Know Thyself: A Discussion on Oedipus the King by Sophocles

Aristotle said Oedipus the King was the best tragedy. Today, Dcn. Harrison Garlick is joined by Mr. Eli Stone and our friend Josiah to discuss Oedipus the King (Oedipus Rex) by Sophocles - the second play in the Oedipus cycle or Theban plays.

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Here is a letter Dcn. Garlick wrote to our supporters about Oedipus the King:

Oedipus the King is, according to Aristotle, the best of the Greek tragedies. Through Oedipus’ own investigation, he comes to understand the horrific truth of his identity—and this leads the reader into marvelous reflection on fate, freedom, self-knowledge, and the cosmic order.

Oedipus the King is a play I had to come to appreciate. Unlike Antigone, it is not one I loved at first. In fact, my lackluster appreciation for the play is why I scheduled only one episode discussing it. Over time, however, I matured in my own understanding and see it as an antecedent to the philosophical principle of know thyself. I would suggest one could glean much from comparing Oedipus the King and First Alcibiades by Plato.

The drama does have layers for the attentive reader. It presents clearly a question on the interplay of freedom and fate, which is reminiscent of our discussions on the Iliad. Moreover, there is much to consider on the theme of suffering, and how that theme is presented in the Odyssey, the Oresteia, and Oedipus the King. Note that these two concepts are tethered—as the journey to self-knowledge is often an arduous one of suffering and great difficulty. Lastly, the work shines further light onto the mystery that is Antigone.

Oedipus the King is without question a tragedy—and one without much hope. The reader must hold for the marvelous redemptive arc of Oedipus at Colonus, which runs parallel to the story of Job yet with its own unique and fascinating character.

May Oedipus serve as an icon for what it means to suffer into self-knowledge and the role of such suffering in the pursuit of wisdom and virtue.

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