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Hey, it's Emperes Book of the Day, I'm Andrew Limbong.
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There's something fascinating about the way British people treat social class.
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Not that America doesn't have its own hang-ups about class, but over on that side of the
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Atlantic, class lines seem to be more clearly drawn, even today.
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But maybe that's all changing.
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The novel, one of us, is about two friends, or maybe frenemies, who come from different
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class backgrounds, something happens that leads to long-term resentment, and well, I'm
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not going to spoil the book for you.
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In this conversation with Emperes Scott Sleiman, author Elizabeth Day talks about power
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and politics, and who gets the privilege of being welcomed into the inner circle in Britain.
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Martin Gilmore teaches art history, and he's consumed by a festering resentment.
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Way in the new novel, one of us, he confesses to the reader that he agreed to take the blame
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for his best friend Ben had killed a young woman in a drunk driving accident decades ago.
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Ben is a member of the celebrated Fitzmorris clan, an upper-crust British family, and
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to secure Ben's future prospects, they gave Martin a substantial payout for his silence.
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For a few comparatively happy years, the family counted on my discretion, and I foolishly
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believed my loyalty was being rewarded with something like love.
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But at Ben's 40th birthday party, my wife and I were unceremoniously dumped, cast overboard
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like sacks of grain from a sinking boat.
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Our faithful retainer ship was no longer required, we were told.
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Ben would be standing for political office and needed to tidy up inconvenient loose ends
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And as your might guess has been reached for power, Martin does not stay silent, certainly
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One of us is the latest novel from Elizabeth Day, who's also host of the hit podcast How
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She joins us from our studios in New York.
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Thank you so much for being with us.
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Thank you so much for having me.
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Help us understand this rivalry friendship at the center of the book between Ben and
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I have long been fascinated by outside a ship.
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And Martin is in many ways the quintessential outsider.
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So he came from a difficult background and he won a scholarship to an elite boarding school
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And at that boarding school, he fixated on this wealthy aristocratic, glamorous young man
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called Ben Fitzmorris.
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And as you've just heard there, something happened at Ben's 40th birthday party, which
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ensured the disruption and explosion of that friendship.
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Several years later, Ben is on course to become the next British Prime Minister.
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But Martin is hell-bent on revenge.
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Martin is still somewhat in love with Ben, but he's never properly admitted it to himself
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because he's struggled with his own identity.
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And the idea of revenge, of nurturing it like a pet, it's the closest he can get to having
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that love reciprocated.
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When we meet Martin, he's in therapy.
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Not much of a believer in therapy though, is he?
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Martin is an ascetic observer, which is partly why I really like writing him.
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As someone who acts as a kind of gateway for the reader, he's a sort of perfect observer
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But he's also quite bitter and resentful.
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He's someone who has always wanted to make more of his life.
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He's wanted to have power, but he's never been allowed into the inner circle because he
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is not one of them, that's where the title one of us comes from.
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And so he occupies this really interesting space where the things that could help him, he's
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not allowing in because of his own bitterness.
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Ben's revelatory, member of Parliament Richard Take, is also taken down by a scandal that
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he comes roaring back, doesn't he?
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So Richard Take was probably the character I had the most fun writing.
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And the reason he was fun reading him too, I'm so happy to hear that, Scott.
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As you say, he's a Tori MP, he was a front bench politician, but he lost his front bench
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seat because of an indiscretion at work.
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He was filmed on CCTV watching pornography on his office computer.
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So Richard Take is determined to go on a rehabilitation programme and he does that very
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modern thing that so many failed or disgrace politicians do in today's culture.
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He goes on a reality TV show.
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And that reality TV show reindeers him to members of the public who become familiarised with
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And really what I wanted to look at there was how reality TV, whatever you think about
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it, has become a sort of preeminent cultural force.
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But I have to say, although he starts off as this sort of comic and absurd character,
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he does go on a redemptive journey and I end up rather loving him because he's able
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to learn from his failures.
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I do feel the need to say it's a reality show about sewage workers.
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With a title at least in the United States and broadcasting, we can't repeat word for
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Let's just call it stuff happens.
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Among your lines I admire, you talk about how losing politicians can usefully resurface
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as podcasters, quote, most of the podcasts feature two white men from different sides
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of the political divide joshing agreeably while analysing the brokenness of a system they
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contributed to breaking.
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That's the formula, isn't it?
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Yeah, I'm so thrilled you picked up that line.
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You know, sometimes things annoy you so much and you wonder why people aren't saying
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it and you almost have to write an entire book just to put a line in.
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You're writing about Tories, members of Britain's Conservative Party seem to be the living
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definition of privilege.
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As I don't have to tell you, the current leader of the Conservative Party came, he made
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knock a black woman from a Nigerian family of no particular privilege and Lord Peter
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Mendelssohn, so recently charged in the Epstein case, was a labor political figure.
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So are the Tories really figures of British privilege anymore?
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Those are definitely shifting, thank goodness, but I was looking at a very specific era in
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one of us, which was the Boris Johnson era, and there was a succession, I think there were
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three Tory leaders who had gone to private school, sailed into Oxbridge and then went into
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a career in politics without ever having lived a normal day as an ordinary person.
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And I felt like there was such a disconnect there and I thought it also said a lot about
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the electorate, to be honest.
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There's something still so embedded, I think, in British culture, where we believe that
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the people who speak properly and went to the right schools and are in some way characters,
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we sort of trust that they're the experts.
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And I'm glad to see that that is changing now, but I think that we still need to be
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Do we in the public, as well as journalists, abide these lives because, in the end, they're
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I mean, at least since the time of Shakespeare?
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And sure, I do think that with certain politicians, we mistake their joshing, characterful personalities
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for someone that we are familiar with seeing down the pub or dancing badly at a family
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They become used to them and their character seems like qualification enough.
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When you're running a country, you also need to have qualifications.
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You can't just be the kind of man that you want to share a pint with.
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And I think they are very entertaining these characters, as you rightly say, from the
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days of Shakespeare onwards.
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And the problem is, is that sometimes the character masks the danger.
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Elizabeth Day, her new novel, one of us.
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Thank you so much for being with us.
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Thank you so much for having me.
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I really loved this conversation.
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