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This week, the fallout continues as OpenAI scrambles to rework its deal with the Pentagon, while government agencies adapt to life without Claude. Then we break down the grim new reality of prediction market bets on the U.S.-Israel led war with Iran. Finally, it’s time for another edition of The Hard Fork Review of Slop. This time we’re joined by Arijeta Lajka, a New York Times reporter, to discuss her recent article about the short form A.I.-generated slop YouTube is feeding to young children.
Guest:
Arijeta Lajka, New York Times video journalist
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Casey, something horrible has happened.
What's that?
My wife has fallen in love with an AI.
Which AI?
So, for background, my wife is not like a very techie person.
She's not a really adopter.
She works in city government.
She's like a regular adopter.
Yes.
When it gets good, she's interested.
But don't talk to her before that.
Exactly.
And it just got good enough for her to take an interest.
And so yesterday, she discovered cloud code
and started using it to do some stuff at work.
And now it's all she wants to talk about.
She went out at a party last night.
And she's like, I just can't stop thinking about my coding.
She had a dream about vibe coding last night.
For real.
And maybe all of this is sort of some, like,
karmic revenge for the Bing Sydney episode.
But I do feel like I'm getting a taste of my own medicine here.
I mean, to me, this seems like your dream come true.
Like, what does any man want more
than his wife taking an interest in his hobby?
This is like, could be one of the best things
that's happened to you all the time.
It's true, it's true.
I think we've always benefited in our marriage
from the fact that we're speaking about our marriage
or your marriage to your wife, to my wife,
that we're sort of interested in different things
and we can kind of cross-pollinate.
And so I guess I want to ask you as someone
who's in a relationship with someone who works in AI,
like, how do you stop talking about it?
Do you have, like, set hours where you're like,
we're not going to talk about AI for this next hour?
Here's what I'll say.
If I ever figure that out,
you'll be the first to know.
Okay, thank you.
We, in my house, the few respites we get from AI during the week,
I would say, would involve Friday night episodes
RuPaul's Drag Race.
That's a good solid one hour of not talking about AI.
Okay.
And yeah, outside of that,
we're really monitoring the situation, Kevin.
We are fully locked in.
I'm Kevin Russo, tech columnist of The New York Times.
I'm Casey Noon from Platformer.
And this is Hard Fork.
This week, open AI scrambles to contain the fallout
from its deal with the Pentagon.
Then, how prediction markets have become one of the most
controversial parts of the US attack on Iran.
And finally, it's a Hard Fork review of Slap for children.
You'll never guess what Peppa Pig is doing now.
Well, Casey, we are now in week two of this incredible high stakes drama
that's been playing out between the Pentagon and America's leading AI companies.
There's been a lot going on.
We now have more clarity on why the deal between Anthropic and the Pentagon fell apart.
We also know how this anthropic supply chain risk designation
is actually going into effect and impacting the way
that government agencies are responding.
And we have been learning this week about how open AI is
deal with the Pentagon is shaping up.
So lots to discuss here.
But first, we should make our disclosures.
I work the New York Times suing open AI and Microsoft
and proplexity over alleged copyright violations.
And my fiancee, we're said anthropic.
Okay, let's start with open AI.
Because they are sort of the late arrival into this story.
But in some ways, the most dramatic.
Since Sam Altman announced last Friday that open AI had arrived
in agreement with the Pentagon, we have learned a little bit more about that agreement.
As a reminder, according to Sam Altman, this agreement
did include some prohibitions on domestic mass surveillance
and autonomous weapon system basically the same two red lines
that anthropic had set out that were causing them so much trouble with the Pentagon.
And I think it's fair to say like this provoked one of the biggest back lashes
in that company's history.
It really did.
We've seen it across social media, many sort of top up voted posts
on open AI related subreddits have been condemning this move.
Open AI has been scrambling to try to rebuild trust.
But at the end of the day, Kevin, I think both the Pentagon
and the open AI are saying to the public,
you're just going to have to trust us.
And the public is saying, well, we don't.
Right.
So there's been a lot of people canceling their chat to BT subscriptions
and switching over to Claude as a result of all of this,
people who don't agree with the Trump administration
or the stance that the Pentagon has taken here.
And presumably because they're seeing some pain in the cancellations department
as well as just a general feeling that this narrative is not going well for them,
Sam Altman has been doing some damage control.
On Saturday, he hopped on X to talk about this
and answer questions about the Pentagon deal,
along with two other employees.
And these questions were sort of the kinds of things you'd expect.
People asking, what did you guys agree to that anthropic didn't?
Where are your red lines?
Who's going to be making the kinds of hard decisions
during something like a war about how these models can't be used?
What about this domestic mass surveillance thing?
So I think he answered some of these questions.
But really the thing that they did was also to release the language of this contract
that had been in dispute,
that had been the subject of so much speculation.
Well, they released what they called the relevant portion of the contract.
But then we would see later commentary from experts in government procurement
that said essentially look, until we see the entire contract,
it's just very difficult for us to take at face value the idea
that this is the only relevant language here.
Right, so they did not release the whole contract,
but they did release some relevant language from this contract
with the Pentagon in a blog post.
Then on Monday, Sam admitted that he made a mistake.
He said we shouldn't have rushed to get this out on Friday.
He also added that it looked opportunistic and sloppy.
He also flopper tunistic to point of phrase.
Yes, he was slapper tunistic.
And he announced that OpenAI was going to amend its deal with the Pentagon
to explicitly rule out the use of OpenAI's tools
for domestic surveillance of US persons and nationals.
And it includes the language, quote,
the department understands this limitation
to prohibit deliberate tracking surveillance
or monitoring of US persons or nationals,
including through the procurement or use
of commercially acquired personal or identifiable information.
I found this all slightly confusing.
Casey, do you understand what OpenAI has said
and the various evolutions of its position on this?
Well, I think the key takeaways here
is that they are saying that they have put in some amended language
that will prohibit certain uses of their systems by the government.
So for example, they're going to prevent the government
from using commercial data that they sort of acquire legally
and sort of running that through GPT models for domestic surveillance.
I just want to say though that there is always a high risk here
for what I would call Jedi mind tricks, Kevin.
And for the government, because we have seen Democratic
and Republican presidents do this, right?
Of sort of going to the absolute limit of what the law will allow
when it comes to surveillance of Americans
and a way that they'll get around that is by saying,
well, we're not doing surveillance, Kevin.
We're doing some intelligence gathering, right?
And so as annoying as it is to fixate on the semantics here,
I'm telling you that whether or not you personally are surveilled,
will come down to semantics, right?
And so that's why we're digging in the way we are.
Okay, so still lots of questions about some of the details here.
And I think there's a lot of doubt and concern
among some employees of OpenAI that this actually did end up
in a place that they're comfortable with.
Boy, is there some of that employee discontent spilled over
onto X where you had some employees saying essentially
that they didn't trust their leadership either.
Employee named Leo Gao called the contract language window dressing
and pointed out that it still seems to give the Pentagon control
over when to deploy autonomous weapons
and just doesn't do much to address some of the other loopholes.
And then maybe more dramatically, Kevin, on Tuesday,
Max Schwarzer, who was the post-training lead
for OpenAI, a vice president of research at the company,
announced that he was leaving.
And in his ex-post, while he was pretty vague,
suggested that this was an important time
and that he had come to really respect anthropics values.
And so he said he's going over to work there.
Yeah. So what's your take on how the damage control is going
for OpenAI? Do you think they have warded off the most heated criticism
or are people still really mad?
I do not think that they have stemmed the tide.
I think they put a lot of effort into changing the narrative here
when I saw that they were doing that XMA,
that they had put up a blog post, that they were quoting
at least some of the contract language.
I thought, these guys are really going for it.
That also told me that they were really scared.
But here's the thing to remember, Kevin,
most Americans just don't like AI very much.
They did it in the first place.
They didn't like it for all the normal reasons of,
well, my social media feed is filling up with slop.
And my manager's telling me, I have to use it every day
or I'm going to get fired.
When you add into that mix,
it's potentially also going to be used by your own government
to spy against you or maybe kill you with a murder bot.
Of course, Americans are going to say,
well, this frickin sucks, right?
So I think this was kind of the strategic miscalculation
that Sam Altman made was that, at least according to him,
he thought he was going to get into this dispute
and sort of be able to de-escalate it
and sort of come in as the white knight
and save the AI industry from the overreach of the US government.
And what he found out instead is they're still,
they're kind of holding the bag of all of the disc intent
that the Pentagon whipped up with this force policy change.
Yeah, it's really interesting to me
because I think my assumption had been that we were sort of
over the era of like worker empowerment in Silicon Valley,
right?
Like years ago, sort of pre-COVID,
we had all these like Google walkouts
and all these employee protests
over these military contracts.
And I think a lot of CEOs and leaders
at these companies sort of said,
we're not doing that again.
Like we're not going to give our employees veto power
over the deals that we make or the contracts we sign.
And it suggests to me what is going on in open AI right now
that at least for them in their specific case
where you do have, you know,
this staff of elite technical talent
that are not easily replaceable.
There aren't that many people who know
how to like build and train these models.
You actually do need to keep them happy.
And so those people, maybe only those people
have significant leverage still.
Yeah, let me make a sort of sweeping generalization, right?
Like I think there's sort of like two major camps at open AI.
One are the camp that have sort of been there for,
you know, let's say three plus years
that are the real experts that you just mentioned
that have this kind of critical knowledge
for how to build next generation frontier systems
and almost nobody else in the world has.
And those people tend to just really care a lot
about how the technology is used.
These are people who joined open AI in part
because it was a nonprofit, right?
And like there is like a solid core of those folks
who are still working there.
And then there's a group at open AI
that I'm just going to call the meta people.
Like the people that came over from meta
a little bit more recently that are, you know,
maybe a little bit more flexible
and what they're willing to see their company do.
And I don't think that they're going to raise a big stink about this.
The problem if you're open AI leadership is
you actually need that original core, right?
If you're going to build a GPT six and seven
that is going to blow everybody's minds,
those are the people you're going to need.
And so yes, almost everything that we have seen
over the past few days of they tried to do damage control
is aimed at those people.
Okay, so that's a little bit of the drama going on at open AI.
What is happening in Anthropic?
Printing money in two words.
I would say.
Well, you know, I wrote this at my newsletter this week, Kevin.
But has an American technology company ever had such a good week
and such a bad week at the same time?
Explain.
Well, so on the bad side, obviously,
they're in a very heated fight with the Pentagon
that continues, by the way,
it seems like there is still some risk
that perhaps the president will try to invoke
the Defense Production Act to try to
compel Anthropic to make the version of Claw
that it does not want to make
that would sort of do its bidding.
And it seems also that this supply chain designation risk
is now official.
We learned on Thursday that the Pentagon
sent a formal letter to Anthropic.
So if nothing else, this is going to result
in a long and costly legal battle
as Anthropic tries to ensure that American companies can still
use it for non-military purposes.
Right?
So there is actually an existential threat to the company
that is buried somewhere inside there
and it is by no means over.
Right.
So on the good side, on the good side,
Bloomberg reported this week that Anthropic
is on track to hit $20 billion in annualized revenue.
At the start of 2025, Kevin,
they were on pace to earn about $1 billion in annualized revenue.
So this company has 20 X over the past year.
They were on pace to make about $9 billion
by the end of 2025.
So it has doubled in barely over two months,
which speaks to the rise of Claude Code, right?
And the overwhelming adoption of Claude in the enterprise.
So in that respect, this really has become
maybe the fastest growing American technology company of all time.
Yeah.
And like what's so strange about this sort of dual quantum state
right now of Anthropic is like,
at the same time that they are printing money
and people are signing up for Claude
and they're switching from chat GPT
and like things appear to be going well from them.
At the same time, they are also being pulled out
of the federal government, right?
Forcibly.
There was some reporting this week by Reuters
that the US State Department has sort of started to comply
with this order from President Trump
to sort of stop using Anthropics models.
They have switched the model powering
their sort of in-house State Department chatbot
from Anthropics models to open AI
according to this memo seen by Reuters.
And furthermore, this Reuters report said
that the State Department is going back to GPT 4.1.
Now, if you have been not been tracking all of the model names
and numbers as closely as we have,
that is several generations ago.
That's like an early 2025 model.
And basically what that means is that
the average college freshman with a chat GPT subscription
now has access to substantially better AI tools
than the Department of State.
It's not great for a lot of reasons, Kevin.
And one of them, as the blog Law Fair covered this week,
is that there appears to be no statutory authority
for the President to do what he did.
There is not a statute that lets the President just sort of declare
that federal agencies cannot use individual software.
But because this is just the way the Trump administration works,
everyone has just decided to defer to the President.
Yeah. I want to ask you about this other sort of interesting piece
of open AI's response over the last week,
which is that Sam Altman has said multiple times
that he wants the Pentagon to extend the same deal to Anthropic
that it extended to open AI.
Do you think that is sincere?
What is going on here?
Why is Sam Altman saying, hey, if you're making these terms available to us,
you should also make them available to other AI companies?
I think that that is the part of Sam that appears to be sincere
in saying that he wants to de-escalate this conflict.
He does not want the United States government to come in
and nationalize the AI companies,
at least not right now, right?
And so maybe if open AI could reach some sort of agreement
that would provide at least some protections for Americans
and other AI companies would sign onto it,
that would just sort of release the pressure on the industry overall.
Now, of course, at the same time, it would buy him a lot of cover.
And all of a sudden, people wouldn't be mounting these quit
chat GBT campaigns because Sam could be on X saying,
well, you know, Claude is doing the same thing.
Do you think that's real?
How big a deal do you think this consumer opposition is?
I mean, I am somewhat jaded on this point
because I can't count the number of times that people have said,
oh, we're all going to cancel our subscriptions to this thing
or we're going to delete Uber or we're going to quit Facebook
and protest.
And like, it never really seems to have much of an impact.
But like, do you think in this case that enough people are mad about this
at the consumer level that it could actually impact their business?
Not really.
I think you're exactly right.
I think that usually these things just tend to blow over in a few days.
And I'm sure that open AI is counting on that.
At the same time, though, Kevin,
I think back to the lesson that Meta learned,
which is that as it had its own series of controversies,
by and large, people did not quit Facebook.
They did not quit Instagram.
But you know what they did do?
Just kind of start to hate Meta as a company
and develop really low trust in that company.
And that winds up hurting Meta in all sorts of ways.
And the particular way, by the way,
that I think this is going to hurt open AI,
is they're gearing up to go out and build a lot of data centers
around this country.
And there's already enormous backlash
and that we are seeing, right?
We're starting to see it creep into our politics.
And so if they are not able to sort of reverse the narrative
and convince people that AI is going to have, like,
hugely positive outcomes in their lives,
I think you're going to see the data center opposition ramp up
as a proxy for people's just kind of distrust
of that company in general.
Right. It's the visible physical symbol of all of this.
And for most people, the only one that is like anywhere near them.
And so I think you're right.
It could turn into a political problem for them,
even if people aren't canceling that,
or chat to beauty subscriptions on mass.
Yeah.
I want to ask you about something else that I've been thinking
a lot about this week,
which is this idea that you mentioned of nationalization.
There's been a debate happening on social media about this idea
that if we are headed to a world with very powerful AI systems in it,
as Dario Amade calls it a country of geniuses in a data center,
that eventually that will just not be allowed to happen
inside a private corporation,
that the US government, whether a year or two years,
or five years from now, at some point,
we'll step in and say,
hey, you guys built this really cool thing that's really useful
and has all these like important geopolitical
and national security implications.
We're going to just take that now.
And you work for us now.
And I'm curious what you make of that as a possibility
because some people who I consider quite serious and credible
have been talking about this threat of nationalization
for several years now.
Yeah.
If you go to the sort of nerdy AI conferences that Kevin and I do,
this comes up a lot at the tabletop role-playing games that people do during lunch.
Right?
Is that at some point a government of one or more countries
kind of steps in and takes over the AI lab.
I understand in this moment that that feels like a kind of sci-fi scenario.
Right?
Like most of the time when you're using Chatchy Beauty,
you probably don't think this is a dangerous super weapon
and we need to ensure that, you know,
this is being controlled by the president.
At the same time, we are now at war with Iran.
We know that these systems are embedded in the like
command and control operations of the military.
And so to some extent, they are already becoming weapons.
Right?
So if you say to me, do I think that once these systems become 3, 4, 5, 10 times more powerful,
the government will want to take an interest in them
and potentially oversee their development and deployment?
I absolutely believe that will have...
I see no reason why that would happen.
And unfortunately, how that goes,
I think depends a lot on the quality of the government
that is overseeing that AI.
Right?
And like what do they want to do it?
Do they want to use it to create opportunity and safety and democracy for all?
Or do they want to, you know,
mount an authoritarian takeover of the globe?
So if you are a leader at one of these companies
and you know that, you know, at least until 2028,
we are likely to have sort of the same administration
in power.
If you believe that the technology is rapidly accelerating,
such that a year or two years or three years from now,
we might have something like a superhuman country of geniuses in a data center.
What does that mean you should do?
I mean, one thing that I've been thinking about is like,
should these companies be doing deals with the government at all?
Right?
If the lesson of the past couple of weeks
is that the federal government is not a trustworthy counterparty in these negotiations
and is going to insist on total control
and obedience or else they're going to try to nuke your company,
like I think a very rational response from these AI companies
will be like, well, we're just not going to make any more deals with you.
You're going to have to use some open source models
for your state department and your military and your treasury
because it's just too risky for us as a business risk
and you can't be trusted with it.
I could see why that may seem somewhat rational to them,
but like I don't think that that is the attack
that they are going to take.
I mean, even this week after everything that has happened
with Amphropic, Dario Amade is still out there saying,
we were very close to an agreement with the Pentagon.
We liked working with the military.
We want to work with the military again.
So I think that's very important to note.
Like Dario did not like throw up his middle fingers like on his way out the door.
He is still trying to reach some sort of agreement.
And I think in part that likely is to avoid the exact sort of scenario
that you are describing, right?
It's you kind of want to like keep the tigers at bay
for just a little while longer at least
while you maybe like think through the rest of that scenario,
which is admittedly a very difficult one.
Yeah.
I've been rereading the Making of the Atomic Bomb this week,
which is Dario Amade's favorite book.
And he used to give it to all anthropic employees.
And there's still like a bunch of copies at their headquarters.
It's sort of the company book as far as their mission goes.
And they see a lot of parallels between what they're building
and the Manhattan project.
And so I went back and I've been rereading it.
And the piece that struck me from that experience
was just right before the bombs were dropped in 1945.
There was this point where the scientists got really worried
about how their creation was going to be used.
And a number of them from the Manhattan Project
sort of created these petitions and reports
and tried to get them to the government and say like,
hey, could you guys like not use this against a city?
At least it's like a first line, you know, active war.
And the military and the government sort of like pretended to hear them
out. And then they just went ahead and bombed Japan anyway.
And there was sort of this moment where it was like,
we hear you, you're the scientists, you're the geniuses
who made this all work.
But now you're playing in our turf.
And so we're going to control the technology from here
and like thank you for your input.
And like, I think the comparison between the Manhattan Project
and the AI industry is somewhat overstated.
And I think it breaks down in some key ways,
one of which is like, that was a government project.
You know, the Manhattan Project was paid for by the government.
These were government employees.
What we're talking about now are private companies
that have been developing this thing outside the public sector.
So I think there's some important differences.
But I do worry that we are headed toward a moment
where this stuff just gets so useful to governments and militaries
and confers such a decisive advantage to the countries
that control it, that the US government,
no matter kind of who is in power,
is just going to say like this thing is too important
to be left to the private sector.
Well, I mean, keep in mind that one of the original ideas
for OpenAI was that it should be a government-funded project.
But Sam Altman and his co-founders just came to the conclusion
correctly, by the way, that no government
would give them the amount of money they needed to build this technology.
Right?
And, you know, they just sort of quickly came to the conclusion
that it was just going to have to be a private enterprise.
But, you know, going back to the earliest days,
there was thinking among the people that created this technology
that the government was going to take an interest in it eventually.
Another reason, though, Kevin, why I find the current situation,
so vexing, is that you and I both covered President Biden's agenda
and President Biden's executive order on AI,
which I personally felt like was a pretty gentle way
of attempting to regulate the industry.
Very gentle.
It was sort of like, you know, inform us about your safety testing,
please, when you test these new models,
and sort of, you know, told federal agencies
to get ready for this technology.
And the howls of protest on the right that said,
how dare, you know, this administration come in
and try to put these fetters on capitalism?
We are going to lose to China because of this sort of nanny state behavior.
And then to see those same people come to power and now say,
we are going to tell you exactly how you are going to build your models,
what they are going to do for the military,
or else we will destroy you is just like the whiplash is insane.
Yeah, we didn't like that government trying to control the tech industry,
but this government trying to control the tech industry,
that's just business as usual. That's fine.
So, I guess my worry, zooming out from all of the stuff
that's been going on for the past two weeks
is that we are sort of living through like an early dress rehearsal
for what something like nationalization of the AI companies could look and feel like.
I don't think it's going to be as sort of cut and dry as like it was during World War II
where like the government showed up to a bunch of like steel plants
and was like, hey, we run these now.
I think it's going to be kind of this soft nationalization
like we've been seeing over the past week,
where it's like a little pressure to build your models differently.
Oh, maybe could you remove some of those safeguards?
Oh, maybe this is actually so strategically important
that we need to be the people putting the clauses in the Constitution of Claude
or whatever that dictate how it will behave in these high stakes situations.
And I think that is a more likely direction,
but I would not take full sort of like brute force nationalization
off the table entirely.
I think there's a decent chance that something like that happens.
Well, maybe we should set up a prediction market for it.
Speaking of prediction markets, when we come back,
we'll talk about how prediction markets have made it to war so predictable.
Okay, Casey, so the other big news from the past week
is that the United States is now at war in Iran.
And one angle that really has been sticking out to me about this
is the role that prediction markets are playing in this conflict,
because I think that is something that we truly have not seen before.
Yeah, it seems like every new war brings along some grim new technology
and I would say that prediction markets are maybe grim technology number one
for this conflict in Iran.
Yes, it's a grim technology already, even absent the war,
and now just with the war, it has become even grimmer.
And we've talked about prediction markets on the show.
We talked about them way back in 2023 when they were sort of this new thing
that was like kind of in this legal gray area that wasn't really being done
at any scale yet.
It was sort of an interesting idea.
Now, of course, you cannot walk down a street in a major American city
without seeing one and probably multiple ads for prediction markets
like Kalshi and Polly Market.
Yeah, the sort of gambling mania that has taken over all media and advertising
from draft kings to fan duel has now extended even further
into these prediction markets.
So both Polly Market and Kalshi, the two leading prediction markets platforms,
took a lot of heat this week on bets they were allowing their users to make
on questions related to Iran.
So Kalshi, which is kind of the more regulated US-based prediction markets company,
does not allow bets on war or assassination,
but it did allow the question Ali Kamani out as supreme leader,
basically sort of as a kind of careful proxy
for betting on the outcome of a war or a strike on Iran.
Yeah, and out I suppose could have many meetings,
perhaps there would be a sort of gentle democratic revolution in Iran,
but I'm going to assume that most of the people who were wagering on that one
assumed that he was going to be killed in war.
Yeah, so people got really mad at Kalshi for allowing these bets
on the fate of the Iranian leader.
They also got mad when Kalshi sort of voided this market and said
that it was going to reimburse anyone who may have lost money on this,
basically make sure everyone ends up in the black,
but people who were supposed to make a bunch of money
because they correctly predicted the death of Kamani
were mad that they didn't get paid out their expected winnings.
So just a big cluster all around.
And I just want to say if you are one of the traders
who did not get your expected winnings from the death of the Ayatollah,
I just want to say I don't care and it doesn't matter.
So Polymarket, the others are less regulated,
offshore crypto based prediction market was even more permissive.
They allowed people to bet on the dates of strikes on Iran
and other details related to the war in Iran.
Their policy was really like, imagine the worst thing you can do on our platform.
You can do that.
Actually, they did draw a line when it came down to markets
that allowed users to bet on the likelihood of nuclear detonations
by specific dates.
So sorry to anyone who is trying to cash in on nuclear war.
These woke liberals that won't let me bet on nuclear explosions need to go, Kevin.
Okay, so no one was happy about this.
Senator Chris Murphy posted that quote,
it's insane this is legal.
People around Trump are profiting off war and death
and also said that he was introducing legislation to ban this.
And there are also a bunch of people looking into whether
any of this has been done via insider trading.
Basically, do you have people in the military or close to the decision makers
in this conflict placing bets once they have this sort of non-public information
about what is going to be happening?
Yeah.
And I think it speaks to why allowing prediction markets to take bets
at least around sort of like war and death is so corrosive and bad, Kevin.
Because not only is it just kind of like grim
and like how do we live in this society where gambling on war and death
has become a sort of form of entertainment,
but also you're just creating incentives for the worst things in the world to happen,
which doesn't seem logical to me.
Well, and it's not even a theoretical harm here.
Recently, Israel arrested a number of people
who were accused of using classified information
to bet on military operations on polymarket.
So this is already starting to happen.
And I think this is why people like Senator Chris Murphy are so alarmed about this,
not just because it's sort of like gross and aesthetically offensive
to have people betting on wars, although it is.
But yet, although it is,
but also because it could create direct incentives
if you're a member of the military
and your commander gives you an order to go do an airstrike on an Iranian compound
to log on to your phone and head over to one of the prediction markets platforms
and say, you know what, I could make a couple grand off this.
Yeah, that's your little call sheet bonus.
You know, this is not theoretical at all, Kevin.
In fact, your colleague, Amy Fan, at the times,
wrote that it is relatively uncommon for someone to bet a significant sum of money
that a U.S. strike will happen within the next day.
But last Friday, more than 150 accounts placed hundreds of bets of at least $1,000
correctly predicting that there would be an American airstrike on Iran by Saturday.
Yeah.
One of the interesting things here is like, I am not like a blanket opponent of prediction markets.
I sort of bought some of the kind of theoretical arguments for why something like a prediction market
could, for example, outperform political polls
because it would incentivize people to like come up with really good polling data
and like use that to trade on and you could end up with kind of a better picture of a given election.
Or people will like say what they really think because their money is at stake
and they're not just trying to like impress a pollster.
Yes. And you've actually had some of the people who are in charge of these prediction markets
sort of talking about the fact that insider trading can be good
because it can get the best information to the markets as quickly as possible
and kind of like give people an unfiltered understanding of what the real insiders are thinking.
Now, of course, officially, you are not supposed to be able to insider trade on these platforms.
Right? They all have policies against it.
Colchee says, you know, they've investigated people that it is actually illegal
per the CFTC, which is their main regulator to place bets using inside information.
But there are a couple of problems with this. One is the CFTC is a tiny agency.
It doesn't have a huge team of enforcers going out to investigate what I assume.
Must be hundreds or thousands of trades using inside information on their platform every day.
It's also not clear what is public information and what is private information.
You know, there are certain types of information in the stock market
that are considered material non-public information that it is illegal to trade on.
But it is also legal to fly a drone over an oil facility
to see how their production is going or to park outside a store
and see the foot traffic going in and out and use that to sort of calculate
how well their sales must be going.
And it's suspicious how much you know about the insider trading rules I have to say.
I didn't know you had this much facility with the law here.
I'm calling my lawyer.
But of course, this is part of the appeal of prediction markets in general
is that they incentivize people with good information to trade on that information.
Yes. And if you allow people to wager on almost anything,
how are you ever possibly going to police the entire platform to understand
who is insider trading and who isn't?
Yes. So I think in this specific case of war,
I think it's very dangerous for some of the reasons that we've talked about.
Not only do you have military officers and service people disclosing classified information
in some cases to sort of make a little extra for themselves,
but you also have just this incredibly strange war profiteering innovation
where you can just go on one of these platforms and try to make a bunch of money
from something that involves a lot of devastation and destruction.
You know, the other thing that comes to mind for me, Kevin,
is that, you know, as you say, the prediction market backers,
their argument is like, this just helps us understand the world better, right?
This is a new kind of information that helps us see more clearly.
And yet, as I look across all of the trades that you just described,
I don't understand really what I was supposed to see more clearly, right?
Like, maybe you get a, you know, a brief heads up about something horrible
that is about to happen. Maybe that's, you know, useful and at least some circumstances.
But for the most part, I just don't feel like we actually have a much better understanding
of the world because all of these bets are happening.
Yeah, and I think in this specific case, that's especially true
because if you actually look at the markets that were being traded before this strike on Iran,
the conventional wisdom of the crowd was that this was not going to happen.
It was a very low probability. I think something like 17% probability on one of these platforms
and hour before the strikes. So these markets aren't actually distributing
the best possible information at all times.
They're just kind of like aggregating vibes until like someone with inside information
shows up and like makes a fortune.
Well, I think that's exactly it. It isn't as if these have been adopted by the mainstream
and everybody's placing these sort of casual bets.
And now we have this like beautiful, perfect understanding of the world.
What we have, as you say, is a bunch of vibes plus some insider trading
and it just doesn't actually seem that useful to me in practice for most things.
Yeah.
I want to try to like sort of steal man the defense of prediction markets here
and see what you make of it.
So I think someone who believes that these prediction markets are good in the aggregate
might say something like the following.
People have been betting on war forever.
They bet on the stock prices of defense companies.
They bet on things like oil prices. That is all legal.
We consider that sort of part of the normal markets.
Those things all fluctuate when you have a war breakout.
How is this any different your response?
Well, I think that it is actually really meaningful that these are indirect ways
of betting on war, right?
It seems very unlikely to me that if I like, you know, buy oil stocks assuming
that they're going to go up, that I'm creating an incentive for somebody to assassinate
the supreme leader of Iran.
But wasn't this the whole conspiracy theory about the war in Iraq was that it was just motivated
by like Dick Cheney owning a bunch of stock in Halibut?
Well, I mean, yes, that was like the conspiracy theory.
You know, I don't know that that was what was actually driving.
And I think that, you know, as with most wars, at least at that time, there were sort of
like a number of interrelated factors that were going on.
And, you know, maybe oil was one of them.
But my point here is just that when you have the betting at some sort of meaningful
move from the action, it just like feels better for me.
It doesn't create the same horribly grim incentives that this particular approach does.
Right.
I think the difference for me is the directness that you mentioned.
And, you know, one thing that came up over and over again when I was talking to people
about prediction markets a couple years ago for this story is the assassination markets get
really dark because if you have something like, you know, will this world leader, you know,
be removed from power in air quotes, wink wink before a certain date, that could actually
create a bounty on that person where someone might go out and say, Hey, if I want to make money
on this, I need to like kill this person before this day.
And you know what is going to be the first thing that actually takes action on that, Kevin?
Open claw.
Mark my words.
One of these bots plugged into a Mac mini is going to see a prediction market for the assassination
of a world leader.
And it's going to say, well, I have some ideas about that.
So I think everyone, most people agree that like the assassination prediction market is sort
of, you know, out of bounds and is a bad idea for lots of reasons.
But I think there's still a lot of gray area around these questions about conflict and war
and politics.
And I think it is the risk here is that these prediction markets have gotten so popular,
so quickly with so little regulatory oversight that it is just kind of legal to do a bunch
of stuff on them that it's not legal to do in the regular stock market.
Yeah.
Well, so you mentioned that some lawmakers have talked about introducing legislation.
My experience is that that kind of legislation typically doesn't go anywhere.
What if anything, do we know about what is going to happen as this war continues to unfold
in Iran when it comes to these prediction markets?
I mean, I think the Trump administration is very unlikely to do anything to sort of stop
the growth of prediction markets.
We've already seen them signal via these sort of regulatory actions that they've dropped
against polymarket that they are not going to take a firm line against these prediction markets.
We've also seen them adding members of the Trump family to their advisory boards.
So I think all of these prediction markets are sort of becoming entangled with the administration
in ways that are going to make it very hard for them to do anything.
But I certainly expect like Democratic lawmakers just said up and say like, what the hell are we enabling here?
Why are we allowing people to bet on the assassination of world leaders or the outcomes
of a war in Iran?
This just feels all incredibly fraught to me.
My fear is that we're in a sort of time race where like if Democrats were able to like somehow
advance some legislation, maybe they win some seats in the midterms, maybe they retake the presidency,
maybe sometime within the next few years, they could meaningfully rein these prediction markets in.
I think though if they continue to grow, my fear is that they will become a massive entrenched
interest group like the crypto world and they will then lobby to ensure the Democrats and Republicans
both feel like they have a vested interest in these things sticking around.
So my fear is that if we're to do anything about some of these excesses we've been talking about today,
it needs to happen soon or otherwise platforms like Colishe and Polymarket might just have too much money
for that to happen.
I have a proposed rule for these prediction markets, which is that you should have to go to a physical
place like you do for a casino.
I think that putting this stuff on people's phones, making it super easy for them to do it,
like if you want to go bet on the war in Iran, you should have to like go to a CD,
like OTB betting place to do it.
Like you should have to like put in some effort.
It should not be as easy as whipping out your phone.
All right.
Well, it's very interesting, Kevin.
I predict we are not going to try that.
No, I also predict we're not going to try that.
But it's a good idea.
People should listen to me.
When we come back, Slop, collaborate and listen.
YouTube is back with a disturbing new invention.
All right, Casey.
Well, it's time to look at some kids Slop.
Yeah, Kevin.
We have recently been alerted to the fact that a YouTube has been beset by a bunch of
AI-generated Slop for toddlers.
And it's time to take a look and see what we're dealing with.
My colleague at the New York Times, Ariadaleika, has a new story about this called how AI-generated
videos are distorting your child's YouTube feed.
And I read the story.
I loved it.
I thought I've got to see some of this Slop for myself.
So today, let's take a look at this emerging new genre of AI Slop directed at kids
with a new installment of the Hard Fork Review of Slop.
All right, what do we have up first?
First is a video about the alphabet.
Do you know the alphabet?
You know, I keep meaning to learn it.
Okay.
Let's see how the AI-generated alphabet videos are doing.
Yeah.
Kids TV.
ABC fun.
Animals.
So far so good.
Okay.
Okay.
Why aren't they being squirted out of a little paint model?
Oh, I'm deeply uncomfortable with this.
I'm going to have to answer so many questions from my three-year-old about why ducks come out
of toothpaste tubes.
Yeah.
Listen, if you're three years old, you need to know this.
That is not how a duck is made.
So this video depicts the alphabet showing a series of animals whose names begin with a
letter.
And then a hand holding, I guess, a tube of paint sort of squirts out a little dollop
of gross goo that then transforms serially into an animal while sort of demented slot children
sing the name of the animal in the background.
Yes.
I've ever seen the TV show Alex Mack from like the 90s on Nickelodeon where she like
sort of assembles herself out of goo on the floor.
It's sort of like that, but for animals.
That one was a little before my time.
I'm afraid, but I'll research that one back in the archives.
In any case, okay, a very strange one.
Let's take a look at this next video, Kevin.
What do we have now?
I believe we're going to see some animals appearing out of colorful clouds.
Oh boy.
Oh boy.
The rolling the arson is raw.
Why are they?
Why is the other animal a doctor?
Why are they running toward the camera?
Why is the kudu pink?
And what is a kudu?
I have to say, I'm a little older than the target age for these videos, but I'm learning
things myself.
This is for you.
I'm learning.
So this video shows another series of animals each one connected to a letter of the alphabet,
but this one uses a trope of having this doctor figure inject these animals with color.
And the doctor is also an animal.
Is this like anti-vax propaganda?
Well, the thing is, whoever is making the slot knows that needles are scary to children.
So this is effectively just an engagement hack, right?
You know the kid is going to watch the injection because the kid is afraid of needles.
So this is just, again, this is just one of these little miniature insidious ways that these
slot makers grab the attention of kids is by showing them something scary in order to hypnotize them.
And to continuing to watch the slot.
It does teach the valuable lesson that giving injections to children does result in them
turning into pink kudus and running toward the camera.
So all children need to learn that lesson eventually.
All right.
This next one, Kevin, shows animals turning it to armored vehicles, trucks, and planes going to show
once again that a key theme in slop for kids in 2026 is the transformation of animals.
Oh wow, we have sort of mecca quail.
Okay.
Okay, I wonder if that's a licensed use of the Thomas the Tank Engine IP.
Okay, unfortunately that one slapped for me.
My kid would be super into that and I must never show them that.
This one reminds me of like cartoons that I watch as a kid where there was a lot of, you know,
transformers transforming.
And so I can understand why, you know, a lot of little kids might like that one.
But you know, this is making me realize that another reason why slot makers love the alphabet is because
they can just stitch together a bunch of very short clips.
And of course most of the AI video generators that we have in this moment can only generate clips
of up to a few seconds.
So the alphabet just becomes a perfect way to stitch together all of that into one piece.
That's great point.
At least has some sort of coherence.
Yeah.
I mean, I guess I can see a world in which like this stuff is not actually that harmful.
Like maybe it is going to teach some kids the alphabet.
But it is just so weird.
And it strikes me as just like what like we already had a lot of videos teaching kids the alphabet.
Why are people doing this?
But also, you know, listen, I'm no child neurologist.
But I wonder about the consequences of essentially just creating images that are designed to over stimulate a child.
You know what I mean?
It's like, at least when you're watching like a normal cartoon, there could be moments of relative calm or like a story might unfold over a few minutes.
When you're just showing like raw visual stimuli and bombarding a kid with it,
it doesn't seem like it's probably that good for them.
This is how I know you do not have a child in the year of our Lord 2026.
Because if you go on to like Coco Mellon or any of the other like extremely popular children's programs,
like they are essentially just this.
It's like a series of very short clips.
Maybe they do one song and then they do a not cuts away to a different song, cuts away to a different song.
It is like these same sort of like hyper stimulating environment.
So like I'm not saying that any of this is good.
I'm just saying that like we we have crossed the Rubicon a while ago.
And we are now in the land of the hyper stimulating children's entertainment.
Like the big difference to my mind is now that it's just easier and cheaper to create this stuff.
This is my takeaway.
What I have my child, which I do hope to do.
The only visual stimulation that I'm going to allow them is a pile of sticks.
And that's a sketch.
They can make their own fun, you know, with the pile of sticks.
But we are not going down this road, Kevin.
Alright, why don't we wrap up with a lullaby about animated children,
tucking themselves into beds made out of fruit?
Mmm.
Love a fruit bed.
Would you call me?
Okay, we've got a girl with a crown going into a bed made of strawberries.
Banana, bright, swaying gently through the night,
or since Mrs. and Kiwi Green.
Kiwi bed.
Casey, what do you make of the fruit beds?
You know, this is just another one that feels a little more surreal than I am comfortable with.
You know, it's like what is the child supposed to conclude from any of it?
Like it just seems designed to confuse children more than to educate or even really entertain them.
Yeah, and there have been, I will say like a few sort of videos in here where I'm like,
oh, my kid would like that.
But I don't like that he would like that.
You know, it's like I don't want him watching stuff that's just like a bunch of animals,
like driving buses or lying in, you know, fruit beds.
Like also kids like lots of things that are bad for them.
That's why we don't let them use cocaine.
Yes, well, now that we've seen the videos, I feel like we are armed and ready to have the conversation about what they all mean.
So let's bring in my colleague, Arietta Leica.
I don't know.
I feel like I need to cleanse first.
Maybe go read a play by Shakespeare or something.
Just go watch an episode of Bluey.
Very heartwarming.
Arietta Leica, welcome to Art Fork.
Thank you so much for having me.
I wanted to just ask like, first of all, how did you get interested in this?
How did you learn about this?
Did you get a tip from a toddler submitting things through the New York Times confidential tip process?
How did this come onto your radar?
Yes, so no toddlers were involved in the making of this story.
We had some ethical concerns there about showing them these videos repeatedly.
But I started by getting interested in this because there was so much AI slop on all of our social media feeds.
Regardless of the platform.
And I was interested in learning more about how this content is being presented to children and how it's being moderated.
And so where do many children watch media?
It's YouTube.
So I started by looking at channels that parents approve of.
Channels like Miss Rachel and Bluey that are considered more high quality and thoughtful.
And other popular channels like Coco Mellon and said, well, if I click on a Coco Mellon video.
And I am a toddler and I look at the recommended videos right next to that video.
What sort of videos would I be recommended?
And we focused on YouTube shorts because a lot of these AI tools default to this vertical format.
And so we just started scrolling through the feed and making a note of the different videos we were seeing.
One of my colleagues actually coded a tool where I wasn't really interacting with the screen.
So wouldn't influence algorithm.
And I was just like scrolling down and it was making a note of all the different lengths I was seeing.
And then we later analyzed these videos frame by frame determined which videos were AI generated.
And we're using regular YouTube or YouTube kids.
So we started looking at regular YouTube in a private browser because a lot of parents tend to put on their own YouTube accounts for their children.
But then we also look through YouTube kids, you know, because it is a more controlled environment with content that's supposed to be approved for children.
And when you started this process, what were your sort of expectations?
And then how much AI generated stuff did you wind up seeing as like kind of a proportion of the total?
So I think especially when I was watching channels like Miss Rachel and Bluey, I was expecting to see content that that would be, you know, more in the lines of those programs.
Right.
More Bluey shorts.
And I wasn't really seeing that.
I was surprised just about how much AI generated content was being recommended.
Like in one session alone in one 15 minute session that we were scrolling more than 40% of the videos were AI generated.
Wow.
And how are you determining that?
Is there like a detection system that you're plugging these things into?
Yeah.
The detection system is called looking at the video.
Well, I'm saying like if you have a video of like a, you know, an alpaca getting squeezed out of a paint tube.
Like that's very clearly not photorealistic, but it could be made using some like CGI software or something like that.
How did you determine that this was AI?
Right.
So I think some of these videos were a little bit more obvious.
But we looked at them frame by frame and tried to look for inconsistencies.
Like in some cases, the objects were just appearing in the background.
There was text in the background that was distorted.
If there was an animal in the background, it would morph into something else.
Some of the videos were actually labeled as synthetic media, even though they were animated.
And then we would also look at the YouTube channel and get a sense of like, okay, what sort of content have they been posting in the last few years?
And even some of the channels that had been around, you know, before the last two years where this technology really improved.
They were making very simple low quality animation that looked nothing like what they had been posting the last few months.
Now, Arietta, I have done a lot of reporting on YouTube, but it's been a few years.
What are their actual policies like today on this kind of content?
So I sent them a few channels as examples.
And I asked them what their policy is around flagging AI content that's being made for children.
And that includes animated content.
And they told me that content creators are required to label content that is realistic looking.
And in some cases, we saw that creators weren't labeling the content.
And I'm referring to videos of animals, you know, displaying behaviors that those animals don't do like elephants doing gymnastic maneuvers on a tight rope.
Those videos, for example, were not labeled as synthetic media.
Some creators were labeling the animated videos, but it's not part of YouTube's policy.
So it's really, the burden is falling on parents, especially for parents who may not want their child to watch AI generated media to determine, okay, what sort of video is this?
And not only that, but you have to click through the video and then you see the synthetic media label.
And when it comes to kids content on YouTube, you do doesn't allow comments.
So sometimes when there's an AI generated video, you'll have people in the comments say, like, this is AI.
And in this case, you know, parents can't really talk amongst themselves as to what the video is.
Has there been any backlash yet that we've seen from parents against these kinds of videos?
Like are, are some parents upset by what they're seeing?
Yeah, we, we came across several Reddit forums where people were asking how to get around this AI slot for kids, whether there was a filter on YouTube.
Some parents recommended making a playlist.
Other parents were like, get off YouTube altogether.
And I think a lot of it is also going to fall on parents to closely supervise what kids are watching since the algorithm is pushing so much of this content.
Right. Although, of course, the whole point of YouTube is that what it's what you show your kids so that you don't have to spend time with them, right?
You know, it's, I mean, not in a mean way, but like maybe you have to cook dinner.
Right. Parents would see.
Yeah. Like if parents were, you know, sitting down to like watch YouTube with their children, like we would not be in a situation.
Yeah. And I'll say like as the parent of a almost four year old, like the couple times that I've like found him watching something like this because he like, you know, went on to the YouTube kids app when he wasn't supposed to or something.
My feeling about it is not like this is damaging my child. It's just like, this is so bad.
Yeah.
Like the quality is just so bad.
I wonder if you think Ariana, like there's any sort of evidence.
What do we know about the actual effects of this on kids is the worry that it's actually harming them or is the worry that there's like there's just better stuff they can be watching.
So there's a lot of factors to consider.
So these videos contain extraneous effects.
And we know that when videos contain all these bedazzling elements, kids can learn as well.
They're also devoid of a narrative arc, which is really beneficial for kids to watch content with the beginning, middle and end with characters.
They can relate to that they're familiar with watching content that uses short phrases that they can understand and doesn't feature these abstract concepts.
You know, worst case, a lot of these videos are fantastical and that could be cognitively overloading to the child.
And what comes to short form content experts say for children under five, we know their attention systems are still developing.
So it's hard for them to follow rapid changes.
And it really puts a heavy burden on children to process that information, especially when we see this more realistic, fantastical content of animals, you know, showing bizarre behaviors.
So when I was growing up, Kevin, in the 1900s, I would watch He-Man.
Remember He-Man?
Yes.
It was a cartoon about a gay guy who had a sword and wrote a tiger around.
And as a young...
Was he gay?
Well, I think not canonically, but right between the lines.
Okay.
Right between the lines.
Okay.
And you know, as a young gay kid, I could see that and relate to that.
And you know, and yes, the stories were fantastical.
You know, but to Arietta's point, there was a beginning and a middle and an end.
Right.
And I, you know, it didn't exactly like teach me in the ways of the world.
But like it maybe told me something about like storytelling and narrative.
And it wasn't just sort of like raw flashing shapes and colors.
Yes.
I mean, I remember before I had a kid having this argument with people at YouTube about YouTube kids.
Because there was...
I think there was, you know, discussion and concern even back in like 2017 or 2018 about these weird videos.
They weren't AI-generated at the time.
But they were like weird sort of cocoa mel and rip offs.
And I remember saying to these YouTube people, like,
you guys got to change the way that you do this.
Like instead of just default allowing channels to serve content to very young children,
you have to like kind of set up some white list where like if you prove that like your stories have a beginning,
middle and end and like there's some thought being put into them, you are allowed to be on YouTube kids.
And if you're not, if you're just some like content farm that's like churning out cocoa mel and rip offs,
like you're not going to be allowed on.
So do you get the sense Arietta that there's any like concern or consideration of this at YouTube?
Or are they basically just sort of like, you know, we got bigger fish to fry?
I mean, these videos are recommended to me and these channels multiple times.
And I've been looking at these videos since November.
So...
What is it under your brain?
I bet you know your alphabet.
I do, yeah, my alphabet.
And you know, those songs really get stuck in your head, right?
Oh, trust me, I know.
And then it's just so it's so fascinating to me how much more of these videos are recommended to me
than more thoughtful content like PBS kids.
For example, because PBS kids also puts out shorts, but I was saying more of this than PBS kids.
I mean, just to sort of like, you know, echo Kevin's question.
This has gotten me thinking about Elsegate, right?
There's a 2017 controversy where parents see a lot of really surreal content in YouTube and they get very upset.
It seems like we have not seen that kind of backlash yet.
And I'm wondering, is it because we just feel like the content is actually better here in some ways?
Or are most parents just not actually aware of just like the volume of slop that might be being served to their kids?
Because so many of these videos are animated and may not be obvious to some parents that these are AI generated.
But we were working in a more contained environment.
So like Else were on YouTube.
There are so many videos featuring popular characters that children like in very violent scenarios.
There's this show called Masha in the bear.
And I remember I typed in Masha and I was coming across videos of Masha's stomach being cut open.
And that channel was putting up these videos.
And YouTube didn't take them down until I linked out to one of them in my story.
Wow.
And I don't know if any of your no children who are obsessed with that K-pop demon hunters film.
But there are so many horrible videos featuring those characters.
And again, it's nonsensical.
Sometimes the characters are pregnant.
And those are all over YouTube as well.
If you type in those characters names.
And by the way, that was the exact scandal of Elsegate was that people were seeing Elsa from Frozen pregnant all over YouTube.
So I mean, like this truly is just a sequel to Elsegate.
And I think it's interesting that it is flown under the radar until your story are yet.
Right.
And before, I mean, you had to have some sort of animation skills to do that.
But like now anyone can do this in a few minutes.
So we're going to be seeing more of this content.
And what is so insidious here is that the people who are making these videos are counting on the fact that regular kids are going to go searching for K-pop demon hunters.
And Masha the Bear.
And they are unwittingly just going to be served this slop of like, you know, the poor bear getting cut open and the pregnant demon hunter.
Just through the recommendation algorithm.
And like this is where YouTube's responsibility lies.
Like this is where YouTube should be saying we're actually not going to show this incredibly disturbing stuff to kids.
Yeah, I would say like among the parents of young children that I know, like very few of them let their kids watch YouTube, even YouTube kids for this exact reason.
It's like you might start with Masha the Bear.
You might start with a K-pop demon hunter's video.
You might start with Bluey or Coco Mellon.
But like, you know, you go away for 10 minutes to cook dinner and you come back and like they're on their third hop from the recommendation.
And they're watching some like, you know, weird AI generated thing with like Spider-Man, you know, on the surgery table or something.
And it's like, what are we doing here?
Yeah, because it turns out that all of these recommendation algorithms work exactly the same way.
They find the video that is the closest to going over the line and they find that it gets more engagement than any other.
And so that's what shows up in the feed, right?
So how many times are we going to have to revisit this story?
Yes.
It really depresses me, honestly.
All right.
Until the platforms like YouTube take more action on this, what can parents do in the short term?
I mean, if you're going to let your kid watch YouTube or YouTube kids, is there anything you can do to like,
toggle off the AI Slopper?
Do you just kind of have to make peace with it?
In terms of filter great out, there isn't an option to do that right now.
In January, YouTube announced that they're going to add some controls where parents can set time limits to YouTube shorts.
We're seeing a lot of this AI content and YouTube shorts.
So that might be an option.
I think you call it the Slopwatch.
You know, it's like a stopwatch, but for Slop.
I just wonder if like all of this is a losing battle.
I feel like Kevin Rousse, do not bring your nihilism into the recording studio today.
Well, just like look at what is happening to older children with like,
and like all the AI Slop from TikTok.
And I just feel like, you know, we're seeing old people falling for AI Slop on Facebook and middle-aged people fall for it on X and Instagram.
And like, it just feels like we are kind of creating this like lifelong pipeline of just like,
whatever Slop is going to be most engaging to you.
Well, I'm glad you brought that up because that is the thought that I'm having as we wrap up is that while, you know, right now
we're talking about the concerns we have for kids.
I think that, you know, older, older teens and adults wind up having the same issue,
which is they open up TikTok or Instagram reels.
And they see something that is designed to hypnotize them as well.
And it might not be colors and shapes in the alphabet, but it does seem like the basic idea is just sort of turn your brain off
and experience the raw visual stimuli for as long as, you know, we can get you to.
Yes.
Well, Arya, fascinating story.
Thank you so much for doing this digging and watching all of these children's videos,
so that I don't have to and so that I can protect my child from them.
Thank you so much for having me.
Yes. We're going to take one for the team.
Yes. Arya, you really did take one for the team on this one.
I have to say.
All right. Thanks so much.
Thanks.
Music
Hard for August, produced by Rachel Cohn and Whitney Jones.
We're edited by Veer and Povitch. We're fact-checked by Caitlin Love.
Today's show was engineered by Chris Wood.
Our executive producer is Jen Poyant.
Original music by Alicia B. YouTube, Rowan Nemistow, and Dan Powell.
Video production by Sawyer Roque, Pat Gunther, Jake Nichol, and Chris Schott.
You can watch this full episode on YouTube at youtube.com slash hard for it.
Special thanks to Paula Schumann, Quewing Tam, and Dahlia Hadad.
You can email us as always at hard for at nytimes.com.
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