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In this episode of Strange Currencies, we dive into the unsettling worlds of J.G. Ballard to explore how the cinematic adaptations of Crash (Cronenberg, 1996) and High-Rise (Ben Wheatley, 2015) translate his vision of technology and greed peeling back the civilised veneer and dragging us toward our more primal selves. From a partial defence of men reading on trains to tangents through American Psycho, late-stage capitalism, and the proud tradition of intentionally “difficult” art, we roam widely before landing on something all too real: Melbourne University’s increasingly dystopian surveillance of students protesting its ties to arms manufacturers.
No transcript available for this episode.
Strange Currencies