About this episode
Christopher Nolan's The Odyssey is the first feature film ever shot entirely with IMAX 70mm film cameras, which is apparently a very big deal, and why it's been harder than usual to get a ticket to see Matt Damon. And now that Spider-Man is moving onto IMAX screens, it may be even harder to get a ticket. Why is this 60-year-old technology suddenly the hottest thing in movies? The Verge's film and TV reporter Charles Pulliam-Moore joins senior reviewer Jennifer Pattison Tuohy to compare the standard and IMAX versions of The Odyssey and talk us through the difference between IMAX, LieMAX, and Infinity Vision.
Further reading:
Christopher Nolan’s Odyssey will be the first movie shot entirely on IMAX film
Don’t screw this up, Marvel
The Odyssey turned me into an IMAX believer
Google just announced a major shakeup of its top AI leadership
Nintendo beats earnings thanks to US tariff refunds it won’t share with gamers
Bose’s upgraded QuietComfort headphones add head-tracking immersive audio
Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.
We love hearing from you! Email your questions and thoughts to [email protected] or call us at 866-VERGE11.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Get every episode summarized
Each time The Vergecast publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
