TCC Podcast #289: A Six-Figure Business in Year One with Hollie Tkac

The people and stuff we mentioned on the show:

The Copywriter Think Tank
Copywriting Income Survey
Kira’s website
Rob’s website
Hollie’s website
The Copywriter Club Facebook Group
The Copywriter Underground
Sign up for Typeform
Episode 253

 

Full Transcript:

Kira Hug:  If you’ve ever questioned whether or not you could make six figures as a copywriter without creating and selling products, courses, or group programs on the side, this episode is for you. In this conversation, we’ll speak with copywriter, Hollie Tkac, about how she niched down and grew her Done For You copywriting business with just that; copywriting. We talked about Hollie’s approach to retainers, hiring, and working with junior copywriters, and a few best practices for running a successful copywriting business.

Rob Marsh:  Before we jump into our interview with Hollie, this podcast is sponsored by the Copywriter Think Tank. That’s our mastermind for copywriters and other marketers who want to think outside the box, build new offers, and add revenue streams to their business. We’ve recently added a mindset coach and assistant coach to help members of the Think Tank make more progress than ever before, and it’s not cheap, but given the results that Think Tank members experience after they join the program, it is absolutely worth it. If you are earning three, four, five thousand dollars or more consistently in your business, go to copywriterthinktank.com to learn more.

Kira Hug:  Okay. Let’s hear from Hollie about how she got her start as a copywriter. Hi, Hollie. Well, let’s kick off with your story. How did you end up as a copywriter for Coaches?

Hollie Tkac:  Yeah. Really, it all came down to networking actually, and I still think to this day that’s one of the main ways I’ve built my business. What happened was originally I wanted to be a coach myself, and this is in like 2015, so I joined a bunch of programs and things like that and just took that leap to invest in my business. From that, I ended up making connections and people were liking what I was putting out for my own coaching business I wanted to start at the time and they asked me to write copy for them. I ended up saying yes to that because I was having such a hard time with the selling piece of having a coaching business. I’d write the copy, but getting people on the phone was a little bit scary for me at first, so I wasn’t really having a lot of success with that, but for some reason, the copy was easier for me to sell and say yes to. Then it just kind of started snowballing from there.

I ended up getting some key clients, even two clients I still work with today, from being in some masterminds and programs initially back in the beginning, and they’ve been like almost 30 to 50% of my revenue over six years, just those few clients alone. Those connections I made have really grown into something cool. It sort of started that way through community.

Rob Marsh:  Yeah. I love that. I actually want to talk a little bit more about the whole pulled into coaching, because I think copywriters, in at least a pretty major way, we are all coaching our clients in some things and how to sell themselves, that kind of thing. What was the draw to coaching? What was it that you wanted to do there that initially got you started?

Hollie Tkac:  It was definitely my own journey. Actually in 2015, during this personal development program that I did in LA, I just realized I had worked in corporate at that point. I ended up working a total of seven years at an accounting firm as an operations manager, and I was in the very tail end of that time at that point. I just knew I always wanted to do something else. It started back when I first changed into a role where I was working from home and I wanted to stay home all the time and never have to report anywhere, so I started to think of how could I do this? Then by the time 2015 rolled around, I had decided that I really wanted to be a coach because I was experiencing such a transformation in my own life through getting coached, so that’s kind of why I went forward with that. I figured it was something that I could do from anywhere and work from home more and just have that freedom, so it just seemed like a natural next step.

Rob Marsh:  As you were thinking about being a coach, how have you applied that in your copywriting business?

Hollie Tkac:  Tons of ways. One of the things that I like to think back to is my own story and I try to think about who, because all of my clients are coaches, and they have always been. I think I’ve only worked with one person in six or seven years that wasn’t a coach, so I always try to think about what is the person going through that would attract them to get the transformation. Of course, knowing that they don’t use those languages themselves to describe what they’re going through. They’re not seeking out a transformation in their mind, but they’re going through some kind of pain or something like that that would make them… or they want a certain outcome that would make them candidates for my clients’ services. I just really focus in on what is that and why would somebody want this person’s offer? Being a client helps you to realize those things and helps make you better. I’ve had lots of coaches in different areas and it’s always helped me be better at writing copy for coaches.

Kira Hug:  Can you talk more about that, the coaches that you’ve worked with directly who have helped you personally, professionally? How do you look for a specific coach? There’s so many different types of coaches you could work with. How do you know when to find a specific coach that could help you with the current problem and when it’s time to leave? How do you approach that?

Hollie Tkac:  Awesome. I love that question because I feel like I’ve done everything wrong in that area in the initial few years that I was starting to take on coaches and do different things. Mostly as a client, so what I have found lately is that I’ve also invested in some things recently that have really been fruitful. I’m thinking, what’s the difference between now and then? I would say back then the most important thing to think about when you’re looking for support is to assess your motivations behind getting the support. How that looked for me before, like five, six years ago, is I just didn’t have a good sense of my own worthiness and identity. I was actually trying to solve my problems by putting out money and hoping that would fix whatever issues.

I worked with a health coach for a year and I worked with a love coach for a year and other types of coaches too. What I realized was that I was just trying to fix something with them that they couldn’t fix. Long story short, I realized I needed to just get clear on the fact that I’m basically a worthy human being with or without a coach. Then now that I’ve reached that place through some spiritual stuff I went through in the last couple years, I’ve been able to feel like when I hear about opportunities, I have a gut instinct about them and I know that I should dive in or not and I can trust it more. I’ve developed this sense of trust for my own instincts that I didn’t have before. It’s led me to make decisions that were better for me and have been able to definitely produce fruit without having a lot of stress in terms of… at one point I had like six coaches at once.

Kira Hug:  Oh, wow.

Hollie Tkac:  It was a little crazy financially, and also just like so much input from different people. There were all kinds of different areas of my life, but it was a little crazy. Now it’s like, I know I can pick something I know that will be fruitful and go with it.

Kira Hug:  Can we talk more about this, because I think this is a common challenge for many of us as writers and humans; feeling worthy. You mentioned you went through some spiritual stuff that helped you feel worthy and I feel like we skipped over it, but I’d love to know what you did during that time to really shift from not feeling worthy to feeling worthy and trusting yourself.

Hollie Tkac:  Yeah. In my case, I ended up finding Jesus, to be honest. I had tried a lot of other new age spiritual things and it didn’t really solve my issue. I was in a place of just depression and things like that. This was in 2019, going into that year, and one thing that somebody just invited me to go to church and I went, so that’s something that’s really changed my life. I kind of went all in with it and that’s one of the things that I did some programs at my church and stuff like that over the last couple years that took a few days out of the week for me and I needed to manage my business around it and stuff like that, but it’s really given me a firm foundation to just know that I have that solid baseline. I think people can find that in different ways, but that’s what really got me there was just finding Jesus.

Rob Marsh:  Yeah. I love that story and you’re right. People come to different things in different ways, but just getting to that understanding of self worth is independent of anything else that we do; body size, thoughts, politics, all that stuff that we all have inherent worth. Yeah. However anybody gets to it, that’s a good thing, I think. Hollie, I’m curious, you mentioned you had six coaches at once and that feels, to me, like not necessarily crazy. Obviously you were searching for a lot of help or whatever, but as you got advice from six different coaches, were they telling you things that contradicted? How did you figure out what was the thing you should be doing or listening, and as you’ve come out of that, would you recommend that people stick to one coach, two? Where’s the number that’s maybe right for most of us?

Hollie Tkac:  I think it can kind of depend. There wasn’t a lot of conflicting advice being given at the time, just because they were in different areas of my life. I had the health coach and the love coach simultaneously, plus like a business program, but I think that if I had to say a blanket advice, you wouldn’t want more than one person in the same area of your life, in my opinion, just because there could be those conflicts of what they’re saying. I think in terms of the business side, it’s really great to have potentially two things that you could say are business oriented at the most, but you want to think about having one.

This is something that one of my mentors that I’m working with that I think you guys know, Sara, Sara Anna Powers. She says having one community that’s copywriters, like industry focused, so as copywriters, being in a community of other copywriters that you can talk shop with. Obviously your guys’ mastermind, things like that, and then also having a community that has different types of business owners in it too is really helpful because then you can also get that cross advice from other types of people that have different backgrounds too. Business wise, probably maybe two at the most and then other areas of your life you’d only want one, but I’d be definitely cautious to take on more than a few different communities or coaches at a time just because you need time to implement and digest things that they tell you. Are you really giving yourself that if you’re spending even time on coaching calls with four different people, five different people every week? It’s kind of crazy.

Kira Hug:  I’m glad you mentioned that because I feel like we haven’t. We talk a lot about investing in your business, investing in yourself, working with mentors and coaches and we haven’t talked as much about possibly overdoing it and having too many voices in your head. I can tell the difference when we’re working with someone with a copywriter who’s working with two or more coaches at the same time. I can usually call it out because there’s actually less getting done and there’s more conflict, so I’m glad you mentioned that and maybe you can share an example of what you would’ve done previously to throw money at a problem. Throwing money at a problem, beyond hiring a coach, because we’ve already talked about that, but what else you were doing previously and then how you would approach it differently today or maybe how you are approaching it differently? Same problem, similar problem, but you’re approaching it in a totally different way. Are you able to share any examples just to paint that picture?

Hollie Tkac: Yeah. For example, even right now, well, my love life, I’m still single. If I think about that, I kind of jumped into having a coach for a year. This is four years ago at this point, and I’m sure I got things out of that and it had value, but I kind of jumped into that quickly without much thought. I would pretty much buy anything people offered me, I feel like, for a while. Now I don’t have a coach, but I still feel like I’m working on that area and I’m conscious of that area, so things I’m doing are looking at books, podcasts, stuff like that. Then in the case that I found people that I really align with and that resonate with me and my values, I tend to buy more from them.

I haven’t necessarily found a coach that has a coaching program in the same format that I was in before, but I’ve purchased more books from these couple of people that have really resonated with me or a course or a couple of little things like that. I have those people in my mind and I follow them a little more just in case they do offer something more. I would say it’s really been more about thinking who actually matches my values, which I never used to really think about when I made those decisions, but now I do, and who do I resonate with? What do they have out there for free or for low cost? Do I resonate with that? Do I get results from that by itself? Do I get some kind of transformation from just that? Then there’s somebody worth following me even more long term.

It’s just exactly what we work with as copywriters day to day and making funnels and stuff like that. People try things that are a little bit easier to get into and then they will continue with the person if they continue to like it and get results. I’m just actually doing that in my own life too when I assess people and decide if I want to work with them.

Rob Marsh:  Yeah. There are definitely a lot of parallels with how we work with people. I want to change our conversation just a little bit and ask about your business and how it is today. When we met in San Diego a couple of years ago, I remember you were telling me about your business, and if I’m remembering right, I was thinking, wow, you’ve built a pretty amazing business pretty quickly into six figures. Tell us about your business today and the kind of work that you’re doing.

Hollie Tkac:  Yeah. It’s been really steady. The first full year of business, I was over six figures and I’ve just kind of stayed there. Last year I hit over like half a million total gross sales in just a couple years really, so it’s been really cool to see that, and it’s been almost 100% done for you copy, if I’m honest, even though at times I was like, I don’t want to be… that classic thing to say. I don’t want to be writing for people all the time, so I’m still actually exploring ways that I can scale and do things differently this next year, but so far it’s been done for you writing and it’s been really steady. I would attribute that to my network really at this point, since mostly I have gotten clients through referrals and I’m looking for ways to expand out of that to grow, but that’s really been… even just joining one mastermind group for one year has contributed to a very significant portion of my overall revenue because of those two long term clients I’ve had for three years each. One of them I’ve been with for four.

That’s been a really key part of my growth, and just being really intentional and clear on who I work with has also helped a lot because then it’s allowed me to develop a specialty as being the copywriter for coaches. Like I told you guys, I’ve only worked with one product and otherwise it’s been 100% coaches for six years, so it allows me to talk about that niche very authoritatively and things like that when I’m in sales calls and that’s allowed me to be able to raise my rates and attract higher caliber referrals and higher caliber people that make… I have like one eight figure client and a couple of seven figure clients are on retainer, and so that’s been really helpful to just be specific about my niche too.

Kira Hug:  Let’s talk about how this breaks down if you’re open to talking about money more, because you mentioned half a million in gross sales from done for you copy. Right? Am I getting that right?

Hollie Tkac:  Yeah.

Kira Hug:  Okay. That’s a big deal. Congratulations. That’s amazing. I think also listening, I was expecting you to say, I have multiple offers outside of done for you copy and that’s how I was able to hit that number, but can you break down how did you hit that with done for you copy? How much are you charging per retainer? How does it break down, just to give us an idea of how you achieve that?

Hollie Tkac:  Yeah. I’ve definitely tried to do some low ticket stuff, some course type stuff, things like that. If I had to be just roughly estimating, I would say maybe $50,000 of that could be from those, maybe a little more, but from the non-done for you offers. Not most of it, but a little portion of it. That would be that side, and then with the done for you side, since I am just supporting myself, it was really important to me to build some consistency and I didn’t have that for a long time. I had that one client I’ve been with for four years, who I love, so she was a consistent person in my life in terms of financially. Then I knew I wanted to have a few more retainer clients too.

I already know this year I’m going to break six figures right now if nothing changed and everyone under contract continued and everything like that. I’d be over six figures already, which is kind of a cool, nice place to be, so I would say I built a lot more stability into my life when I started to be open to bringing on retainers and then I brought on a few. This is something I feel weird sharing because there’s definitely ways I could up it probably, but they’re between $2,000 and $3,500 a month each.

Kira Hug:  How many do you have? How many retainers?

Hollie Tkac:  I have three right now.

Kira Hug:  Okay.

Hollie Tkac:  Yeah. One of the other things that helped me was bringing on junior copywriters to support additional projects. I have, every month, my retainers and then I add on projects and all of my retainers totally cover my business and personal expenses, which feels really good to me, like I said, because I wanted the stability, and then everything else is extra. I’m using air quotes because I find a way to use the money, but it’s like extra.

Rob Marsh:  I definitely want to come back to the junior copywriters and how you use them in your business, but first, while we’re still talking about earning six figures, I think some people are like, well, yeah. I’d like to do six figures, but I don’t want to work seven days a week or I don’t want to be chained to my desk from 8:00 until 9:00 or 10:00 at night, which is sometimes what people think is involved, but if I’m not mistaken, you’ve done it in considerably less time than that. Tell us about that.

Hollie Tkac:  Yeah. It comes down to really thinking about your value and how you price things. Just a couple of things I do that I’ve heard are not always the standard for a lot of copywriters, but a few things is I definitely always charge flat fees and not hourly, which some people listening might still charge hourly, but I highly recommend not doing that just because you become a commodity, I think, and it kind of strips away the value. I’ve had a lot of conversations internally with myself about charging even for a number of emails because that also kind of commoditizes it because people automatically think, oh $2000 for 20 emails. That’s $100 an email and stuff like that, and I try to avoid feeling like a commodity.

Long story short, I just charge a flat fee every month. What that helps with is it ends up on the back end giving you some flexibility. I do actually also track my hours, even though I never charge hourly, because I like to know how long things take me. That gives me an idea when I want to price other projects later and I know it takes me X hours to do a sales page and I know I want to make at least X dollars per hour of my time. Even though I’m not going to charge it that way, it helps me make the pricing. I personally would want to be making over… my project price will equate to $100, $200, maybe even more an hour for my actual time output. You just could never come to somebody for copy and be like, I’m going to charge you $200 an hour. They probably wouldn’t say it, but it might end up working out that way in the back end for project pricing, so I highly recommend that.

Another I do is I always get paid up front. I want to get paid at the start and in the middle if they’re going to do a payment plan or just upfront in full, which more and more people do once they are making more money. I often find that they don’t even think about it. They just pay in full, but if they need a payment plan, I right at the beginning and then I do something in the middle, but I’m never going to do something where the last payment’s contingent upon the end of the project, because I just don’t think it’s fair.

I know sometimes people come to me thinking that’ll be the case because it’s more common to do it that way, but I never even realized that was common so I never even let that be in my mind. I was like, I’m going to get paid in the beginning and if they want to break it up, I’m going to get paid in the beginning and in the middle, because that’s what makes sense. That’s what has always happened for me. I’ve never had an issue with it. Because of that, maybe only one person max two people in six years that didn’t pay me for something I felt like I already did.

Kira Hug:  Yeah. That’s one of the best changes I’ve made in my own processes was just changing the payment system so that I charged before the project ended rather than here’s the final deliverable and the invoice. I agree that it made a huge change.

Rob Marsh:  Okay. Let’s stop here for a couple of minutes and add color commentary to what we’ve covered so far. Kira, I know you’ve got a list of stuff. There are a ton of things that jumped out to me too. Let me just start by pointing out that as Hollie was talking about her business, I started making notes of some of the smart business practices that she does. She has this balance of retainers and projects, which gives her stability, but also variety. She talked about her pricing, project pricing, so that she can more easily raise her rates and she’s not talking about say $200 or $300 hour projects, which she doesn’t think would get accepted. She even talked about how she structured her payments so that she’s never waiting for the end of the project, which is something you and I talk a lot about in the accelerator and some of the other places where we’ve talked about pricing, and I just think she’s done some really smart things in her business that are worth calling out and mentioning.

Kira Hug:  Yeah. I was interested in the fact that she works with coaches and she has niched down so well. She knows that space better than any copywriter or just as well as any other copywriter. I also found it interesting that she mentioned she’s worked with six different coaches at once. I know we focused on that part of the conversation that stood out to me as someone who has worked on both sides, has worked with many coaches, and then we also offer coaching in our programs.

I think it’s important to think about what specifically you need from different coaches. That’s a lot of what Hollie talked about; how initially she was just kind of throwing money at problems and oftentimes that was a coach that could solve that problem. Now that she’s really worked on herself and worked through some personal development, some spiritual growth, she has been able to really feel worthy as a human being with or without a coach and has been a lot more realistic about what she needs, what she doesn’t need. I think it’s just another reminder that the personal growth we all go through is so directly connected to what we do in our business and how we invest and how we spend money well or not so well. It all is connected in there. One big personal growth journey.

Rob Marsh:  I agree. The six coaches thing was one that’s like, wow, wait a second. I’ve been thinking about that because sometimes your coach doesn’t cover everything you need. If you have a business coach and you have spiritual needs, then you might need to find a spiritual advisor to go along with that, but also, I think a lot of people might benefit from if you’re in a coaching relationship already and you’re starting to see needs that you’re not being met, maybe first start by talking to the coach. Say, hey, can you help me with this stuff too? For instance, we’ve talked with people and helped with business coaching and then had them say stuff like, I could really use some help with copy critiques. Well, that’s something that also we could help that person with.

Sometimes the coach that you have can help with a variety of things, but then there are also times when it doesn’t make sense and the coach that you have for one thing doesn’t have the qualifications or the skills to help you make progress. As I think about it, my initial reaction was wow, six, that’s way too many, but I think the real answer is find out what you’re getting and what you need. Before spending money, see if you can match it up with your existing resources and if not, then go for it. Find the person that can help you with that problem, that challenge, that need that you have.

Kira Hug:  Yeah. I was thinking six is a lot too, but then when I counted up the number of coaches I’m working with currently, actually the number is pretty close to six. Granted, three of them are packaged under one umbrella coaching program and we’ve talked a lot about Todd Brown and being a part of his mastermind, and the cool thing about masterminds like that is that you get access to multiple experts under one umbrella. It’s Todd, it’s his COO, Damian, it’s also their marketing lead. It’s just the entire team. Then I also have a leadership and mindset coach I’ve started working with over the last month. Then I count my therapist as a coach as well, even though we meet once a month. That relationship has been really important to me as I’ve grown.

Once I add up the numbers, I’m quickly at six as well, so it’s not a crazy number. It just depends on how it all fits together. Like you mentioned, Rob, we have started to add coaches to our Think Tank program because we realized that you and I specialize in certain areas and we’re really good at certain things, but that does not mean that we are good at everything and can offer everything to the members of the Think Tank, so that’s why we brought in a mindset coach and a systems coach and we’ll continue to bring and other coaches when it makes sense. I guess my question for you, Rob, is as you’ve thought about coaching and working with coaches and then offering that, what do you feel like you specialize in? If someone was to say, well, I want to work with you, Rob, what type of coach, how would you categorize yourself as a coach?

Rob Marsh:  I think for me, my strong suit is business strategy ideas, thinking through funnels, ways to reach an audience. Obviously there are things that we can do as far as copy critiques, sales pages, and the work that we do there, but that’s really where my focus is in business strategy and the ideas that are around that and how do you change business, grow a business, scale a business, all of those kinds of things so that it meets your needs as a copywriter and as a business owner. I know you have some of that as well, Kira, but then you also have other coaching skills. What would you add to that list for you?

Kira Hug:  I think for me, and this is a struggle. We’re so close to it. I struggle to figure this out and articulate it, but I think it’s seeing how to position people and what their X-factor could be and how to build out different offers around that X-factor and what someone does differently or better than everyone else. How does that actually shape into different offers that you can sell and turn into new revenue streams? I think that’s probably a piece of it.

Rob Marsh:  I think you bring a lot of creativity to the table, so you have a design sense. When you’re talking about brands, and in your own business you always talk about people’s weird, get to know your own weird, and as you bring that into The Copywriter Club, you’re right. You help people identify what is the thing that makes them different, but also you’re really good at helping people turn up the dial on that so that they’re showing up and getting noticed. You’re also really good at encouraging people to make themselves more visible, to build their authority, and all of the things that are involved in that. When we’re working together, the way that we help other copywriters grow, get visible, talk about the things that make them different and get seen and noticed, I think, works really well together.

Kira Hug:  Yeah. I’m a pusher. I like to push people. I like to push them to do things. I think this conversation that we’re having around what are we doing differently, that is something that Hollie is really good at in her coaching space and that’s why she’s so great at helping the coaches she works with differentiate and figure out their unique message and how to sell their offers. It’s something that we all need to think about as copywriters, especially being able, if someone asks you, what are you doing differently than every other copywriter out there, being able to answer that question relatively quickly. It’s not easy. I stumbled over it, so it just takes practice and even asking the people who know you best what comes to mind.

Rob Marsh:  Yeah, I agree. I mentioned this during our conversation, but I really truly believe that copywriters are teachers and are coaches with our clients, and we’re helping them talk about the transformation that they create, but we are also creating a transformation for our clients. That’s what coaches do. Coaches help you work through mindset blocks or money blocks or business blocks, help you think through strategy. We’re really helping copywriters, or if we’re copywriters, our clients to create a transformation in their own business. I waited way too long in my business to work with mentors and coaches. It’s something that really could make a fundamental difference in the kind of business that you build.

Kira Hug:  Yes. As far as other things that Hollie’s doing really well, I was blown away when she mentioned that she is on track to hit a half a million dollars gross revenue from her done for you business. I think that’s the number that we’ve talked about with other business owners on the podcast, but usually it’s not solely from done-for-you services. It’s a combination of different offers, so clearly she’s figured out how to make this work well, and then everything else she’ll add from here on out, additional revenue stream, that could just sit on top of what she’s already doing. That was really impressive.

Rob Marsh:  Yeah. If I heard her right. I don’t think she was saying she’s making a half a million dollars in a single year. I think that was cumulative, but still, over four years to hit a half a million dollars means that she’s got a very healthy business. She’s six figures every single year. She’s working in a way… she mentions how many hours that she worked and she’s not killing herself to do it. She’s working with a team. She’s doing so much well. It’s just proof that you can make good money as a copywriter without courses, without products to sell just by servicing clients that you love and clients that fit in the skillset that you’ve developed. Her niche, working specifically with coaches, does a lot to help her find the right clients. Then of course, she brings all of that experience from the last four or five years to serving those clients in a way that helps them succeed. It just snowballs. The impact is really good for her business and it’s really smart the way that she’s built her business.

Kira Hug:  Okay. Let’s jump back in and talk to Hollie about her retainer packages. Can we dig into your retainers a little bit more, let’s say the $3,500 retainer? What’s typically included each month? What are you promising them, and then what does the communication look like? Is it a meeting a week or a check-in call, and how do your team members get involved in that retainer client, if they do?

Hollie Tkac:  Yeah. Well, at this point I could say that I don’t really have a lot of team involved with my retainers, just small pieces that are really routine and easy to outsource. I mostly use teams with single projects, and that might not change. I would like it to change. Then for the actual retainers, this is the part where I’m like, do I share? I kind of have it wild west wide open. All the three teams do have a weekly call, so I do show up on the call. I’ve had other people tell me, you’re still a contractor.

You don’t have to do anything like that, like any kind of calls, but for me, I like to be a part of the team and really have them get that feeling like I’m a part of the team, so I do it. I show up on the calls. There’s one hour call for each of those teams every week and I’m cool with it. Then I show up to that and otherwise they all have project managers now. I used to do that part myself, but now they all have people doing that, so I end up just having Asana list and I go and write everything.

All the people I help are using email marketing and they’re not doing one or two launches a year. Constantly, every month they’re doing maybe a webinar or something like that, and then with high ticket coaching usually, you’re just driving call bookings instead of selling the offer and stuff like that. You don’t even need to have sales pages usually because it’s happening on the sales call and stuff. Usually I’m producing copy for different webinars and things like that every month. A lot of things… sometimes it’ll already be created and it just needs a refresh. It just depends on each month it is a little different, but I actually don’t have a lot of rigid… none of them have any kind of, oh, it’s only for this amount of emails or this amount of hours tied to it. I have found that on average it stays pretty consistent in terms of the time I’m spending on each one, so I’m okay with it. I just think about a few of them.

I haven’t really raised the rates in a long time. I have since, over the last year, personally invested in two different copywriting certifications and stuff like that, so I have up leveled my skills and I have clearly been getting more results for them because they’re getting a lot more calls booked and things like that in every campaign that we do or we’re coming up with really great campaigns that actually make a huge difference. Now I feel like I have a case to ask for more, but I’ve also been on the other side in the last year where I’ve had people on my team want to raise their rates, but I didn’t really have a firm understanding of what extra value they’re going to bring and that didn’t really feel great, so I want to make sure that if I’m going to go to them and request more I will have a case for it. That’s how I think. I know that there’ll be other people that’ll just say, oh, raise your rates anyway, just because of the market, but that’s how I go about it.

Rob Marsh:  Yeah. That’s a hard discussion and something that’s always bothered me a little bit is the raise the rates, but don’t show any additional value.

Hollie Tkac:  Right. It’s like, well there is inflation. I guess.

Rob Marsh:  Yeah. Still, that’s hard for a client to suck down, but Hollie, we have talked to literally dozens of copywriters over the last four years about retainers, and you said something that I don’t think anybody has said in the whole time that we’ve been doing this and that was about showing up as part of the team on the calls. I was thinking about that. That’s something that I would be really hesitant to do, but it seems actually genius to me because instead of being a supplier or one of many copywriters that the team might reach out to, by being there, you are the copywriter. You get the next assignment, and it’s probably one of the reasons why your retainers have lasted three or four years as opposed to just a couple of projects.

Hollie Tkac:  Yeah. That’s a good point actually. I think you’re right. It probably is not the norm. I think one of the reasons why it ended up being that way is because I actually love the strategy piece. I forgot to mention that we also have, most of the teams, well, two of the teams have a monthly content planning call and I’m actually leading those calls, so I have a voice, a pretty strong voice in what’s actually being put out there. You could argue, it’s almost… I’m definitely not any chief marketing-level role, but it’s definitely almost a marketing manager role plus doing the copy, so it’s kind of a hybrid thing, but I just love that piece so much and I think it adds a lot of value. I would say, if you feel strong in that piece, then I would definitely incorporate that in and it just adds value to the package because a lot of people don’t really have that support and they’re guessing still unless they have a good business coach maybe.

Rob Marsh:  Yeah. It feels like a really big opportunity. I guess part of my question is when you start a retainer, when you start that engagement with a new client, do you build that in from the very beginning; I’m going to be on the team, I’m going to show up for the calls, or does that just happen organically as you start working with the team?

Hollie Tkac:  I would say it was not as intentional, but it was built in from the beginning, but I didn’t know any better at the very beginning, because we’re talking like four years ago. When you think about it, it’s so long. I’m like baby copy-Hollie. I just thought that was something I should do with the people, but now I do have one person that inquired about a retainer that I’m considering and I’m talking to them soon at the time of this recording. I do plan to include that as a value add item when I list out what would be included.

I’m even thinking about, could there be a situation where I offer them two different… because I tend to like to offer a few different pricing levels with my proposals or whatever, so could there be an option where they just have me doing copy or they’re maybe a little bit more of a rate, but it includes strategy and me being integrated in the team, because I’m even in like the Slack for the teams. I’m very accessible, so I feel like maybe that’s a different pricing level I might try with this person if we end up moving forward. I do think it’s a big value add that is not common, but it’s cool because I feel very intimately aware of what I need to make when it comes to the copy.

Kira Hug:  Yeah. That’s what is so valuable. It starts to make the $3,500 for the retainer seem like a no- brainer. Okay, well I get all of these deliverables and then I get Hollie’s brain and attention and time and planning. I love that you do that and also that you mentioned you’re going to charge for that. We’re not saying do that, show up on the team calls and don’t charge for that. Make sure it’s baked into the pricing so that you get paid for it, but it’s such a great way to stay part of the team.

Hollie Tkac:  Yeah. Like I said, I do track all my hours still and I’m very happy with how my hourly rate panned out. I do check on that almost every month and just see how it’s looking. Sometimes it’s a little different because it’s been a busier month for whatever reason where there was more new stuff being made, but I’m still okay with it overall. That helps me feel good about what I’m charging, even if I didn’t raise my rate in the last year.

Kira Hug:  Well, for anyone listening that wants to work with coaches and maybe they haven’t really dabbled in that space yet but they’re interested. What would you say are some things we should know, and I’m keeping that really broad, but what should I know if I want to work with coaches and I want to really stand out in that space? What’s important to think about or consider or what’s different when you work with coaches versus other audiences?

Hollie Tkac:  Yeah. I think some of the differences are a lot of the coaches have high ticket programs, so $15,000, $20,000 or more for a year, or even just $5,000 for a couple months. That can feel like a high ticket. They are pretty much always relying on sales calls to sell their services, so it’s less about a Facebook ad launch situation and it’s more about consistent communication to the list over time. A lot of my clients are. For lack of a better word, hosting live events, whether that’s a challenge or a webinar, those types of things, every single month. The goal is to book calls. Everything I think about is booking calls. How can I book calls? I can’t really control how it goes from there necessarily since other people take that part, but I know I’m feeling good when I’m actually producing that result of booking calls. That’s always what I’m thinking about. That being said, if you’re wanting to get into helping coaches, that’s something to be aware of. You’re usually creating that call to action for them to move forward and book a call.

Kira Hug:  Yeah. I was just going to say, as a follow up to that, what helps book calls? It sounds like that’s your expertise, so how can we do that more successfully?

Hollie Tkac:  I like to think about what is the offer that they’re offering and having an awareness of that. Then it’s really backwards engineering into what is something that is going to call forward somebody that wants help in that area right now? One of my clients is a business coach. The two things that we’ve seen over time over all the years has been that her people really want help with their messaging and how to do the actual sales conversation, because they feel very unsure about that. I honestly think about, what are the pains that they’re having and what do they want in those specific areas? I might do an email specifically about the pain of a story around you booked a call and you’re excited about it, and then you just hear again that they want to think about it at the end of the call and it makes you kind of sad.

That could be a story and then that kind of hits on the pain of that, and then makes the offer for the call. I could tell a story that’s more about how it would feel if you had 10 calls booked next week and you knew that they were with good people, because one of the things she teaches is about attracting people that are ready. There’s a lot of different… I could really get into it, but a lot of different wordings about offering just a free call, you’ll get a bunch of crazy people usually, but if you make sure that they know when you word the CTA in the copy that they’re probably going to get an offer for the program, that’ll really help weed out some of the people that are never going to buy that would book the call for free to people that are actually like, I could hear an offer for program right now and consider it. That’s one thing.

Back to the thought of if people want to get into helping coaches, one of the most important questions that I like to have on my application form is how much money that they’re making. You can say it in a lot of different ways, but you’re probably not going to really want to work with people that are making under 200K. That’s just a very blanket statement, but I have found that the coaches that are not yet in multiple six figures are just not ready for a copywriter. It’s important to vet that out and they’ll think that they want to work with somebody to write for them because they are feeling uncomfortable about the writing piece, but they have no leadership. That’s one of the main issues. They won’t have any leadership of what they want to have said or what their message is and you’re left floating, trying to figure out what to say. That’s one thing.

The other thing is they probably don’t want to pay higher ticket rates because they don’t have the revenue to support it or they don’t have the confidence because they don’t have a proven offer because they’re earlier in business. They don’t think their offer will produce an ROI, or they don’t really know that it will for sure, so they’re kind of hesitant to spend money. Anyways, if you do want to get into helping coaches and doing done for you, you’ll want to look for people that are more advanced in their business. It doesn’t have to be like they’re making a million dollars, but they need to usually have some recurring revenue and know what their offer is and they just want to expand it.

Rob Marsh:  Yeah. That’s actually probably true across a lot of categories, not just coaches. Having some things figured out in your business is definitely a huge step forward working with…

Hollie Tkac:  Yeah.

Rob Marsh:  Hollie, I want to go back to talking about how you work with junior copywriters. A lot of copywriters want to bring in juniors, but there are all kinds of things that happen. Maybe they don’t show up or produce the way they promise, so now we’ve got to rewrite the copy or sometimes they’re too expensive so they eat up most of the profit in a project. How have you made it work in your business?

Hollie Tkac:  Yeah. There’s a couple of things that have really helped. I would say I haven’t had any nightmare experiences, but I’ve probably worked with about seven different people so far. Just based on, again, I track my time and I kind of have awareness around if somebody is taking me more editing to get to the place where I want it to be, so some of the differences and tips I have based on that experience and seeing where people fell out in terms of how helpful they were, I would say that, first things first, I don’t know where I heard this rule, I’m not sure you guys can tell me if you agree with this rule, but I always have been told that you shouldn’t pay more than 30% of the gross fee to other people to help you fulfill it. If it was a $1,0000 project, just keep the math easy. I wouldn’t want to spend more than $300 on other support, direct support, from editors or writers to fulfill the project.

That just helps keep your margins in a good spot. When I very first had a junior copywriter, I didn’t know that, so I ended up paying them more than that. And I got to the point where I’m like, they’re actually kind of making more than me on this because I took on the cost of onboarding the person, supporting a VA to help me with that, et cetera, et cetera, and they actually ended up making more than me on the project, so that was kind of like an oops. Anyways, 30%. That helps keep you from spending all the fee and feeling like you lost a ton.

Then from there, I like to work with people that have some training, some formal training. This is only over time. I did my own training, like certification in conversion copy last year, and then I started to work with other people who had done that program. I ended up finding people that I didn’t barely have to touch what they wrote, which is the dream scenario. I think it’s because we just shared the same DNA in terms of having that background in that training. I can even refer by act to like, remember we have this training on emails here. If you want to watch that beforehand, it might prep you for the project. That’s been really helpful is looking for people that have training. I would accept a few different kinds of training, but I want to know that now from the get go.

At this point, I kind of know exactly, just because I’ve done these projects so much, like for example, running a webinar to book calls for a coach, I know exactly, how many emails I want to promote it. I even know the nature of the emails. I know I want this first email to just be announcing the class and making it exciting and it doesn’t need to have a lot of conversion elements. It’s like, this is booked on the calendar. Excitement, come do it.

I know what each email I want it to be like and I have examples for it, so at this point I basically can just lay out what I want the email schedule to look like and then I usually put a little… actually, I just started doing this with a project I’m working on right now, but it worked really well. I put a little tiny paragraph about this person’s doing a webinar on this topic. We’re announcing it. Here’s an example. I’ll give them an example from another client. It’s so easy for them to look at and recreate, so it’s like I have my own swipe library and I use that to help with that, with directing them, and that really helps to get what I’m looking for. That’s only been over the last month that I’ve figured that out, but it’s really been helpful.

How I manage the files. I think this is a fun way to do it, or it makes it clear. I have a file in my Google Drive for each client. Let’s say it’s Susan, just making that name up, so it’s Susan’s folder. In Susan’s folder, it’s kind of like the parent folder, if you will. I’ll put all the drafts and stuff that we work on internally with the junior copywriter, but I don’t have them reach out to the client directly and the client doesn’t even know who they are really. Then I have a folder inside the Susan folder that’s called the Susan client folder, and the Susan client folder is only me and Susan that have access to it. Basically I’ll take whatever draft we end up finalizing with the junior and I’ll move it into Susan’s client folder. That’s how I keep it really clean, so the client isn’t feeling like they have 10 different names to remember. It’s simple. I’m just using Google Drive, but it works out really well, I think.

Kira Hug:  What other systems do you use to manage projects and keep your team on top of the project?

Hollie Tkac:  We have Slack to communicate. I also really love using Voxer for voice messages. It’s like a walkie talkie app if people aren’t familiar. I have a lot of uses for that because I love voice to get voice from my clients too. That’s a side note, but to help write their copy in their voice. I just have them say what they want to say, and then I just write it. It’s so easy. That’s how I communicate with the team. Then we have Asana and I just have an online business manager type of person on my team, but we get the project, it’s going to be 10 email sequence, then I’ll just say hey, I want the first draft of emails one through three to be due in two weeks. I just tell her what the deadlines are and then she’ll build that around, so she’ll say, I need to review the first draft by that day. Then I’ll make the task for the junior to finish writing it due two days before that. She’ll just kind of build out really simple checklists in Asana.

Rob Marsh:  I know you said you haven’t had any nightmare scenarios here, but what are a couple of the hiccups that we really ought be watching out for as we start to work with other writers?

Hollie Tkac:  I’ve had a few that I needed to do a lot more massaging and editing to get it to a place where I wanted it to be, so that would only be the hiccup that I’ve had. Also, just some people are more excellent with meeting deadlines than others, but the one thing that I’ll be transparent about is that’s always a journey for me to be really excellent with my deadlines and I hadn’t always been, so I really try to lead from the front and really clean up my side of the street and be great with meeting my deadlines, because I feel like that helps me to be somebody that expects other people to meet deadlines I set for them. That would be the only other thing is just deadlines being missed that I’ve experienced, but usually we build in a couple of days of leeway so we’re not saying that we’re going to have it done in the same exact time we want to provide it to the client. We have a couple of leeway days in case something comes up.

Kira Hug:  What does your role look like as far as how much time you’re spending on the different parts of your business, because it sounds like you’re still heavily involved in many different areas of your business, so how would you say it breaks down?

Hollie Tkac:  I would say that I still spend a lot of time on client fulfillment. Let me see. What would I say? Percentage wise, most of my day, like 60% even. That’s probably being generous. It’s probably more like 70%, and then the remainder I’ll spend on marketing myself. I’m looking at flipping that and growing the time I’m spending marketing more, because I’m wanting to move into offering some kind of group done with you or DIY type of offers. As it stands, that’s still in its infancy, so I haven’t really started to spend as much time as I want to on my own marketing. Right now I’d say 70% of my time is on client work. If I’m honest, I probably work some long days, but I also take appointments or breaks or do things in the middle of the day sometimes. I’m probably working like a 40 hour week. It’s not like I’m 60 hour week or 50 hour or anything like that. I definitely have some leeway that I’m still figuring out how to better leverage. I’m not working crazy hours.

Rob Marsh:  While we’re talking about marketing earlier, you said most of your work comes from referrals. Are there things that you do during a project or after a project to encourage referrals from your clients or does it all just happen naturally?

Hollie Tkac:  It’s been happening naturally and I have tested out a couple times offering doing a campaign to offer a specific referral fee for something and I haven’t really cracked code on it, so I just have a handful of people that are natural refers like that and they tend to refer me pretty regularly.

Kira Hug:  How do you plan for the future and think about the future of your business? Is that something you sit down and think about once a week or once a quarter? What does that look like?

Hollie Tkac:  Yeah. One of the things that’s kind of a funny story, in 2018, that was my first time I made six figures, my first full year of business, and I didn’t even know it until… I think I probably hit that in, let’s say October, for example, of that year and I didn’t even know until like December or when I did my taxes practically that I had actually crossed over that. Ever since then, I have been really rigid about tracking my numbers and where I’m at. I just have my own little spreadsheet. It’s not precise. It’s not something I turn into my accountant or anything, but I just keep this spreadsheet and I just make a new one every year.

Hollie Tkac:  It’s literally all the months, like January through December, those are the columns, and then on the rows I put the name of… say I got a project with Susan and I know she’s going to pay me $3,000 in February, so I would put in Susan. This is when it’s pretty much confirmed I do, but I would put that in Susan, $3,000 in February and then I just have a running total, so I see like the projections for each month and also for the year and that kind of a thing. That’s something every time I assign somebody, I put them in there. I just had a project that’s $6,000 over three months, so then I just put in $2000, $2000, $2000 and I know exactly what each month should look like based on my contracts.

That’s been really helpful to keep an awareness of, and that was really helpful when I only had one retainer, so I was, every single month, trying to make sure I could hit what I needed and see what was coming in and stuff like that. Now I feel more security there, but I still like to see, so that’s one thing I do that I always fill out whenever I get somebody signed up to be a client. Then the other thing I do is I would say once a month I get intentional about what I’m doing for that month. Then I also like doing quarterly plans. Right now I have a quarterly goal for Q1 for my revenue, but I’ve found it doesn’t really add a lot of value for me. I kind of have an overall number I want to hit this year, but it doesn’t really add value for me to plan out every single month for the whole year, because I just find that there’s so much change or things shift. I like to plan in 90 day increments.

Rob Marsh:  Yeah. I like the 90 day increment as well. Now I’m curious about what that overall number is, but I won’t make you share that publicly. I am curious though, you mentioned that you’re thinking about doing some kind of group program or whatever, but what is next for your business? What are you trying to build in your business beyond what you’ve done so far?

Hollie Tkac:  Yeah. It’s kind of funny. It’s like a full circle. I want to have basically a coaching program, like coaching, and it’s going to be a group program where I can just share all of my wisdom that I have around consistently attracting clients from your email list if you’re a coach and giving people templates, giving people tools, even going to the point of showing them how to create their webinar and what to put in it because I also know about that too. Then all of that together and being able to give them access to get everything reviewed, like getting the copy reviewed by me or whoever. Eventually there would be a team of people that’s helping with that, because I want it to be a pretty big program. That’s something that I’m looking at.

I was honestly very closed off from doing anything like that for a few years. I thought, well, I’m only making money writing for people, so I guess that’s what I’m supposed to do so that’s what I’m going to do and I’m going to build this empire with 50 junior copywriters and this is what I’m doing. This is how I’m scaling, but I kind of had a shift at the end of last year where I wanted to create something that’s more of a group program, so that’s what I’m working on.

Kira Hug:  We’ve asked this question many times, but what does the future of copywriting look like to you, Hollie?

Hollie Tkac:  I would say, honestly, it looks limitless is the word that came to my mind because I really feel like I just don’t know how it can go out of style or be unnecessary to communicate with written word. I feel like there’s always going to be that need. Even considering that there’s some tools out there now, robots that write for you and stuff, I just still feel like people… There’s plenty of things that are already out there that robots can do for us, but some people still prefer to just do it normally or pay somebody to do it for them. Anyways, I just feel like it’s not going to go anywhere as a field and it’s just a really great way to serve other people and have a creative outlet at the same time. I just see it as being limitless.

Rob Marsh:  I agree. I like seeing what we’re doing as limitless for at least the near future anyway. Hollie, if somebody wants to connect with you or follow you, get on your list, all of those kinds of things, where should they go?

Hollie Tkac:  Just check out my website. My name’s a little weird, but it’s H-O-L-L-I-E and then T-K-A-C dot com [hollietkac.com]. There’ll always be a way to opt in and a contact form there, so that’s the best place to go.

Kira Hug:  Thank you, Hollie. We really appreciate you jumping in here and sharing everything you’ve learned from the start of your business. It’s been really, really helpful.

Hollie Tkac:  Thank you for having me. It was awesome.

Rob Marsh:  Thanks, Hollie.

Kira Hug:  That’s the end of our interview with Hollie. Rob, as we wrapped up this conversation, what resonated with you?

Rob Marsh:  Yeah. There were a bunch of things that stood out, again, as always. The discussion that we had around working with junior copywriters, I think there was some really good advice there as far as the percentage of the project that you should pay. Hollie says she’s landed on 30%, which feels pretty good. Somewhere in that 30 to 40% means that you make money, the junior copywriter makes money, and of course, once you know that level, now you can price your project so that it makes sense for everybody. Obviously the purpose of bringing a junior copywriter isn’t so that you can necessarily grow their business at the expense of yours, so that was great. The way that she talked about the training that she provides and how she gets them up to speed, the systems that she has in place to make sure that everything runs smoothly, all of that stuff is really smart to think through if you’re going to work with junior copywriters or other contractors, because it’s those systems that help you actually turn the relationship into a success. I was impressed by that.

Kira Hug:  Yeah, and just keeping your own swipe library. That’s what I’ve done when I’ve worked with copywriters and collaborators on projects. It’s so much easier to set the tone for a project. If you can be a like “hey, here’s what I’m looking for and here are four other sales pages that show you the flow of the page” and how I typically approach this type of project. If you know you want to work with other writers, keeping that swipe library is really handy.

I also like that she mentioned leading from the front. Hollie was just transparent about the fact that she hasn’t always been great with hitting deadlines, so that’s something that she’s working on because it’s important for her to clean up her side of the business before she forces her junior copywriters to hit all their deadlines. She needs to be able to do that too, so I thought that it was cool that she was owning that part of her leadership. I think that’s something that I think about frequently in The Copywriter Club and what we’re doing here is just to lead from the front. I’ve got to fix my problems and my struggles and work on those if we want to grow as a team and tackle those obstacles as a team.

Rob Marsh:  Yeah. For sure. I also really like her approach to retainers. I used to do a lot of retainers when I first started out as a freelancer. I think they’re a really good way to get stability into your business and have predictable income. Although, of course, retainer relationships can end. It’s always good to have a couple that you could line up relatively easily to replace them if that happens, but her approach was different. She’s basically playing a role as a team member, and she even talked about how she gets to lead the content strategy as a freelancer, which is unique, but if other copywriters listening are thinking, I’ve got a retainer client that I could help with this kind of stuff, when you insert yourself into somebody’s business like that, you become more important than just a service provider or a regular copywriter. Now you’re talking strategy, you’re playing a bigger part in what’s actually happening in the business and you’ve made yourself so important that they can’t work without you.

It’s a really smart move to keep those retainers stable and to make sure that relationship continues on and you can continue to invoice and make money from that relationship. I think that’s an idea that if you work on retainers is worth thinking about; how can I get myself deeper into the business, not just as a copywriter, but in providing possibly content strategy, copy strategy, sales strategy? Can I be suggesting new projects? There’s all kinds of different ways that we can help our clients and make ourselves more important, more integral to the success of their business.

Kira Hug:  Yeah. Most copywriters we’ve talked to who have retainers, we’ve talked to a lot of copywriters, they are not doing that. I’ve had retainers. I have not done that. I know for sure that I probably would’ve kept those retainers longer if I was showing up every week on the team call, if I was showing up once a month and leading a content planning strategy or a launch strategy road mapping session, and really took a leadership role on their team. I’m sure I could have extended the time on those retainers, so to me actually, this was the biggest takeaway from the entire conversation. If you want to have a retainer based business and you want them to be long term relationships and you want to get paid well, then show up as a leader and a strategist rather than just an order taker.

Rob Marsh:  Yeah. I think it could be really easy to start joining a lot of team calls and not having this same impact. That’s not what we’re suggesting. You don’t want to just be on a call and be listening in so that you know what’s going on. That’s usually going to be a waste of your time. You’ve really got to take on that strategic role.

Kira Hug:  We talked a little bit about raising your rates too. She mentioned that she hadn’t raised her rates in a while with some of those retainers and that she was really thinking about how she’s invested in her own skill building over the last few years and she’s taken a couple of certification trainings. That gives her the confidence to raise her rates. I appreciate that Hollie also shared the flip side because she does work with junior copywriters and some of them have raised their rates with her, so she’s kind of experienced it from both sides. I think that any time someone’s raising their rates with you on your team, you really want to have a business case for that and they really need to be able to speak to why? Why now? What’s the return? What are the benefits to me as a business owner now that you’re raising your rates? Talk to me about how this is going to help me.

There’s definitely an art to it. But I think the important part is just to think about, yes, continue to build your skills as a writer so that you can raise your rates, but when you have that conversation with your clients, make sure that you are prepared and you are speaking to how these additional trainings and skill building courses you’ve taken are going to help your client feel the ROI in their pocket so it’s a no-brainer to pay an additional fee when that you raise your rates.

Rob Marsh:  Yeah. That is such an important point because that experience of just having rates be higher or reaching out to your clients and say, “hey, it’s January. I always raise my rates. It’s going to cost you 10% more or 20% more”. Of course that is fair, but it doesn’t feel good. A lot of us are experiencing the same thing right now because inflation is kind of high and you go to the store and you have that sticker shock and it doesn’t feel good. It doesn’t matter that things are more expensive for the person that’s making the box of cereal. That stuff doesn’t matter because it still feels bad to us as the consumer. We need to think about our clients at the same rate.

Yeah. Raise your rates, make sure that you’re getting more money for the value that you’re providing, but also communicate clearly how it’s going to be better for the client. It’s not just, I’m more expensive now. It’s over the last year as we’ve worked together, we’ve accomplished this thing and this thing and this thing, and it’s added this much money to the business. I’ve gotten better at what I’m doing. I’ve got these new ideas that we can implement in your business this year that we’re going to be able to do even more, and that’s why my rates are going up to justify that higher level of expertise, the value that I’m creating for your business, and all of that other stuff. When you can confidently talk about that as to why you are more expensive now, it’s a lot easier for your client to swallow.

If you’re showing up and saying hey, my rates, it’s going to be a thousand dollars more a month, but over the course of the year, we’re going to make $50,000 together, that’s a lot easier to swallow than well, it’s more expensive, my groceries are more expensive, so I need to raise my rates, and so it’s going to cost you more money.

Kira Hug:  You can still do that. You can still say, it’s January, I have a lot of clients. I’m raising my rates across the board. It’s time. Either you’re with me or you’re not. You wouldn’t say it that way, but copywriters do that. If you have an overflow and you have tons of leads and you have too many clients, you can definitely do that. You can do that if you know going into it that you’re probably going to lose at least a couple of them.

Rob Marsh:  Yeah. Lots of approaches. The best approach is to help your clients see why it’s a good thing for them.

Kira Hug:  Yes. Okay. Other business ideas that Hollie shared, I know she mentioned that she is tracking her numbers on an ongoing basis because she didn’t want to get to October again where she’s like, this is how much I made for the year. That’s great. Tracking numbers on an ongoing basis has helped her. Anything else, Rob, that we missed?

Rob Marsh:  Well, the one other comment that I think was insightful and it wasn’t really a huge discussion point, but Hollie mentioned that she’s discovered that when she’s working with clients who are really making that mid six figure level, somewhere around $200,000 from their programs, that’s the point where it becomes really easy to get into their business, make a difference as the copywriter, and have both a financial impact, but also be able to charge what you want to charge, because at that level, your client is making enough income to justify paying somebody a good rate for the help, and also, they’re not so big that they’ve got a marketing team that’s doing all of the things, and so they need help and there’s lots of opportunities for us as copywriters to jump in and help. That applies to SaaS companies. It applies to other small businesses, other coaches or service providers.

There’s something magical about that somewhere around $200,000 in income that makes them a lot easier to work with. That’s not to say that you need to make sure your clients are making that much money, but knowing that if your client is only making less than $100,000, there’s a lot less money for you to help. There’s a lot less opportunity to run ads, those kinds of things, and it can be a little bit more of a struggle. The flip side of that of course is that those smaller clients need help more than anybody, so you can actually, if you know what you’re doing, if you’re really bringing expertise to the table, you can help them make a ton of progress, but it may not be as profitable for you. Just thinking about what that level is for you as a copywriter in your business, where you’re able to charge what you’re worth and also create the value that your client needs to justify having you on the team. My guess is it’s probably going to be somewhere in that same range that Hollie found.

Kira Hug:  Okay. I think we can wrap with Hollie’s vision for the future; that the copywriting is limitless and she sees all the possibilities for all of us. I like ending the conversation on that note.

Rob Marsh:  Yep. I agree. It is. Limitless is a great way to describe the future for copywriting. That’s the end of this episode of The Copywriter Club podcast. The intro music was composed by copywriter and songwriter, Addison Rice. The outro is composed by copywriter and songwriter, David Munter. If you like what you’ve heard today, that is if you really like it, or even just kind of like it, please go to Apple Podcasts and leave a review of the show, and even better, if you know somebody who needs help with their systems or has been struggling in their business as a copywriter, maybe sharing this episode could give them some ideas, so pass it on.

Kira Hug:  If you’d like to connect with Hollie Tkac, go to her website, hollietkac.com. If you’re looking for your next podcast episode, try episode 253, where Laura Briggs talks about successful freelancing. We’ll see you next week.