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About this Episode
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Transcript
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Faster than a feeding bullet.
More powerful than a locomotive.
Ava's only four buildings at a single bound.
Up on the sky, it's a bird, it's a plane, it's superman.
The adventure is all superman.
When the planet Krypton, home of a race of supermanic clothing and two dozen, the whole
survivor was an infant boy who had been stuck to earth in a sealed rocket.
Today, that boy grown to manhood is known as superman, sworn enemy of the forces of evil.
To aid him in his never-ending fight for truth and justice, he masquerades as parts can't.
Crime reporter for a great metropolitan newspaper.
His sequel is carefully guarded.
No one is aware that Kent is superman.
No one but you.
Going with us now on ABC, as superman faces the greatest problem of his entire career,
the possible exposure of his double identity in an exciting transcribed adventure entitled
Dead man tell no tale.
The horrible realization that one day someone will discover that Clark Kent mild mannered
bespectacled crime reporter is in reality superman.
As hungover superman said like the sword of democlease, for he realizes that once his
duo role is exposed, he will no longer be able to work in secrecy.
And now that day has come.
Returning to his apartment late one night after covering a routine hold up story at police
headquarters, Bart Kent discussed that a secret closet in his bedroom had been broken
into.
And the sparse superman costume he kept hidden there had been stolen.
For a moment to his days, then the full import of what had happened struck him like a savage
blow.
Whoever had stolen the costume, unless he was stupid beyond the belief, was now aware
that Clark Kent was superman.
For almost an hour, Kent faced the floor, unable to sleep.
There were six million people in the trouble, and the sleep thief might be any one of them.
Finally in desperation, he called in his friend, the private detective, Kenby Myers.
All right, now Clark, relax, relax, it's not the end of the world, you know.
And it might be for me.
Oh, stop it.
No matter what the guy stole a campy dad's bed, I let's have it from the beginning.
I told you, I got back from headquarters at 11 o'clock.
I walked into the bedroom and found the door of the closet open.
Okay, what was that?
Well, that's not important, Kenby, the important thing.
But he made it.
It's not important.
I gotta know what the guy left it, don't I?
Well, it's too me didn't take anything.
And what's all of fun?
He's still broke into my apartment.
I looked palsy.
You're not pulling any wool over, Kenby Myers eyes.
In the first place, it's a secret closet.
In the second place, nobody has a secret closet and leaves it empty.
In the third place, if the guy knew how to get it open without jimming the door, he must
have had a pretty good idea of what was in it.
No, no, he couldn't have known what was in it.
So there was something in it?
Well, yes.
Well, what?
Yes, yes.
What did he hide?
Now, Kenby believed me.
It doesn't matter.
All I want to do is get to see.
Is that all?
Well, you know what I mean.
I don't know what you mean, but I sure know what you mean.
You need a swammy with a crystal ball, not a detective.
Oh, candy, please.
I'll look palsy.
You'll know as well as I do.
Say whatever the guy talks, he's going to try and sell or hawk.
The only way to put the finger on him is to check every fence and hawk shop in the
study.
But we can't do that unless we know what we're looking for, Kenway.
He won't try to sell or hawk this candy.
It has no value.
Well, and what are you all up and bother to buy?
Well, it has value to me.
In fact, it's everything.
Oh, brother.
Kenby, just do one thing for me.
Well, yes, check the closet door for thinker friends.
Have you got your dusting kit with you?
Yeah, I can.
Please, Kenby.
Okay.
But you sure like that those things are hard work.
And it's the only way in this case.
I wish I could tell you more, Kenby.
Honestly, I don't.
Do me more, brother.
You haven't told me anything.
Well, just for fun, no, Clark.
It's like I didn't know what was in the closet.
I mean, if he wasn't happy, how did he get it open?
Well, accidentally, I'm sure.
It's on an electric spring and it unlocks when you pull out the top drawer of my desk.
Well, you sure went to a lot of trouble to hide something that doesn't have any value.
Well, wait a minute.
If what the guy took has no value, why did he take it?
I don't know.
Ken, you're lying in your seat.
There's no skin off my back.
There prints on a door, or I'll get them.
After that towel, you're on your own.
Hello?
Yes, this is Ken.
Oh, yes, my lord.
Oh, wait a minute.
Let me jot that down with you.
Yeah.
That's 10-0-0-N-A-N.
Right.
Yes?
Yes.
I see.
Yeah, well, thanks a lot.
Okay.
Right.
Okay, candy.
Okay, what?
That was my lord at identification.
They tabbed the print.
Lefty Noonan, 21 arrests and three convictions in 1938.
Oh, he can be picked up, candy.
Sure, if a cops can find it.
But if you think I'm going to get mixed up in a case, I'll get it.
Okay, candy.
Okay, what?
That was my lord at identification.
They tabbed the print.
Lefty Noonan, 21 arrests and three convictions in 1938.
So what?
Oh, he can be picked up, candy.
Sure, if a cops can find it.
But if you think I'm going to get mixed up in a case where you bring a guy in and you ask him,
if you heist an unmentionable thing out of Clark, can't seek which closet.
You're nuts.
Oh, now let me go home.
Can I tap past one?
You'll handle this thing anyway you want.
Candy, I need your help.
I can't call the police in on this.
I want you to find Noonan and bring him to me.
Just like that, eh?
Well, you can do it if you want to.
Sure, but where do I get you?
Look, all I need is five minutes with him alone in a room or alone anywhere.
With your fragrance, I'll hold it.
Hello?
Yes, ma'am.
What?
Let's have that again.
Yes?
Uh-huh.
At 10.25, eh?
I see.
No, no, no.
Is it just a routine check?
Yeah, sure will.
Right.
Candy.
Yeah?
The cop on this beat caught Noonan sneaking out of the delivery entrance of this building at 10.25 tonight.
Well, that says it.
You don't need me anymore.
Sweet dreams, pal.
Candy, wait.
He got away.
Huh?
He broke loose before the prowl car showed up.
The cop chased him, shot at him twice, and swears he hit him.
But he got away.
Yes, but if he's wounded, he'll be easy to track down, don't you think?
I don't know.
This is a big city with a lot of people in it.
If you want me to bring him in, I'll try.
Thanks, Candy.
Let's say Noonan, eh?
That's right.
I'll call you.
The cop chased him, shot at him twice, and swears he hit him.
But he got away.
Yes, but if he's wounded, he'll be easy to track down, don't you think?
Oh, no.
This is a big city with a lot of people in it.
I'd say if you want to go fast, go alone.
But if you want to go far, go together.
At Amika Insurance, we know what matters most to you.
And we work even harder to protect it together.
As a mutual insurance company, we're built for our customers and prioritize your needs.
Amika, empathy is our best policy.
Visit amika.com and get a quote today.
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Here's some water.
No, no water.
The plug went through his back.
If it's in his belly, water's bad.
I better go call a doctor, then, huh?
It all looks so good.
No sense getting lost up with his cell phones if it don't mean nothing.
So let him die?
What do you mean, let him?
I didn't put this lug in him.
I didn't tell him to come crawling up here at 1 o'clock in the morning and pass out on my cause.
He's gonna die on that cause.
So let you get a doctor up here, say?
So what?
They're all the same, all these two fifth creeps.
Where do they come when they're in trouble?
The next morality.
Sure, next morality can fix anything.
Not so bad.
I'm all through sick and my neck out for these two.
Come and tune in.
Sure.
They can't even croak quiet.
All right.
Okay, Luffy.
Water.
Water.
What's water here, kids?
Oh, guys.
All right.
Give it to him.
He'll give it to my whole head up.
All right, Luffy.
Here's water.
Nice.
Nice, Mitch.
Okay, boy.
Land down, baby.
Pick this blood in his mouth.
Yeah.
Who plugged you, Luffy?
C'mon.
Do you want to ice, right?
Yeah.
You wish to pay for bags.
Don't get up, Luffy, Luffy.
I'm gonna have to make a bag.
What's he talking about?
We carry on a paper bag.
It's not no hair.
Get it, honey.
I've got my novel.
Mine.
It's inside me.
You, but this is passed away.
Just don't move around, huh?
Well, I'll be covering one with a bite of vagna.
Is what you want, Luffy?
Yeah.
What?
What?
What's in it?
See?
What is it?
It was kind of a fancy costume.
No.
Superman.
Right.
Superman.
Superman.
Yeah, that's right.
Secret.
Closet?
Guy living there.
Superman.
I don't get it.
Does he mean he found this in a secret closet?
Yes.
Yeah.
And whoever is living where he found it is Superman.
Yes.
He's crazy.
No, no.
Let's be Superman.
Let it look like what Superman wears.
Nick.
Yeah, Luffy.
I'll...
At a level, Nick.
A apartment.
Five.
He.
160.
Manly street.
Guy must be Superman.
Yes.
What you're hiding from his place?
Yes.
Secret closet.
Hold on, Luffy.
Closet.
Closet open.
Wait.
What is it?
What is it?
Oh, Superman.
Who is it?
Oh, Kenny.
Let's have the address again, Luffy.
Sorry, wait a minute.
160.
Sandish.
A butt.
A butt.
Yes.
Five.
He.
Okay.
You.
You've got to cut me a neck.
You.
You will.
You are a cussed human.
Nice neck.
Always.
No.
Always.
Always.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
Stop.
He's too weak to live with me.
Yes?
Yeah.
Too bad.
You could've told us more.
You don't believe that stuff about Superman, do you?
He can't tell.
I can tell.
Do you want to prove it?
Yes.
Light a mess.
What?
You want to prove it, don't you?
Good.
Light a mess.
Okay.
Yeah.
Try to burn this stuff.
Burn?
Yeah.
Open a match on you.
Close.
Don't burn?
Is she?
Okay, I can see.
Out.
Light another one.
This is no kind of thing.
Well, like I say, light a mess.
Put it right up front of the cloth.
Back.
Right up against it.
I'm not here.
What is it, Nick?
That creep.
It was right.
This is too many outfits.
It don't burn.
Baby, this is dynamite.
How are you gonna handle this, Nick?
Forget Milano on the phone.
He's gotta come up here with the boys.
And get this dead creep out of here.
Then what?
Then.
Then, baby.
We figure out how to tie up this Superman character.
So from now on he works for only one guy.
Nick Morelli.
Light, baby.
Nick Morelli.
Hello.
We're getting candy.
Yeah.
I was just doing that.
Get wide awake.
Listen closely and go back to sleep.
What?
No part of the again with any wacky capers like this one.
Did you find him, candy?
Yeah, I found him.
Where is he?
I'll come right down.
Relax, Tally.
He's on a slap in the morgue.
Dead?
No, he couldn't get out of the tellroom.
So they ran into him a slap for the night.
What do you mean, dead?
Maybe some work, but at that door.
Oh.
Okay, candy.
We've found an empty lot on the south side of our two miles of your place.
One of the cops left has got him in the back.
And that was as far as he could get.
Well, that's that.
Thanks, a million, candy.
Thanks for what?
Well, you don't know what this has done for me.
Thanks, you'll never know.
I guess not.
Nothing else, candy.
Okay, I think I've anything, candy.
Sure.
Well, should there be something?
What about that something from the closet?
What do you want to know whether the cops have recovered it?
Did they?
Hello, candy.
Hello.
I'm still here.
What are you getting all excited about?
Was it they, candy?
I should.
I know.
And I don't even know what it is.
Did they recover anything?
Just when he had this pocket.
That's the thing.
That's the steel, Jimmy.
The 32-spent-and-wash-and-reval.
No, no.
Not his pocket, candy.
Was he...
Was he carrying anything?
Or anything.
Well, like a cold or a super cold.
A cold or a suit of clothes, huh?
And I'm coming up and having a talk with you.
Stand by.
Candy, if I've said it once, I've said it a dozen times.
I can't tell you what noonin took from that closet.
I wish I could, but I can't.
Now, that's fine.
Okay, pal.
Okay.
Just one more thing I'd like you to say.
That is it.
Oh, mine.
Give the stock as a candy.
I've known you for five years.
Brother, you shut the words right out of my mouth.
Right out of my mouth.
What's the word?
He's known each other for five years.
And all that time, I've never seen you so jittery like that.
Oh, nonsense.
No nonsense.
Something's happened to shot you to paste it.
You need help, Clark, but you can't get it unless you're willing to cooperate.
Candy, if I could forget the time of private tech.
Well, yeah, I'm your friend, and I'm fine.
Who's that?
A three o'clock in the morning.
I don't know.
Hello.
Is this department five years?
Who's it?
Who's it?
Is this the department five years?
That's right.
Who's calling?
Where's the candy?
Who's calling?
Well, something's stolen from a closet near Bedroom in Kansas.
I'm sorry, but I can't answer any questions unless I know who's calling.
This is a friend.
Candy, something's stolen.
I think I can get it back.
Oh, if you're a friend, why won't you tell me your name?
Name's don't matter.
If you want to get back what we stole,
you better come to 45 cars, take the hurry, and come along.
Well, I can't get out right now.
I'm waiting for some phone calls.
Why don't you come here?
Hold it a minute.
All right.
What kid?
She said she's got both the stones from the closet.
Be careful.
I love the candy.
Yes?
OK, we'll be down in 20 minutes.
But make sure you're alone.
I'll be alone.
OK, Cindy.
Well, you'll be here in 20 minutes.
Oh, brother, this is right up my alley.
Oh, no, Candy.
No, what?
You'll have to go.
I've got to see her alone.
You're nuts.
I'll hide in the bedroom.
I'll be alone.
All right.
I give back some through.
I'm finished.
Remember that.
I won't be able to help you when you stretch out on a slab
in a morgue like let's say known it.
We'll be back in a moment for part two,
and the exciting conclusion of said men tell no tales.
But first, here is your ABC, you know.
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in last year's record-breaking polio epidemic.
That's right.
The number of victims was 42,000, of whom 60% were children
under 10 years old.
Thousands of those tricky youngsters are still sick,
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Still in need of help.
The help you can lend by giving to the March of Dimes.
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It needs your help.
It needs it more desperately than ever before.
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Keep those dimes and dollars rolling
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And now back to the adventures of Superman.
And part two of dead men tell no tales.
Unaware that the telephone call he received
was from Nick Morelli's girl.
And that both the girl and the racketeer
are aware of his double identity.
Clark can't wait nervously and impatiently
for their arrival.
But Candy Myers, suspicious of an attempted foul play,
has not given up as he threatens to do.
Although he left Kent's apartment,
he is now waiting outside the entrance to the building.
It's almost 3.30 in the morning.
The street is dark and silent.
Suddenly a car swings around the corner
and pulls up in front of the building.
Candy Myers steps back into the shadow with doorway.
I don't see any number.
Nick is sure this is 160?
Yes, it is.
Right over the door.
Oh, yes.
Excuse me.
No.
Don't never step out of the dark like that again for a...
but it ain't healthy.
I'm sorry.
I've been waiting for you.
Waiting for us?
Yeah.
I'm Clark Kent.
Oh.
I thought he was supposed to come up to your deposit.
That's what you said over the phone?
Yeah, I know, but there was a fight so many might come in
and you said I had to be alone.
You got people coming in at 3.30 in the morning?
Well, I was just saying, my gun's not here.
It just can't go.
You know what it means, Nick?
Sure.
Okay, you want to go over to my place?
Just make...
That's even better, Nick.
Then we can show him the proof.
Somebody asked you...
Well, I was just asking you the list.
Okay, let's begin.
That's cool.
It sounds like self-confidence.
Self-confidence.
Thanks.
How about a little drink?
Have a touch it.
Moe?
No thanks.
Real athletic size, huh?
It sounds amazing, don't it?
You sure look different sitting there.
Defensive and wise.
Well, you're throwing the kids.
You hit me high and saw the baby, huh?
Just because you don't drink.
Don't mean I don't have...
That's not good.
What I had?
Okay.
I must be wondering where I fit into this, huh?
Yeah.
In a way.
Well, there it is.
I know the creep that busted into your deposit
and cut something out of your closet.
Hey, I need it.
Thanks, baby.
Not an effect.
I got for the high suit off you.
You have?
Yeah.
Wanna get it back, don't you?
You bet I do.
Okay.
What is it?
Huh?
You heard me.
What is the creep cut for your closet?
You got it.
You know.
That ain't what I asked.
If you don't learn the coup d'oeil.
Shut up.
Huh?
What was it?
It's a...
Like a coat or a suit of clothes.
What kind of a suit of clothes?
Give it a name.
What do you mean?
Give it a name.
You'll find one with the shaytons, baby.
Don't move, guy.
What do you want me to do?
Find out, quick.
Okay, miss.
Take the front door.
Make sure it's locked.
Okay.
You and me are gonna find out something, can't you?
Lock me.
All right.
Put the angle back.
The angle is, I think, maybe this guy's a pony.
I don't like the smell of it.
What are you talking about?
Get up.
Come on, get up.
Sure.
I'll make with the talk.
All you got to do is listen.
One thing Nick Monelli don't like is getting the double cross.
He don't like it for nothing.
So, if Nick Monelli thinks the guy is slipping in the finger,
he's right away quick.
Take care of it, see?
No, I'm doing the talking.
Remember.
Go ahead.
Thanks.
Sometimes maybe it happens Nick Monelli makes a mistake.
It gives the business to the wrong guy.
The guy who ain't slipping in the middle finger.
But with you, it's own matter.
If you're the guy who's supposed to be,
nothing is going to happen.
If you wait, then you're trying to slip Monelli to the finger
and you've got to come in.
Guess what?
I'm not allowed to talk.
Go on.
Talk.
Say what you've got to say.
All I've got to say is I don't know why you pull the gun on me
and I don't know what you shoot in your mouth about.
So maybe I'm wrong, so we'll find out quick.
Find out what.
If you're the right guy, you're the wrong guy.
I'm going to toss a couple of 30, it slugs your way.
You're the right guy, okay?
You're the wrong guy?
Get out of that picture.
Caught in a blind trap.
Unaware that Morelli is trying to determine whether or not he is Superman.
And the virus faces the steel black muddle of a gangster's gun.
And almost certain things.
Meanwhile in his apartment, Clark Kent,
the plan says that is watching for the tenth time.
Five minutes to four.
She calls the last of three and she said 20 minutes.
Almost an hour.
I'm not going to wait any longer.
Forty-five Carlton Street.
I'll pay her a visit as Superman.
Removing his horn rims, glasses, and stripping off his business,
YouTube disguise.
Clark Kent immerses in the brilliant red and blue costume of Superman.
Lacing a window, the only human being on earth who numbers among his amazing powers,
the power of light leaps out into the darkness.
Covering for a timeless moment in midair, he gets his bearings and then,
like an arrow shot from a bowl, feeds across the city,
and drops down on the sidewalk in front of a subtle house of forty-five Carlton.
One glance in his X-ray vision shows in the scene inside the house.
Great Scott.
Tensing every muscle in his powerful body.
Superman crashes through one of the blunder on windows.
And like a human projectile strike, candy-myers.
Clark Kent comes out.
Almost at the instant the gun and Nick Morelli's hands blast out.
Mamma mia.
It's Superman.
Drop that gun.
Hurst, I gotta make sure.
All right.
Now I throw.
That's better.
Sit down.
We talk things over.
I've got nothing to talk over with you,
unless it's a matter of attempted murder.
If I'd been a split second late, that bullet would have killed him.
So why did he have to try to slip me to finger, telling me he was Kent?
That's what he did.
Sure, that's her.
Yeah, he was waiting downstairs, where you live?
What do you mean, where I live?
One sixty centimeters.
I know the score.
Your name is Clark Kent.
You know too much.
Could be.
What's your name?
Nick Morelli.
And yours never mind her.
Yeah.
Maybe I do know too much.
Only what I know pays off.
Does that I think so?
Or am I the only one who knows?
The stupid creep muster into your joint.
He's dead.
So from here on in you two business with me.
Nick Morelli.
Is that so?
Yeah.
But if you don't, I'm going to do a little talk.
And that's going to put you out of the Superman record.
But quick.
What if I see to it that you can't do when he's talking?
You know, dead men tell no tale.
You ain't going to knock us off.
That ain't your way.
Right now, I wish it were.
Relax, Mr. Kent.
What would you like for me to call you Superman?
You don't have to call me anything.
Where's the costume that was stolen from my closet?
Well, we'll talk it over.
I'm not at any mood for talking.
Where is it?
You're only going to get you nowhere.
And maybe this way.
Where is it?
Where is it?
Where is it?
Where is it?
Where is it?
Where is it?
Where is it?
One answer to this.
I've got to put both of you someplace where it won't matter.
How it's talking you do.
What are you going to act like this?
Or we can make it to you?
I don't make it to you.
Take the square shooter.
The shooter part, I'll accept.
You've made your bed, and now you're going to sleep.
And I'll get your coats on.
Yes.
You're happy when I said get your coats on.
Where we going?
For a little ride to your new home.
Now I'm warning you.
This mountain top is 4,000 feet high, and there's no way down.
You're murdering us for free to be here.
I'll be back with everything you need.
And pulling up by you.
You won't free start.
What are you doing this for?
I told you I was wanting to forget it.
I even told you what the f**k you're doing.
You're telling me you didn't worth much.
I swear to the second Bible.
That's worth less from you.
No, this is how it's got to be.
Until I can think of something else you two are going to live up here.
Please, please, please.
Is it break?
You're getting a break.
I remember.
Don't try to escape.
I'll be back.
Steeping into the still darkened sky.
Superman hovers in curious light above the mountain top.
Watching the tiny figures of the gangster and his girl.
Then, just as he is about to turn in midair and head for Metropolis.
He notices with horror that hand and hand.
They are attempting to make their way down the steep slope.
A stupid fool.
Arching his powerful body.
Superman prepares to swoop down after them, but he is too late.
Loose sand and gravel rolls under their feet.
And losing their balance they pitch forward headlong.
Their bodies striking a ledge and bouncing off like sodas dummies.
Falling to the valley 4,000 feet below.
Hello?
Close.
This is candy, my eyes.
Candy, what happened to you?
You sound terrible.
What happened to me?
It shouldn't happen to a dog.
Somebody hit me on the back of the head with a telephoto.
Oh, crap.
Oh, crap.
Oh, crap.
Candy, I'm just clearing my throat.
Unless you can't, I want to warn you.
You're in trouble.
I'm in trouble.
Yeah.
It's tough enough, but an emerald is got whatever was caught from your closet.
Oh, don't worry about it, Candy.
I got it back.
You got it back?
Yes.
And an emerald in the girl are dead.
They fell off the mountain.
Oh.
That does it.
I know I should add more brains to get mixed up in it.
They fell off the mountain.
That's right.
Sure.
And I'm thick tricy and you're a superman.
That's right, Candy.
Good night, Candy.
Good night, Candy.
And so am dead men tell no tales on the adventures of Superman,
which have come to you week at the same time over many of these same ABC stations.
With tonight's broadcast, we end the current series of Superman adventures.
Thank you for listening.
We hope to be back with you shortly.
Bringing you radio's most fabulous character in thrilling stories of action,
mystery and adventure.
Oh, be sure to listen.
When next again, you hear that familiar cry.
Faster than a speeding bullet.
Or powerful than a locomotive.
It's literally fall buildings at a single bound.
Up on the side.
It's a bird.
It's a plane.
It's Superman.
Superman is a copyrighted transcribed feature,
appearing in Superman DC comic magazine.
The role of Superman has been played by Bud Rogers.
The music has been composed and played by John Garth.
This is Jackson Beck saying goodbye for the present,
and hoping to say hello again in the very near future.
This is ABC, the American Broadcasting Company.
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