Hulu KILLS Trash Buffy Reboot

So I am really sad to have to share this, but I wanted you all to hear it from me.

Unfortunately, Hulu has decided not to move forward with Buffy new Sunnydale.

I want to thank Chloe Zhao because I never thought I would find myself back in Buffy's

stylish yet affordable boots. And thanks to Chloe, I was reminded how much I love her and how much

she means not only to me, but to all of you. And this doesn't change any of that.

And I promise, if the apocalypse actually comes, you could still beat me.

So that was actor Sarah Michelle Geller, who was talking about how they decided not to move

forward with the new Buffy reboot series, entitled Buffy new Sunnydale, very uncreative in terms

of a title right there, which we'll get into in just a little bit. And a lot of fans

upon seeing Sarah Michelle Geller so upset about this, ended up being angry at the executive

that her and Chloe Zhao, who by the way, is dressing in all black like a Hunger Games villain,

saying that she's in a period of mourning over this series getting canned. And yeah, this

caused a lot of people initially to be on their side and be very upset with the executives

over at Hulu. However, we actually ended up getting a sample script of the initial pilot of this

reboot. And after people have read this, after people have gone through this, they realized that

Sarah Michelle Geller is more blessed than she could ever understand. Because if the show was

going to go in this direction, it would be absolutely terrible in every possible way.

Woke garbage to the maximum, everything wrong with these legacy sequel slash reboots that Hollywood

keeps turning out time and time again. And yeah, it's actually incredibly embarrassing. In fact,

so embarrassing that even Kotaku again, Kotaku ended up saying that the script was terrible

with a headline like this. An early script for Buffy the Vampire Slayer reboot leaked and it's

unbelievably terrible. And when Kotaku of all places is saying that this script is too modern,

too woke, too nonsensical, too loaded with SJW nonsense, you know it was absolutely over the top

bad. And we have the whole entire script for the pilot. And holy crap, this is one of the most

embarrassing things that you can possibly imagine. And this is what we're going to talk about

today. But before we do, I want to thank everybody who supports this channel via actualjusticewater.com

slash join. Give me the money. Give you give me the money. Okay. When I created the show of Buffy,

I um, I had made the movie already. Well, I'd written the movie already and the movie was designed

to sort of twist horror movies and empower this young girl. But that's not the basis for a TV show

because that's just one story. So um, it's been a long time thinking about what would sustain it

and that click of, oh yeah, high school was a horror movie. It was a horror movie of humiliation

and isolation and power and cruelty and um and to put that into the horror movie genre every week,

there would be enough for let's say seven years worth of entertainment where I could actually tell

stories that meant something to me about my life and still have with the error and the room and the

sex and the fun. It really made me realize that, you know, when you're creating an ensemble, you

you need everybody to be in their own corner. It's like they're, they're all holding, you know,

the blanket that the audience is going to jump into. And if they're not all in different places,

the audience will not bounce. Uh, then you, you know, you, you must create characters who are

naturally opposed, naturally individual. And then ultimately they always end up sort of fulfilling

certain things. So that was a clip of Josh Sweden talking about his creation, Buffy the Vampire

Slayer and how it was very important for him to examine this as something different from his project,

which was the Buffy the Vampire Slayer movie in that he knew that he had to develop a character

dynamic where every single character was in fact flawed and their interactions ended up bringing

them together or ripping them apart because this is the foundation of a good television show. And

if you actually watch the original Buffy the Vampire Slayer series and then you watch the

Angel series, which is a spinoff, one of the things that you'll realize is that if you try to

like hone in on the mythology or on how the magic works or any of that stuff, it's going to have

some flaws, but you're willing to overlook that due to the fact that there are so many strong

characters in the particular series. And again, strong in the sense that they're not invincible

Mary Seuss, in fact quite the opposite, in that they feel like real people. So this, being Josh

Sweden's creation, it only made sense for him to be the person at the helm of bringing it back,

but of course, since Josh Sweden was canceled, they decided to throw him aside and instead

brought in Chloe Zhao, who's the director of a couple of independent films and one of the

least successful Marvel films, The Eternal's. And yeah, obviously she is not going to bring

the same strength in the writer's room, in my opinion, that we didn't brought. Also, in addition

to that, if you read up on Weed & Scandals, one of the things that you'll find out is that the man

has a lot of problems with women. And for some reason, in order to be a feminist writer, that's

actually a good feminist writer, you actually have to hate women in order to do so. But guess what,

in modern era, in current year, this is not what we do. So we have these over perfect characters

that end up fulfilling these positions while at the same time you can't create something that is

notable on its own. So what you have to do on top of that is vandalize a past IP. And this is

exactly what this series aims to do. And even the title from the jump and the premise is a major

problem because the show is called Buffy New Sunnydale. But at this point in time, Buffy is going

to be in her 40s. The slayer is meant to be a teenager. And in addition to that, they are going to

have a teenage slayer that was named Nova, according to the script. But the fact is, while this

sequel series could make sense, had Buffy ended as originally intended in season 5. In reality,

by the end of season 7, they broke the slayer cycle, they activated all the potentials.

Oh, and by the way, they also destroyed the entire town of Sunnydale, meant to symbolize that

Buffy, and of course the story, was going to continue on, but separate from Sunnydale. But the

fact is, this show is loaded up with stupid ass member, Barry. So you have to bring Sunnydale back.

You have to have a slayer that is called at that particular location. And you have to retread

all the old ground, introduce a new group of Scoobies that are no way shape or form going to

feel as real and authentic and as interesting as the original group of Scoobies. And of course,

Sarah Michelle Geller is relegated to a cameo at the end of the script, as she's essentially

getting the Luke Skywalker in the Force Awakens treatment, which is embarrassing in every possible

way. But even more embarrassing is the fact that you have all these different people condemning

one producer, because he said that he didn't watch the series all the way through. He's not a

super fan. And essentially what they're trying to do is say, the production team behind the show,

they're not big fans of the series. They don't know what's up with the series, but we, the writers

and the crew and all of us, we're huge fans and we understand the series when if you actually

read the script, one of the things that you'll find out is that is anything but true. And I'll

give you a perfect example of this as somebody who has not only seen this series, but has seen

the spin-all series Angel, which by the way is fantastic and underrated. In fact, many of you have

made comments on the fact that in certain videos on this channel, I'll wear a Wolferman heart

law shirt. That is actually an angel reference, because I am a big fan of that particular show.

But yeah, there's an end point of there where they're introducing Buffy and she ends up working

at some insurance agency, which again, not the most creative thing. And she ends up examining

the damage that is going on in the small town of Sunnydale. Again, Buffy who finished her story arc

by leaving the destroyed Sunnydale by leaving the Hellmouth. Again, something that she was supposed

to move on from ends up back in the California area being an insurance adjuster looking at Sunnydale.

But she's also operating under a code name. And that code name is Anne, which is actually Buffy's

middle name and a code name that she used, I believe, in Episode 1 of Season 3 after the fallout

of the events of the end of Season 2. So this is meant to be a reference for you guys out there

in the audience to say, hey, look, the writers wrote the series one time Buffy operated under

the alias named Anne when she was in Los Angeles for that one episode. Aren't we so in touch with

how the series was written? Aren't we super fans? We really know what's going on here when in

reality and actuality, using this as her alias shows that you did not understand the episode

in which this name appeared because I actually watched the series. I actually understand why she was

working as a waitress in Los Angeles under the name Anne. And this is because that episode was all

about the fallouts of Season 2, where she did not want to be herself after killing her boyfriend.

Again, you guys just watched the series. I'm trying to be as vague as possible, but trust me,

it makes sense within the context of the series. And in that episode, she finds another blonde girl

who is jumping from identity to identity, who is upset about her boyfriend who is missing. And that

guy also ends up turning up dead. Now, I don't know if you guys know this. I don't know if you guys

are aware of this, but this is what we call symbolism. And also, this is something that we call

a narrative device in order to develop our main character by having her help solve the problems

of somebody going through exactly what she's going through for one particular episode. So,

anyway, throughout the events of the series, Buffy ends up getting revenge on behalf of this

particular girl. And through those events, she ends up deciding that she's going to be Buffy again,

but she leaves the name Anne behind and actually gives it to that girl who continues to be Anne

as a like a reoccurring cameo character throughout the angel series, which takes place in L.A.

throughout its entirety. And yeah, that girl ends up becoming Anne. And obviously, Buffy is never

to become Anne again. Like she is setting that aside. That's the whole point of the character arc

of season three episode one where she is no longer Anne. That's the title of the episode. And yet,

the showrunners behind this particular show don't get that. They don't understand that. They just

go for the cheap reference without understanding again the context of which that originally existed.

This reminds me of when I watched a clip of Dragon Ball Super where Vegeta ended up doing the move

that he did against Majin Buu where he ended up blowing himself up. However, in this particular

episode, Vegeta did not actually blow up and then the characters end up explaining that the reason

why he didn't blow himself up this time is because he actually learned control over that particular

attack. Now to me, when I watched this, I was blown away by how stupid this concept was

because the whole idea of Vegeta blowing himself up to kill Majin Buu was to like seal his

redemption arc that had been building since the Saiyan saga. And what Super ends up doing for

cheap reference to that is re-created without any of its emotional weight or original context.

And then they try to retroactively make what Vegeta did back in the boost saga the symptom

of incompetence rather than a deliberate sacrifice where he blew himself up because again,

he realized that he cared about his family, he cared about the earth, and he had become a defender

of the earth. Now Dragon Ball Super is notorious for this kind of thing in resurrection,

F Piccolo ends up sacrificing himself for Gohan in the same way that he did during the Saiyan saga.

And yeah, it's just not the same emotional weight. You're just trying to get a visual member

bury similarity between the two without understanding the original context, thus showing me

you don't actually understand the property that you're actually writing for. And it's so crazy

because when people are like, remember this, remember that reference, remember this from the original

show. I want to respond to them by saying, do you remember? Do you remember the context in which

that originally occurred? Because obviously you don't, and you're the writer on the show,

I'm just a person who saw it when it aired. But for some reason, I can remember this way

better than you can, and that is absolutely troubling. Now again, if you wanted to do a callback

that actually made sense, that wasn't specifically a name used and left behind by the character,

which shows that you don't understand the usage and the point of that name in the episode,

you would actually use Joan as the codame, which is from the episode Tabluo Raza,

which is an episode where Buffy ends up forgetting her entire identity, along with everybody else

in the main cast, and they end up having to come up with names on their own. And this is the one

she chooses for herself, not knowing anything about herself. But you know, that would be like a

reference that made sense within the context of the universe that you're actually writing it.

But what do I know? I'm just a bad man, baby fan, who doesn't understand the writing of the show,

even though again, I clearly understand the writing of the show significantly better than the people

behind this that are just looking for things to do member berries about. But it gets worse than that,

because when they say on Kotaku that this is modernized to the level of an SNL sketch,

they are not exaggerating. There are characters that are described in the script,

vampires that come up from the ground, as wearing clothes that might indicate that they're

possibly female. But of course, we're never going to assume genders, because that's absolutely

terrible. Now look, somebody will respond and say Buffy was always a feminist show. It was always

woke. And yes, while that is true allegorically, as the show follows a girl growing up into womanhood,

in reality, every time they had actual sexism in the show, like people disrespecting Buffy because

she was a girl, those were the worst episodes, the most hand-fisted episodes. And in fact,

those were the episodes that made the least amount of sense in universe, because in universe,

people should understand that yes, a girl is the one that becomes the slayer, that is how it works.

And they shouldn't just be dismissive for no reason, because in the context of the universe,

that makes no sense at all whatsoever. Now the allegorical sexism stuff definitely worked.

The Watcher's Council happens to be a group of British men that withhold knowledge from the slayer

in an effort to control the slayer, because they want to be the masters over her power. And Buffy

has to actually rebuke the Watcher's Council as a part of her arc of growing up, and not listening

to what is perceived to be unjust authority. Again, allegorically, that is her standing up

to the patriarchy, if you will, but it's not explicitly stated that they're the evil white male

patriarchy, the evil British patriarchy, like it is in this particular series. There are in fact

lines in this series about girls wanting a guy to stand up for him, and he says, oh, I didn't want

to do that. I don't want to step on your toes. You don't like it when I deem your light, and then

the female character ends up responding with, oh my god, you always try to weaponize my own feminism

against me. And again, these are lines that would never be in the original show. In addition to

that, there's also dialogue that references like TikTok slaying, and it's absolutely embarrassing.

And again, it shows me that these people don't understand the original series, because while the

original series is dated in a lot of ways, the slaying and the terms used by the characters

is not one of those ways, and I'll explain why. So we go to the Kotaku article, and they highlight

the fact that they're using terms like unalived, and all sorts of embarrassing things. Again,

from TikTok, in the actual dialogue, in the most embarrassing way possible. And this is because

Chloe Zhao is completely out of touch with how the youths talk, so she's trying to write in a way

that fits in with them, but unlike Joss Whedon, who is a much more superior writer, superior showrunner

to her, who understood that no matter what they wrote, as older guys, they were not going to

capture the voice of the youth, it wouldn't make sense. So Whedon actually developed what he

called Buffy speak, which is the way that the kids talked in the series, which was slaying that

was made up, fits in universe, and thus could not be dated. Making it feel fresh and kind of young,

what the same time, not making it feel dated. A lot of people think that what we do is sort of hang

out and listen to teenagers and take stuff from the way they speak, and we really don't. We make it

all up. We love language, and we don't hold anything back, and it's a really nice liberty that we have.

What that means though, is that when you're writing, you have to constantly think about how can I

turn this phrase a little bit? I'll think of the straight line to say, the line that gets the

intent across, and then I'll figure out what's the flippy way to say that. This show would have been

dated a minute after it came out, maybe even before it came out, it's dated in the script, because

the way that people are talking is using the modern slang at the time of the writing, that again,

changes so fast, becomes irrelevant so quick, and it totally misunderstands the concept of

the original series, because this is something that they've been doing correctly back in 1997,

and it's why you can watch this show, and you're not going to hear phrases and whatnot that just

don't fit in in the modern era. Also, the issue of political correctness has been featured in

episodes of the original series, very famously in an episode called Pangs, but again, throughout

the course of the series, there were complaints from people that they relied on stereotypes and whatnot

in order to establish the lore. The first slayer was actually created by a bunch of African witch

doctors. They ended up making the black woman slayer rather demonic with the infusion of the

power, and a lot of people were very angry looking back and saying, oh my god, this is so dated and

racist and terrible, and that's not even to mention the fact that Angel ends up being cursed with

the soul due to a gypsy curse, because you know those darn gypsies, again, also considered to be

unbelievably offensive by your modern woke audience, but there's an episode, again, called Pangs,

I believe it's from season 4, it's the Thanksgiving episode, where the characters end up becoming

obsessed with political correctness, and it actually hampers their ability to do their job, but

again, a great allegory for the writing staff behind this new series, and essentially what happens

is, is that a Native American spirit or demon doesn't really matter, is released he ends up trying

to kill people as revenge for the loss of his tribe, but simultaneously the kids in Sunnydale

are in school learning about how white people bad, conquistadors bad, the natives were the victims,

so you actually have characters not wanting to fight against the villain, trying to reason with

them throughout the whole course of the episode, because they're like, oh my god, we feel so bad for

you, you're the victim, even though again, this guy is actively killing and cursing people,

including people in the main cast, and all this comes to fruition when they have a character that

is actually supposed to be the evil character, actually answer the question about whether or not you

should peel bad, based on the fact that you have demons that are again from oppressed civilizations,

let me play you that clip right here, so you can get the point.

Yes, he's been wronged, and I personally would be ready to apologize, but I-

Oh, someone put a stake in me. You got a lot of volunteers in here.

I just can't take all this Mambi Pambi boo-hooing about the bloody Indians.

Uh, the preferred termists. You won. All right, you came in and you killed them and you took

their land. That's what conquering nations do. That's what Caesar did, and he's not going around

saying, okay, my conquered. I felt really bad about it. Yes, correct. 100% factual right there.

This white guilt, this pacified reaction that people have, that basically is an example of

suicidal empathy. Way back in, I guess, 2000, when this season ended up airing, is described

absolutely perfectly by that character right there. And yeah, the modern Buffy could never. Buffy

welcome to Sunnydale or New Sunnydale, whatever the hell this stupid ass series was called, could

absolutely never match the cleverness of the original series, could never match the cleverness

of Weedans riding the dialogue in this new script is absolutely trash. And the reason for that

is again, you don't have the original creative mind behind it. You don't have the actual trauma

of somebody who grew up in a hellish experience in high school, who was a nerd, who was relentlessly

bullied, who ends up putting that on the page in order to make compelling television drama.

So yeah, I'm glad they're not going to get some bastard eyes at this particular series now,

maybe they'll come back in five years and do it again later. And by the way, that's also not

even mentioning the fact that the original Buffy series had working stuntmen, so did Angel by

the way, every single week of the show. And that's one of the reasons why the action sequences in

those original series actually hold up so well to this day, because guess what, it's not dated

with the CGI at the time. They actually have stuntmen working every single episode in order to

bring that show to life and a modern reimagining of the series would definitely over rely on CG and

just be embarrassing and not even match the aesthetic of the original show. But you know what,

those are just my thoughts. I want to know what you guys think down in the comments below.

As per usual, if you liked this video, show them by leaving a like, subscribe for more content.

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This has been me talking about Buffy new sunny Dale being slain.

Jokes 10 out of 10. Till next time.