RBG Clips: Hollywood’s Secret Language | Mark Devlin

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Así que es una movida que se desespera en términos de preguntar las cuestiones, o posible cerrar a ellos,

como lo que la naturaleza de la realidad es.

Porque creo que cuando ha estado en conspiracy de negociación por mucho tiempo,

hay muchos años, como tantas años, como yo.

Todos los medios se convirtieron en una acción singular.

Así que puedes ver en la sociedad secretario y en el nuevo mundo, el plan de maestro y los métodos y tácticos que están usando

control and surveillance and slavers.

You can look into the banking and financial scams

and the Bilderberg Group and the trilateral commission,

all of these.

But there comes a point where all of that just

becomes information and data and names and places and dates.

And what's really important is going

beyond that, several levels, to ask,

what is the nature of a reality in which any of that sort

of stuff can take place in the first place?

That facilitates these kind of activities

playing out into apparently physical manifestation.

So that's where I'm at, asking those kind of questions

at this point in my life, having done the conspiracy thing

for many years.

And that movie speaks a lot to me and that regarding,

in terms of considering these very big questions in life.

Have you seen the controversy that surrounding Jim

Kerry at the moment when he showed up to the Paris Award

Show last week?

And he looks completely different.

He looks like his face has had a bunch of work done

and a bunch of plastic surgery, which

doesn't make a lot of sense based off of the things

that he had said up until this point.

That it doesn't seem like he would be the person

that would want all of that cosmetic surgery, which

has led people to believe that that's not really Jim Kerry,

he's somebody else that someone's impersonating him

or that he's been cloned and all of that.

But what is really strange about that entire scenario

is that he does look like a different person.

He's obviously had worked on if it really is him.

But what's the most odd about it was at the end of his speech

at the award ceremony, he says the ending line

that he says at the end of the Truman Show.

In case he doesn't see you, good afternoon, good evening,

and good night.

In case I don't see you, good afternoon, good evening,

and good night.

In case I don't see you, good afternoon, good evening,

and good night.

And I'm like, wow, if that's not really Jim Kerry,

what a play that you just did in front of everyone.

It's like a metaphor within a metaphor within a metaphor.

Right.

I mean, anything as possible, could Jim Kerry have been replaced?

Sure, they've done it before.

Did it with Paul McCartney?

They did it for a period with Madonna

in round about 2021, or starting in 2021,

where they wheeled out to my thinking

at least three different Madonna's.

So there was a young one.

I can't remember if we talked about this on the show last time,

but there was a young one who looked no more than about 30

with pink hair.

And that, quite obviously, was not the real Madonna,

who by that point was supposed to be about 65 years of age,

63, I think.

Then there was another one who was short and fat and dumpy.

As she appeared on stage in a dance routine in Columbia,

and she could barely pull any dance steps

and looked completely out of shape.

So that clearly was not the original Madonna.

And then there was an older, grizzled,

haggard sort of one.

And it was much more plausible

that that could be the real Madonna, but it still wasn't.

And then the real one appears to have come back.

She's got this very distinctive gap in her teeth.

So when she smiles, you know it.

So we appear to have the original Madonna back,

but they played complete mind-fuck games on us

by putting out these three replacements for a period.

And who knows why they did that?

Maybe it was to see how many people would notice,

whether they could get away with it,

whether the fans would call it out,

how many truth researchers would draw attention to it.

Maybe it was a little social experiment in that way.

Who knows?

And I hear all these claims that famous people have been replaced

by clones or doubles or whatever.

I've heard it about Jim Carey.

And sure, those pictures that surfaced recently

do not look like the original Jim Carey.

But for every person you'll get,

who claims that he's been replaced,

somebody else will pop up and say,

oh, come on, Jim Carey's in Hollywood.

And in Hollywood, there's plastic surgery.

There's all kinds of work you can have done.

There's makeup that gets applied in film types and arios.

And that's just Jim Carey trying to stave off aging.

So it just goes to show that there are never any clear answers

to anything, nothing is ever clear-cut,

because somebody's always going to pop up

and be contrary and oppose any kind of claim

that you might choose to make.

So it just makes this work very, very difficult.

You've got to have a lot of time on your hands.

You've got to be pretty good at forensic analysis

and comparing facial structures and distances

between eyes and ears and ears shapes and things like this

to be able to make sense of it.

I mean, with some, it's easier than with others.

As far as I'm concerned with Paul McCartney,

it's a clear-cut case.

There have been at least two individuals

playing the public role of Paul McCartney.

You can see they're very different in photographs

and film footage.

You don't need to be a forensic expert to see that.

But with some of these others, I think

it requires a much deeper level of expertise

if you're going to come out and make bold kind of claims

like that, because when you make a bold claim,

people require bold evidence to back it up.

And like I said, you've got to have a lot of time

and a lot of resources on your hands

to be able to back up these kind of claims when they get made.

I think that they did the same thing with Britney Spears

that you just explained that they did with Madonna.

I'm convinced that the Britney Spears that we see right now

that just got arrested, apparently.

I don't know if you saw this, but you just got arrested

for a DUI, I believe, just what it was.

I don't believe that that's the same Britney Spears.

And I don't believe that that has been the same Britney Spears

since around 2011.

Yeah, well, that's quite possible.

Like I say, I can't rule it out.

Another thing is that during the COVID era,

they started using a double for Prince Charles,

or King Charles, as he is now.

It quite clearly was not him.

He appeared on a Sky News broadcast in the middle of COVID.

And it was so obvious, it was an actor.

But most people within the British public didn't notice

or didn't care.

Like George Carlin once said, nobody seems to care.

Nobody seems to notice.

They got away with it.

It's just incredible to me.

I mean, somebody like Madonna, you could argue that

not many people pay attention to Madonna,

or she only appeals to certain demographics or whatever.

But this is the frigging king, not that I'm suggesting

people should pay attention to the king.

But you know, he's a pretty public figure,

a pretty important figure within the United Kingdom.

And they got away with using a double for him.

No explanation as to why it was done.

And then the original Prince Charles

popped back up again to my thinking, that's him.

We got him back.

So this double was put in for a period.

And I don't know where they get in their mind control

top-top in a lab somewhere.

And they need to put somebody out there.

Do they have a bad reaction to certain chemical compounds

that they may have ingesting?

Or is it a simple social experiment, like I said,

are the social engineers doing this

to see how many people notice and what they can get away with?

Or is it to make those who do observe the change

and draw attention to it look crazy?

So if they try and tell friends and family,

that's not the original Prince Charles they've replaced him.

That's a double, that's an actor.

And then the original pops back up.

And you can see that's the original.

Your family and friends are going to say, you're crazy.

Of course, that's him.

Look, there he is right there.

What have you been drinking?

What have you been smoking there?

Yeah, it's a double, double.

And when it comes to the cryptic and symbolic movies,

but things that are also in your face

is the movie Death Becomes Her, which is all about immortality

and cults.

And we know that the elites are into immortality, alchemy,

a lixer of life, the philosopher's stone, blood rituals

for youth, or even transfer of blood.

This goes back hundreds of years.

But this one's a little different in this movie.

They have this little vial that has a substance in it

that reminds me, actually, of the movie Substance, which

is basically a way darker version of that movie

that revolves around the same type of thing.

It's a modern whore take on it, but it's like an injection

instead of a liquid that you drink.

Wow.

Wow, Mark, imagine that.

And an injection to keep you young.

What a coincidence that is.

And with those Zimpag and all these weight loss drug

injections that are so popular right now,

I'm going to have to save that one in my memory bank

for later.

But anyway, the movie Death Becomes Her,

they have this drink and this what a bunch of people

describe as a dream of chrome and what a dream of chrome

is, it gives them immortality from this super old witch

that looks like she's like 30 years old,

but it's probably more like over 100 years old.

And this witch runs this hidden network

of elite power players that she has supplied

the substance to over the years.

And at the end of the movie, you

got all of these people that have taken this substance

that has been reportedly dead for a really long time,

but is alive and is at this party, which

includes Elvis Presley, Marilyn Monroe,

James Dean, Andy Warhol.

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