In this extended episode of Dearest Suzie, we take a deep dive into one of the most unsettling intersections of memory, military routine, and moral reckoning. Sparked by a real Stars and Stripes article from August 1965 and shaped by Popi’s letters and postwar reflections, “Shooting an Elephant in Vietnam” uses fiction to get closer to a kind of truth that memory alone can’t always reach.

What begins as a simple report about a helicopter crew hunting an elephant under military orders becomes a layered meditation on power, performance, and complicity. In the spirit of George Orwell’s iconic essay, this fictionalized account places Popi at the center of an all-too-real absurdity: a gunner eager for action, a pilot torn between duty and doubt, and a dead elephant used as propaganda and protein. The piece unfolds across the airbase, the rice paddies, and the village square, interrogating the roles soldiers are expected to play, and how easily moral lines are redrawn in war.

Written in the first person, but drawn from archival materials, the story captures the hollowness of imperial rituals and the disturbing ease with which violence can be justified. In the final moments, a blue stuffed elephant brings it all home, quietly closing the loop between war and family, blood and memory.

🔔 If this episode moved you, please like, share, and subscribe. I’ll be posting new episodes regularly, sharing letters, memories, and the stories we inherit—whether written, remembered, or imagined.

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