Quiet Please - I Always Marry Juliet

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B.

Quiet, B.

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Neutral Broadcasting System presents,

Quiet, B.

Which is written and directed by a woman,

a scooper,

and which features Ernest Chappell.

Quiet, B.

Please, for tonight is called,

I always marry Julian.

I did knock.

I assure you I knocked several times.

I can read signs.

It says knock before entering.

And I knocked and then I entered.

Third of my name is Rembo Bainbridge.

I give you my card.

Honestly, I may say that my name is not unknown in the theater.

The Shakespearean feather, that is.

I am most rolling player of dashing hero

and white flannels today,

and elderly motorbikes can destroy hat tomorrow.

I have devoted my talents to the creation of the immortal bar.

The sweet singer that struck for the funny part,

the immortal Shakespeare himself.

I take it you are not unfamiliar with his language.

Perhaps you have even seen me

threading the horns in my best.

Tomorrow and tomorrow and tomorrow

creeps in this petty face from day to day,

or possibly as an overmark entry in Julius Caesar.

He will let my duel is off to them.

The good is often scattered with devils.

I have great success in the motivation.

However, my greatest triumphs have been in the romantic role of Romeo.

Lady, my under-blessed moon I swear

the tips would still for all these fruity thoughts,

a fruit tree top, but soft,

but light through yonder wingle breaks.

It is these, and Julius is the sun.

I always did better with that one.

What I think you want.

I was trying to say what can I do for you.

Why might you still have a human what a standard casting was going on here?

Why else would I pay a visit to this rudder musty cubicle?

That?

And you talk a great deal.

That's your research.

Speaking is my profession.

Speaking is my life.

My being.

My uh...

My...

Met you.

You speak French.

I haven't told I speak it like an idiot.

Who so long yees don't fall?

That's...

We don't.

Let speak to myself briefly.

I am prepared to deliver on short notice.

Anyone of a large number of Shakespearean parts?

Othello.

Romeo.

The Romeo.

What underweaver.

King Henry the fourth.

That's six.

The Tokyo.

Oh, and uh...

Henry the eighth.

I am reasonably familiar with the characters of Shakespeare, sir.

Ah.

Good.

Good, good.

And you see you have uh...

Sade Romeo.

In new mutable times, sir.

Two packed houses.

I'd recall one time in uh...

I believe it was a molline Illinois uh...

Is molline an Illinois.

When they flaked kitchen chairs in the aisles in addition to the hundreds of occupying seats in the house,

when did you last play Romeo?

The last, it has been some time since.

But I am a very quick study, sir.

That's why I assured you.

Ah, I could be up in several days, uh...

Say, three days?

I won't have you been doing recently.

Uh...

I have just concluded a very successful run as uh...

Uh...

On the news.

He uh...

She's getting a million out of it.

I am sorry to say it was not.

Arnold was very interesting in uh...

Till I say...

Sort it way.

What night will you want?

This uh...

Was an afternoon presentation.

Don't...

Sonographed needles.

And your parts?

I played the part of...

Clapper's Claude Duddy.

Uh...

They're heavy, naturally.

Apart a little like uh...

A sort of uh...

Poor men's Macbeth.

Perhaps a touch of cascading.

And uh...

The party is finished now.

Uh...

A regard for the truth compels me to admit I was replaced

with a young man who had a different conception

of the character of Clapper's Claude Duddy.

Did he uh...

Didn't appreciate your taking, I did.

That's direct art.

But...

I also read a commercial message.

My...

My date.

Oh, sir.

Tell me a little bit about the contract.

Uh, we've seen its name, Richard.

Uh...

I seem deeply to recall your name.

Yes.

I was afraid of that.

I don't remember just how.

Uh...

I am the man who married.

Period.

Ah...

Yes.

That's it.

Oh, yes.

Sir...

You want a man of the world?

It's been said that I am.

I...

I always wanted to grow up here at myself.

I...

I think I'd be very distinguished with a man.

No, Dan.

But always playing Romeo, you know, uh...

It can't be done.

Besides,

my beard always comes out straight.

Uh...

This heart comes out red.

Oh, uh...

You're the man who married Juliet.

The man who always...

married Juliet.

Who can't you?

Can't be done.

I prefaced my remarks by suggesting

that you are a man of the world, uh...

as I myself am.

I was young and, uh...

had brilliant

when I first played Romeo different Juliet.

Yesterday,

that had been aimlessly to explain

that it was in central Illinois,

a section of our great country

at that time somewhat lost,

to cut you out.

However, a group of young seekers

after the light, uh...

the other wise,

ventured to put on Romeo and Juliet.

And I was summoned from Chicago

where I've been playing.

Hey, chick deer.

I don't jump shit in my career.

I was singing illustrious songs

in a small house on South State Street.

I shall never forget my first meeting

with a young woman who played the part of Juliet.

And a little bit of speed, now.

What?

How did you know that, sir?

One week.

Oh, the newspaper.

Ah, publicity, publicity.

Uh...

Well,

and Elizabeth was young,

and Elizabeth was beautiful,

and Elizabeth was unscathisticated.

I thought...

I was introduced to her at our first rehearsal meeting.

And I told you, sir,

I was bold of that.

I can think of nothing to say to her,

but that lovely speech I first quoted to you

from Act 2 Scene 2.

Lady,

by underblessed moon,

I swear that riffs with silver alley's booty.

And she picked me up at once.

Oh, swear not by the moon,

in constant moon,

that monthly change is in his circled arms,

lest that I love through likewise variable.

And we went right through the scene,

the entire scene, letter-perfect, down to...

Good night.

Good night.

Parting is such sweet sorrow

that I shall say good night,

to it be moral.

Sleep well upon night eyes.

Peace and I've rest.

And so on.

And I tell you, sir, the place of ruts

with the applause of our fellow players.

And so we were married a week later

in our costumes on the stage

in the setting for Act 2 Scene 2.

The romance of Romeo and Juliet

was at last consummated at our present.

I like to think that the mustard himself

shakes me with a black bag.

If she could be an emery,

then there wouldn't have been any story.

Well, black,

young,

well, you know, I never thought about it.

Perhaps he wouldn't have liked it then.

I expect.

Well,

our marriage flourished for the time.

And then there came the rest

within the loop,

tenement,

idols of the king.

Indeed.

I thought that was Shakespeare too.

Innocent.

I'm speaking out of that.

Well,

I remember we were playing in Dodge Center

Kansas, or Dodge City, Iowa,

or some such place.

St. Dodge Port Dodge, Minnesota, I think.

I had met a young woman,

the daughter of a factory contractor,

in one of our previous stands

who had found a great deal in common.

She was interested in watercolor painting.

Her name,

I mean, played, I don't remember, I probably shouldn't.

By a strange coincidence,

she turned up in Lake Dodge in Nebraska

where it was.

As a man of the world, I could,

you know, less than invited to suffer

after the performance.

You understand?

Of course, of course.

Then we were leaving the restaurant,

much much later.

When we ran directly and you had a little bit,

there was a little bit of the gentle

children at the office there.

Well,

I was speechless.

And Elizabeth, what?

So this is the thinly game of cards.

You're going to indulge in after the show.

Well, I think I'll just shuffle you

around a little bit.

Oh, give a hand for you too.

Oh, you stay away from my house, but you're here.

No.

Oh, please, Elizabeth, please.

It was intensely embarrassing.

It was even more embarrassing when, two weeks later,

in a little bit,

found me kissing the plasterer's daughter

in Union Station in Minneapolis.

There was Minneapolis Police, but I like it.

Well, rough and tumble.

And what did you do about it?

The crowning blow was when,

Anna Elizabeth purchased the traditional weapon

of the outraged wife.

Well, a rolling pin.

Laying in a synoiaster if she intended to bake a knuckle,

I are two in our humble lodging

that we've had across the country.

What did she say to that?

No, darling Romeo.

That I'm going to use to beat your brains out

if I ever catch you with that woman again.

So you'd better wear your crock over there

when you rob her there again.

If you don't want to wear this rolling pin for a heart.

She had a remarkably,

hungent manner of speech.

I was both hallowed

and relieved when the balcony collapsed.

In act two, seemed to,

and she broke her neck.

Oh.

How did that happen?

Well, some unaccountable reason

a stage belaced seemed to have been removed.

It was very depressing.

It seemed to me that

and then you married another unit?

It seems to me I've been marrying units

all my adults like.

Yes, I married another.

Fates McDonald's.

I was playing and framing him to have

sure Massachusetts is somewhere when I met him.

Fates was not young.

Fates was not beautiful.

Fates was an exact herbal actress.

Why did you marry her?

It seemed a good idea at the time.

As a matter of fact, it was leap year.

And she asked me.

Rambo, if you'll marry me,

I'll start a Shakespearean company of our own.

You'd be the manager and do whatever place you want to.

I thought what would we use for money?

But she answered that before I asked.

My great-ass Ruth and Stafford Spring's FB $89,000, Rambo.

Well, I assure you that put a different space on the matter.

It's only one matter.

We were married the day after we opened

in the Romeo and Juliet in South Boston.

The most unfavorable notices I must say.

Mine were adequate.

But who was there?

I wish you could have heard her read that scene.

Oh, swear not by the moon.

She encops his moon.

That monthly change in her encircle,

circled all that stuff I know proved likewise variable.

She borrowed an expression from the street.

Oh, boy.

I feed it with her to resign the feminine lead

pardon you will army to find another actress.

I told her she could meet a manager.

She could do anything she wanted.

I am the manager, Rambo.

I will do anything I want to.

It's my money.

There is very little one can do.

So I give her that sort of thing, sir.

Yes, yes.

Yes, I should think so.

The woman had no shame, sir.

Nicely, I went on and suffered the torment of the earth.

And she had no sense of timing.

She forgot lines.

We had to hide crosses behind every tree

and every bench outside the window and fly a lot into the cell.

And I daily grew more and more high-good.

That's, boys.

I can't get it yet.

What if it be a poignum

with the fly or a supple cap administered to have me there?

Extra in-free, how that's right.

Enjoy your streamer.

Well...

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He's five, like four.

The next.

I like the day.

She's dead.

She's dead.

She's dead.

Ben, you, uh, you've got quite a far from them, but you're yes, Ben.

Shakespeare, Timbertoon?

No, he did.

Well, I don't know why I'm telling you on this release.

Probably because I asked you.

Well, uh, there were really only three of them.

Only that so?

I've got them a lot.

It just seems like off.

Oh, if I never played Romeo until you're again, I'll be happy.

How about Coriolanus?

I don't exactly understand the Coriolanus,

but then I don't really understand much of Shakespeare either.

You don't age just words a lot of it, sir, to me.

Hmm.

Well, uh, what about you, unit number three?

Oh, yes, sir.

That unit.

Well, her name was really true.

And I'm afraid she's the only woman I ever loved in all my life.

Tell me about her.

Well, I suppose she was as close to the junior Shakespeare wrote about.

There's only woman could be.

You think so?

Yes.

Yes, I do.

There wasn't a thing wrong with our marriage.

We loved each other.

There wasn't room for another woman in my life.

Then did you, uh,

did you dispose of her too?

I never fully realized my own inadequacies until I married you yet.

Why do I marry you yet?

What is it that makes me do it?

There is such a thing as destiny.

Shakespeare was always talking about destiny and saying those things.

Things I don't understand.

But they work out.

You may not.

They often.

I have a picture of children.

Here.

Three words, zero real.

And good night, indeed.

If the sad bent of love be honorable,

I purpose marriage.

Send me where tomorrow,

by one that I'll procure to come to thee,

where and what time that will perform this right,

and all my fortunes that I see how they

and follow thee, my Lord, throughout the world.

It is my soul that calls upon my name.

Romeo.

I was still my sweet little girl.

I was loved as comes by night,

like softest music to attend the year.

Romeo.

Yes, that's a very beautiful picture.

And she's good.

I wish I never had the play of Romeo and Juliet again.

I could play.

You're doing Shakespeare, of course.

Yes, nothing but Shakespeare.

Well, what kind of run do you expect?

How can anyone tell?

With Shakespeare.

So I remember once in Shaboykin, Wisconsin,

and Shaboykin, Michigan, I can never tell them about.

We played five solid weeks.

And when we came back the next year,

we have to cut the last act of immersion of Venice

because a bruv asked through from Chicago

was coming into town.

How about King Lear?

I thought King Lear.

Shilder Roland to the dark tower cave.

His word was still high, oh, and firm.

I smell the blood of a British man,

or the Hammock to be or not to be.

That is the question.

But I suppose you'll be wanting to do it wrong, you wouldn't do it.

I do need a Romeo.

Well, then.

Yes, on me, sir.

You didn't tell me all about your own issues, Julian.

Frankly, I would be very happy to be back in the bidder.

I am a confessist.

I murdered a Julius one myself.

You did?

Well, for goodness' sake, I mean, why so?

But what kind of people are we?

Did you really?

Yes.

Did you marry her, though?

Who knows?

Oh, well, then.

I married all of mine, three of them.

And the last one.

No.

You tell me about the Julian.

You killed her.

Oh, no.

Don't be.

You found her.

Well, I told you I loved her very much.

She was good for my ego.

I remember those nights after the show in hotels everywhere.

It was always the same.

Randolph, let me get this, let me go.

Thank you, my love.

And would you let me afford bottle of beer, too?

Oh, darling, I'm so sorry.

I'm afraid there is any beer left.

I'll run out to the corner and get it.

Oh, thank you, dear.

If you're going to die, would you mind

picking up a cigar or two for me?

I'll tell it, please.

Of course, dear.

Anything else?

And I wouldn't love a sandwich,

that if the restaurant is still open.

Do you want a magazine, too?

No.

Just leave me, Peppers.

Oh, if you see a racing car, I'm not bringing

a gift a lot to you.

Will you?

Of course, we are.

I'll be right.

I hope you will, darling.

That pink shirt.

I want to do it, tomorrow.

I'll be back in time.

I'll let you be here.

And let me help you with a slippers first.

Oh, no, no, no, no, no.

I guess I'm capable of taking care of myself, dear.

You run a lot.

Oh, my dear.

Wait.

You didn't kiss me.

Oh, no.

Oh, no, no, no.

Oh, no, no, no, no, no.

Oh, no, no, no, no, no, no.

She sounds wonderful, then.

She was always buying me things.

Such necktie.

I remember one.

Oh, my dear, sir.

And such a cook.

How many, many times I fell asleep to the sound

of the washing the few dishes we had.

After a succulent midnight meal of beef to rug and off,

or chicken marango, or choux crout-garney,

cooks, my dear, sir, over a gas flame in a room

as often as night.

And she never asked for a tent for herself.

Always had a few extra dollars when I had a band session

of the truck and such a necktie.

You know, it's amazing.

I never thought of anything else to do.

I wish you could have seen her.

I'd like that, let it watch.

Yes, you would.

And what did you say happened to her?

Well, she died.

It was very odd.

Singular, I think.

It was a Saturday night.

I remember because we had no performance that night.

We played only a Saturday matinee, then a matinee on Sunday.

I'd been playing cards with some of the prominent citizens

of the city we were playing in.

And I came home about 10 o'clock.

I expected to find Julia to sleep.

She wasn't.

She was standing in the center of our room with a strange man.

And her arms were around each other.

And they were kissing.

It was very bad.

Very, very bad.

You killed her?

Oh, no.

I am afraid I was rather last.

Oh, yes.

It's all meant as to say those.

The man who was somewhat smarter than I, I threw downstairs.

You're just trying to explain, but she didn't.

I was sunny.

She kicked her head on the corner of the table, of course.

Is that what killed her?

Oh, no, though.

I stormed out of the place and went out to a restaurant for dinner.

And then after the full meal, I felt a little better,

and I went back.

The determined to forget her.

I was a little late.

She can hang herself.

Excuse me.

Yes, it was.

How was I to know that the man she was kissing

was her brother who had just got into sea at most?

Oh, sometimes I can hear their voices like this.

And a little bit.

Oh, it's ran not by the moon.

It comes to do.

Hey.

It monthly changes in her instinct.

They're called orbs.

Susan.

Mr. Phylo proved likewise.

Damn it.

Damn it.

Damn it.

Damn it.

Damn it.

Damn it.

Well, uh, come on, then.

Where am I?

I think so.

But I want you to read again, Junior, first, just...

I'll share it in the space.

Why, you've got it all dressed up, isn't it?

Act too seem too full.

Over there, by the balcony, to please the ticket

from Lady Bionna Blendedwood.

Oh, well, Junior, speak the speech

I pray you would I pronounce it to you.

I say that's the way it is.

It speaks to you.

Come on.

Well, then.

Lady, by Yonder Blendedwood, I swear

that just with silver all these fruitly tufts.

Oh, it's ran off, I'm in tune.

It comes to do.

They have monthly changes in her instinct.

Yeah.

What is this?

You were talked about destiny forever.

Here's your destiny.

And why?

What's this is the destiny we spoke of, then?

This is your faith, your punishment.

There are the three humans.

There is the one I salute.

I don't remember.

Junior's had to die to make change.

So I found her with her.

Who the devil are you?

Well, hi.

I want you new friends.

My name is Shakespeare.

When you're Shakespeare, at your service.

Argh.

Can you please, Lord, and I would call.

I always marry a junior.

Anan who spoke to you was Ernest Chappell.

And James Monks played Shakespeare,

the three Julius who were Margaret Draper, Abby Lewis,

and Nancy Moore.

Music for Client Leaves is played by Alder Berman.

Now for the way about next week's Client Leaves,

he is my good friend, Bill Cooper.

First, I must tell you that the characters on Client Leaves

are not intended to represent any person living in dead.

Let the possible exception of Mr. Shakespeare.

And now I certain people are doubt he lived anyway.

The other characters are complete with a shield of my own imagination.

If you haven't had the same name as one of them,

it's intend to be you.

Well, at least for next week, it's called 12 to 5.

Now why did you have to be a legular speaker?

Well, until next week at this same time,

I am five years, Ernest Chappell.

Five sleeves come to you from New York.

This is the world's largest network,

serving more than 450 radio stations,

the mutual broadcasting system.

Toilet Redic here from 2311 Race.

Another checkered flag for the books.

Time to celebrate with Chamba.

Jump in at chamba-chuspino.com.

Let's Chamba.

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