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historyreligionspirituality
Holy Ghost Hunter: Resurrecting the Dead (4/23/25)
About this Episode
NASA and Oxford computer models reportedly have proven, with use of Biblical references, that Jesus died on Friday, April 3, 33AD. Of course there is no way to confirm the literal resurrection story. Regardless, the idea is that we can use modern technology to peer into the past as if we have a looking glass into time.
Every Easter there is a general celebration of both nature and the resurrection of the savior Jesus. He is brought back in church services, households, and communities across the Christian and non-christian world alike. We do the same thing with artists, authors, and musicians.
A new exhibition in Australia is now featuring a performance of music from a lab-grown brain made from the dead composer Alvin Lucien’s blood.
This is a step up from using AI to complete Beethoven’s unfinished work or using the same to produce new albums of the Beatles. It is also a step up from using holograms and AI to present Elvis or Tupac at concerts. In essence, Lucien’s blood was able to provide him everlasting life - immortality. This can also be done with simple voice mirroring.
One of the most controversial memes right now involves Studio Ghibli, the legendary Japanese anime producer, which is watching its iconic hand produced art be reproduced by anyone with an Internet connection, and a picture, in seconds with AI. There is even talk now that lawsuits may start flying out of Japan.
But all art, music, etc., when an artist or composer dies, transcends time and becomes the voice of a ghost in the public space and time. The same stands true for the 1972 and 1973 Pioneer missions, which hold the Golden Record. Even the games we played as a kid teleport us back to those states when played as adults.
The immortality of human civilization is guaranteed likewise by the endless broadcasts into space of movies, shows, music, speeches, and so on.
We already know AI can generate fake audio and video, which could have a potentially devastating strike on any free elections and even grass roots movements, but AI has also been used to create fake images of giants, aliens, and cryptids, which has prompted the Loch Ness Center to draft experts to sort through the images.
The central issue here is not so much about the nature of what is real or not in the age of AI, but how history helps us understand the present and future, and how modern technology - the future from the vantage point of the past - can be used to help us understand history. We are haunted by phantoms, besieged by necromancers, and surrounded by the supernatural. How easy is it now to produce God; to change the past by resurrecting and rebranding narratives like UFOs or 9/11. As Orwell wrote "Who controls the past controls the future: who controls the present controls the past.” This is another interpretation of the idea that the U.S. can “manipulate space and time.”
*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.
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Thank you for supporting independent, unbiased inquiry into the mysteries of our world.
Every Easter there is a general celebration of both nature and the resurrection of the savior Jesus. He is brought back in church services, households, and communities across the Christian and non-christian world alike. We do the same thing with artists, authors, and musicians.
A new exhibition in Australia is now featuring a performance of music from a lab-grown brain made from the dead composer Alvin Lucien’s blood.
This is a step up from using AI to complete Beethoven’s unfinished work or using the same to produce new albums of the Beatles. It is also a step up from using holograms and AI to present Elvis or Tupac at concerts. In essence, Lucien’s blood was able to provide him everlasting life - immortality. This can also be done with simple voice mirroring.
One of the most controversial memes right now involves Studio Ghibli, the legendary Japanese anime producer, which is watching its iconic hand produced art be reproduced by anyone with an Internet connection, and a picture, in seconds with AI. There is even talk now that lawsuits may start flying out of Japan.
But all art, music, etc., when an artist or composer dies, transcends time and becomes the voice of a ghost in the public space and time. The same stands true for the 1972 and 1973 Pioneer missions, which hold the Golden Record. Even the games we played as a kid teleport us back to those states when played as adults.
The immortality of human civilization is guaranteed likewise by the endless broadcasts into space of movies, shows, music, speeches, and so on.
We already know AI can generate fake audio and video, which could have a potentially devastating strike on any free elections and even grass roots movements, but AI has also been used to create fake images of giants, aliens, and cryptids, which has prompted the Loch Ness Center to draft experts to sort through the images.
The central issue here is not so much about the nature of what is real or not in the age of AI, but how history helps us understand the present and future, and how modern technology - the future from the vantage point of the past - can be used to help us understand history. We are haunted by phantoms, besieged by necromancers, and surrounded by the supernatural. How easy is it now to produce God; to change the past by resurrecting and rebranding narratives like UFOs or 9/11. As Orwell wrote "Who controls the past controls the future: who controls the present controls the past.” This is another interpretation of the idea that the U.S. can “manipulate space and time.”
*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.
-
FREE ARCHIVE (w. ads)
SUBSCRIPTION ARCHIVE
X / TWITTER
MAIN WEBSITE
CashApp: $rdgable
EMAIL: [email protected] / [email protected]
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.
Thank you for supporting independent, unbiased inquiry into the mysteries of our world.
Hosts & Guests
No transcript available for this episode.
