tails,
just can't go.
I don't want anybody to say that about me.
Well, yes, ma'am.
What is it you're going to say?
I guess it'll be all right.
You're so honest looking.
Thank you.
He is, too.
Yes, ma'am.
What would you like to tell us?
Well, you know,
poor Ethel isn't very happy.
That's all.
Oh, ma'am.
I feel sorry for her sometimes.
What about?
Well, it's that husband of hers.
Mr. Calis?
Yeah, oh, he's a good provider now,
but I always say there's more to life than just that.
That's all right.
Nice home, good car, paid bills and all,
but George isn't selling his makes out, you know.
That's all?
Why do you think Ethel goes down to that bar
to pick him up every night?
Well, we don't know what you're telling us.
You're a man.
You should be able to figure it out.
She doesn't trust him.
That's why.
All those girls hanging around the bar.
Ethel notices things like that.
George has got pretty big eyes, too.
He doesn't take a lot of imagination to add it all up.
Well, as Mr. Cal had ever talked to you about all this.
A couple of times, she'd come over crying
because of something George instead had done.
She'd tell me.
No, oh, sir.
No matter what it looked like, they weren't very happy.
So they have a quarrel with you now, huh?
A lot of times.
George used to yell at her, scream about her,
leaving him alone.
I could hear it over here.
Sometime, you know, when does her open,
sound carries right over.
Couldn't really not hear it.
In mind, I didn't try.
That's not interesting.
Any of these quarrels ever get violent, you know?
You mean the George ever hit her?
That's right.
Oh, were you very dead?
Gave her a black eye once,
a couple of weeks for it to go away.
Poor Ethel.
Poor Ethel. She tried to hide it with makeup.
She could still tell.
I see.
Once she left, did you say that she was going down
to pick up her husband?
Yeah.
Told me she had to go get George.
Met her a little mad tonight.
Why is that?
Miss the last part of the movie on TV.
I see.
Ethel had to leave before we found out who the swindler was.
Uh-huh.
Can you tell us what kind of a car the cab is driving?
Pontiac.
Cooper sedan.
sedan light blue.
What year?
This one.
Brand new.
You happen to know the license number?
No.
Couldn't give that to you.
Didn't pay a lot of attention.
Do you know if they do business with one service station?
No.
I can't tell you that.
Can you give us a description of Mrs. Cabo?
Sure.
I give you a picture if you want one.
You appreciate it.
It's no trouble at all.
I got a scrapbook here.
Shocks of Ethel.
Oh!
Here's that pencil.
That's what I was looking for.
Right here, now.
Right out here.
Is that it there at the book?
No, no, no.
That's my high school right now.
Wow.
I'll wait just a minute.
Well, it is here.
I know it is here.
Oh, here it is.
Mm-hmm.
Mm-hmm.
I took all these myself.
This round is very nice.
Oh, that's my husband.
I took that at Cornell Island, once spring.
Mm-hmm.
Oh, my husband.
Oh, here's one you can take.
This one here in the shafts half that's Ethel.
We were having a barbecue and she was the cook.
A little fuzzy, but it gives you an idea what she looks like to see.
Mm-hmm.
Well, here's cut short.
Now, I have to cut last month, kind of a bob like you.
You can take it.
Thank you very much, ma'am.
You know, I just thought of it.
You haven't told me what this is all about.
Something happened, Ethel.
You're rich.
Well, we're not sure yet.
We're just taking out a complaint.
Oh.
Well, as long as you're all right.
Yes, ma'am.
I'm not sure about covers it.
I should like to thank you for your cooperation.
No, I'm happy to help.
Good night, Ms. Lars.
Good night, Mr. Smith.
There's one more thing.
Mm-hmm.
Will you be home tomorrow if we have to get in touch with you?
All the way.
If I don't answer right away, let the phone ring for a while.
I got some work to do in the garden.
All right, ma'am.
Thank you very much.
Well, I hope I helped you out.
Good night.
Good night.
What do you think?
I don't know.
Only she tells if something's out of line in it.
Well, Cabot seemed to be pretty upset when he got that phone call.
There's only one big trouble with that.
What do you mean?
Maybe that's what he wanted us to think.
Two forty-five a.m.
Frank and I got back to the office.
We ran the names George and Ethel Cabot through our and I,
but we find no record on them.
We set a teletype to DMV up in Sacramento,
asking for all available information on a car register.
To George Cabot or his wife or both.
Frank went over to the business office to see if the men in the units
that were keeping Cabot under surveillance had reported in.
There were no messages.
We made a 15.7 report directing it to Captain Warmen,
telling him what had happened and what action we'd taken.
At 3.52 a.m., we were ready to leave the office.
You know what, sir?
Yeah.
Let's go.
All right.
I got it.
Make it fast, huh?
Homicide fighting.
Where?
Yeah.
Okay, we'll be right over.
What do you got?
Ethel Cabot.
Yeah, I just found you.
You are listening to Dragon It,
the authentic story of your police force in action.
Frank and I left the office and immediately drove
over to George's Tree Receiving Hospital.
When we got there, we talked to Dr. Sebastian
and he gave us the whole story.
The woman had been found lying by the roadside.
She was picked up by a motorist.
He'd taken her directly to the hospital.
Sebastian went on to tell us it from her appearance.
Ethel Cabot had been severely beaten and enrolled or dragged and hot tar.
Her clothes recovered with it. Her hair was matted.
The doctor said that the woman's head had been shaved
and that most of the tar had been removed.
A tentative identification had been made through a letter
found on her person when she'd been brought in.
An attempt was made to call her husband,
but there was no answer at either the bar or at their home.
Frank and I waited until the woman had been treated.
Then we went in to talk to her.
She was in a state of severe shock and she was in coherent.
I'll hit her anymore.
There's more.
It's out of her head.
I didn't do anything. I'm going to hit Frank.
Miss Cabot.
Miss Cabot.
Please let me go.
You're all right now. There's nothing to be afraid of here.
You're all right.
You're in the hospital, Miss Cabot. You're all right.
No, I don't get it anymore.
I want them to touch me.
Nobody's going to hurt you, Miss Cabot.
Where's George?
We're trying to reach him in.
I don't want to see him.
Whatever. All this fault.
George caused this?
They told me.
Who said that?
Well, come. They said they were doing it for George.
There were two people.
Yes.
They kept hitting me.
And before the thoroughfare, there wasn't anything I could do.
Nothing.
Did you know these men?
They kept hitting me.
George, George tell them to stop.
Anymore, please. Not anymore.
Miss Cabot, you know who the two men were.
No, I don't know.
They didn't have any reason to do it.
Except for George. That's what they told me.
They know they're going to hit me like that.
Did you hear a name?
No, I don't know.
Did either one of them call a name of any kind?
Please make them stop.
I'm going to point my tongue.
Miss Cabot.
Finds. I can't stand anymore.
Miss Cabot, can you tell us what the men look like?
George, George, time to stop.
Miss Cabot.
Now we're not going to get much more out of a joke.
Better get a police woman up here to stand by.
Yes.
George, George, I can stop.
George?
Yeah, Dave.
While you were talking to Cabot,
the woman called, came in for you,
getting in touch with the business office.
OK, Dave, right away.
They probably got a line on Cabot, huh?
Yeah.
Hello, this Friday.
When?
OK, we're leaving right now.
Right, Bob.
Oh, it really tears it.
What's that?
I just lost the tail on Cabot.
Frank and I went back to the office.
We got in touch with a unit who had been assigned to keep Cabot under surveillance.
They told us that the man had gone downtown
and had entered an all night movie.
In the darkness, he managed to get away.
A team of men was sent out to his house,
but he hadn't returned.
A stakeout was set up on it.
A check of his bar failed to yield any additional information
as to his whereabouts.
A local broadcaster was sent out to all units
asking if they'd be on the lookout for the man.
If he was found, he was to be taken into custody
and we were to be notified immediately.
6.45 am.
Frank and I checked out of the office
and we went home to shave and change our clothes.
At 8.15 am, we got back to homicide.
It was somebody waiting to see us.
You want to see us?
Are you Friday and Smith?
That's right.
I'm on our left, right?
I got something to tell you.
All right.
No.
I figured it might be called you.
You know him?
Yeah, yeah.
I work for him.
Help out in this place.
You heard from him?
Yeah, this morning he called me at home.
Do you say where he was?
No, but I think he'd been drinking.
He sounded like it.
Yeah.
Was either of that or he was mad one or the other.
Is that right?
Yeah.
Last time I heard him talk like he did this morning
was when he had that beef in the bar about a week ago.
What was that all about?
A couple of guys thought they were pretty rough
tried to prove it to George.
Yeah.
Nobody cleaned up the place with him.
What caused that beef?
Well, they started to get loud
with a couple of girls in the place.
George told him to quiet down.
They didn't do it so he told him to get out.
Yeah.
They didn't want to go and they tried to put the muscle on George.
But they tried it with the wrong guy.
George really showed him.
That's all?
Oh, yeah.
Bonson both right out in the street.
The guys were pretty sore by it.
When does this happen?
About a week ago.
I don't remember the exact date.
They were pretty sore.
Told George they'd find some way to get even with him.
I get it.
Overside Friday.
He's not here right now.
Can I take a message?
Mm-hmm.
Yes, ma'am.
No, he's not working today.
Yes, ma'am.
Well, if you give me your number,
I'll have him call when he gets in.
All right.
That's 98.
Yes, ma'am.
No, no, it's right in the message book.
No, he'll say it.
That's right.
Yes, ma'am.
Mm-hmm.
No, he'll look at the book when he comes in.
No, the first thing.
You bet.
Well, you're more than welcome.
Yes, ma'am.
Bye.
You know these two, ma'am?
Yeah, I've seen them a couple times around the bar.
You know their name?
Well, one of them's called Jack something or other.
I don't know the last part.
How about the other one?
I can't do any good there.
You know where we can find them?
Yeah, that's one of the reasons I come in here.
I want to tell you what George said to me.
Well, you say he found out who kidnapped Ethel.
He told me he was going to get him.
He mentioned this Jack figure was the same guy.
Where can we find him?
Well, there's a room on House over on 7th.
I can show you.
Well, let's go.
Uh, look, there's something else.
What's that?
Well, I was at the bar when George called,
and after I talked to him, I checked around.
You know, his gun's gone.
Frank and I left the office and drove over to 7th Street.
The bar boy pointed out the rooming house
where he said we could find Jack and his friend.
We checked with a manager and found the two men answering the description
we'd gotten shared a room on the third floor.
We left on the left or in the car, and we went up to the room.
Should be the last one.
There.
I wonder if Cabot's got there yet.
He has, come on now.
He's kicking it.
All right.
You all right, Cabot?
I'm going.
I'm going to let him go.
Get him away.
All right, come on.
Please don't stop me.
It's crazy, it's crazy.
Come on, Cabot.
Take it easy, you know.
Come on.
Come on over here.
Get over there.
Who is your keeper away from me?
Go on, move.
What do you think is going to prove to you anything like this, Cabot?
A couple of minutes more, I wouldn't have cared.
He found your wife.
We are, right.
Yeah, I know.
You didn't help yourself much doing a thing like this.
He's crazy.
You shut up.
All right, now.
Come on, calm down, Borderline.
Stand still.
All right.
How about this one?
Name's Rico Martin.
I'm a jack-tup, my wife.
They admit it?
They said they did it to get him with me for the fight.
We're just scared a little bit, that's all.
All right.
What difference does it make?
We're going to beat it anyway.
You are, huh?
Sure.
All you got to do is come up with the right plea.
And you've got it all figured, haven't you?
Sure, there's a lot of ways we can go.
Yeah, we've got one in mind.
The story you have just heard is true.
The names were changed to protect the innocent.
On December 14th, trial was held in Department 98,
Superior Court of the State of California,
in and fall of the County of Los Angeles.
Jack Prescott Bishop and Rico Blake Martin
were tried and convicted of kidnapping one count.
They both received sentence as prescribed by law.
Kidnapping with bodily injury is punishable
by life imprisonment without possibility of parole,
or by death in the lethal gas chamber.
The authentic story of your police force in action,
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a presentation of the United States Armed Forces Radio Service.
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