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About this Episode
A collection of gripping detective stories featuring sharp-witted investigators, puzzling crimes, and clever resolutions. Each episode showcases the art of deduction and the thrill of the chase.
Hosts & Guests
Transcript
Liberty Mutual customizes your car and home insurance, but now we're customizing this ad for your morning commute to wake you up.
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Science says that stimulating the brain increases alertness.
So here's a pop quiz. How many months have 28 days?
What gets wetter as it dries?
What is keys but can't open locks?
If you don't want to hear the answers, turn off this Liberty Mutual ad now.
12 Months, a towel, piano. Enjoy being fully alert.
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Another checkered flag before the books.
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CTNC, 21 plus sponsored by ChambaCacino.
Liberty Mutual customizes your car and home insurance.
But now we're customizing this ad for your morning commute to wake you up.
Which could help your driving?
Science says that stimulating the brain increases alertness.
So here's a pop quiz. How many months have 28 days?
What gets wetter as it dries?
What is keys but can't open locks?
If you don't want to hear the answers, turn off this Liberty Mutual ad now.
12 Months, a towel, piano. Enjoy being fully alert.
Liberty, Liberty, Liberty, Liberty.
Who knows what evil lurks in the hearts of men?
The shadow knows?
In just a moment, the shadows start to swirling adventure.
But first, a word about this invisible enemy of the underworld.
The shadow, mysterious character who reads the forces of law,
and order, isn't reality.
Lamar Cranson, wealthy young man about town.
As the shadow, he is the mortal enemy of all those who would work evil upon their fellow men.
Cranson is gifted with the hypnotic power to cloud men's minds so that they cannot see him.
This hypnotic power is the result of years of research in the mystical orange.
The shadow does not bear a charm life.
Yet he defies death in all its forms to aid mankind.
Cranson's friend and companion, the lovely Margot Lane,
is the only person who knows to whom the voice of the shadow belongs.
Today's story, Ghost Tows.
Well, there it is, Miss Lane.
It's great to see you, Miss Lane.
I'll see you, Miss Lane.
I'll see you, Miss Lane.
Well, there it is, Miss Lane.
It's Cranson.
I tell you, Lord, that the famous old goldmine in town of Patrick's.
I said, he looks so satisfied, guys.
See, Lamar, it's just like the movie.
Yes, my Lord.
That Hulling Tiotis probably wrecks the wonder dog.
We'd better be traveling down the hill if you want to visit the town before dark.
Yes, give your boy.
Come on.
Come on.
A guy, I understand that there's quite a story to be told about that, please.
Yes, sir.
Yes, indeed.
So at the end of the last century, Patrick was a rip-roar in his mind in town west of the Mississippi.
Man and boy, there ain't never been another place like it.
Easy boy.
Say, is the past is now all we down the cliff?
Yeah, pretty near.
Quite a sheer drop.
But if you just keep your horse close up to the side, man.
They ain't no danger of falling much.
Have you, Karajin?
Yeah.
I reckon the thing Bad Cricks best known for is the time El Varras, the Mexican bandage shot his grandpa sweetheart Comin Cedar.
They read a song about that?
Oh, yes, I know the song.
Don't miss his famous and Frankie and Johnny in American folklore.
Yeah.
Well, we better be getting down faster.
It'll be dark soon.
Oh, boy.
Look out, boy.
Easy, fool.
Sorry, partner.
It didn't mean to bump you, my.
Oh, it's just swerved there.
Well, Martin, you almost went over the side of the cliff.
Oh, don't be alarmed, man.
Man and boy, I ain't never seen no one go off here yet.
Well, man and boy, there's always a first time.
Yeah.
Come on.
Come on.
Is anyone living in Bad Creek now?
No, sir.
Bad Creek's a ghost town.
They've been as old as there for over 45 years.
Certain cars all pop Evan.
Who's pop Evan?
He's no track partner, run a hotel when Bad Creek was really operating.
Then when the gold gave out and the miners deserted the town,
Bob just hung on.
Man and boy have been there ever since.
Waiting for the town to be revived?
Yeah, something like that.
He's a bit test now.
Think this hotel is still thriving like a useless.
Ha, ha.
Well, here we are in the town.
Oh, boy.
So this is ghost town.
Gosh, look at those buildings, Lamont.
I almost falling to pieces.
Yes.
The deserted streets.
So quiet.
We'll just take a quick run down the main street folks
and get up to the hills again.
Oh, no.
Let's really stay and explore the plain.
Of course.
Give us a chance to look around.
Oh, no, no.
You can't stay here.
No, sir.
Oh, why not?
Partner, when I told you Bad Creek was a ghost town,
I didn't just mean it was a deserted village.
It's really a town of ghosts.
What?
Well, what do you mean?
I mean that the ghosts of them who lived in Bad Creek
when it was the goldmine and camp
have been seen here at night reliving their days of glory.
There's been shootings and even dead bodies
that weren't so pretty to look at.
That have been found in these lonely streets.
Well, that's all I got.
You can't scare us.
I think of nothing more enjoyable than sending an evening
with Savannah Elvarez and a sweetheart Carmen Cedar.
Yeah.
There's been others who said the same things you're saying, ma'am.
They spent a night here, too.
The next day they was found raven mad or dead.
Well, if you'd seen them folks like I'd seen them,
their eyes popping, their faces all twisted like with fear.
And then that we found alive was like humans at all.
You wouldn't believe it unless you'd seen it.
Well, how do you feel about staying now, ma'am?
The ma'am, are you afraid to face the ghosts?
Well, I was thinking of you.
Well, if you're thinking of me, you'll agree to stay.
Then it's settled.
We stay.
And you're staying alone, partner.
I've got to the hills.
Well, where is this pop evidence, hotel?
That's down the street away, ma'am.
You'll see a sign.
But look here, ma'am, won't you change your mind?
Man and boy, I...
Man and boy, I've never met a ghost,
and I'm not passing up the opportunity.
Well, there's your answer, guys.
All right.
I'll be back here in the morning.
I must say that I'm expecting to find that both of you
will have met up with the same fate as them others,
who dared to face the ghosts of bad grief.
Well, this must be the place, ma'am.
Oh, hello.
Can you read that sign?
What there is left of it.
Evans, Imperial, Waldorf, Grand Hotel.
I wonder why I left out the roof.
I'll tie the horses to the pitching post.
All right.
Yeah. All right. Down you come.
Oh, thanks.
Come on.
Isn't it got any dark Christmas?
Not changing your mind about staying here, ma'am.
Oh, of course not.
Well, then, shall we enter the Imperial, Waldorf, Grand Hotel?
Definitely.
My lawn yet, if you please.
We have fresh out of lawn yet.
But I can give you my extra flashlight.
It might be more useful.
I wish one of the ghosts could fight in that coyote.
Well, as well, get used to it.
Watch this step.
Bonser won't cave in.
And just imagine now it's a room for life.
Yeah.
Well, here's the door.
You first, ma'am.
Thank you.
Oh, ma'am.
Sorry, ma'am.
I neglected to notice that there were no hinges.
I don't see how any self-respecting ghosts
could live in a place like this.
Well, you know how those are.
Come on, let's go inside.
Well, I guess this is it.
I mean, I guess this is a lobby.
Yeah.
From the looks of things,
where the first guest who arrives
since the goldmine is left.
Look at the pictures on the wall.
There's a cupboard with just a tiny sleeve.
Mm-hmm.
Oh, those shadows.
Those shadows moving on the wall.
Those are bats, my dear.
Nice, playful bats.
Or attracted by our flashlight.
I wish that coyote would haul again.
He sounded so friendly compared to this.
Not then.
Frightened, are you, Margot?
Frightened?
No.
Of course not, where I...
Le Mans!
I went over there standing in the corner.
Where?
Right there by the desk.
Margot, do you know what that is?
No.
That is one of the last survivors of a vanishing race.
A cigar store Indian.
A cigar store Indian?
Yeah.
Tomahawk and all.
Well, I...
Well, you can't blame me for being...
You know, I've never met a cigar store Indian before.
Well, I'll see if I can arrange a form of an introduction.
What?
Big chiefs, Nigel, too.
Come on.
If that's another cigar store Indian coming down those stairs,
it's the first one I've ever seen as well.
That's an old man.
But that must be Bob Evans.
He's such an old man.
At all, right here.
The wrinkles, isn't it?
Believe me in partnership.
Good evening.
Good evening.
Good evening.
Welcome to the hotel.
Thank you.
You wish rooms I presume?
Yes.
Yes, we do.
Step over the desk, please.
Thank you.
Watch out for that hole and the floor.
I've been telling the part of the fix it up,
but he's just forgetful, I guess.
Just forgetful.
I want you step more.
Why?
Here we are.
Well, he dusts on the register.
I'll have to speak to that clerk.
He's getting careless, too.
That's the way it isn't a hotel business, you know.
You've got to watch him all the time.
Blow this dust off.
Oh, excuse me.
More dust in the thought.
I'll spin the register around and let you sign in.
You need oil.
Sign right below that last name, please.
Look, Lamar.
That last registration was in 1895.
Forty-five years ago.
It's where you see, man.
Business has been kind of slacking off lately.
Yes, I would say you've been experiencing a lot.
There seems to be a slight difficulty here, Miss Evans.
No ink in the well.
And paint?
There's no point in the pen here.
No.
That was funny.
I told that billboard always keep them pens in shape.
Calis, Calis are all Calis.
This is my pen, Lamar.
Thank you.
We'd like our rooms to be on the same floor, please.
Same floor?
Let me see.
Yes, yes, I think I can accommodate you.
You just come this way, please.
All right.
Oh, Miss Evans, I understand that there are ghosts
to be seen here in Bad Creek.
Oh, yes, yes.
There's common seating all the old times.
They're very good friends of mine.
Up these stairs, please.
You seriously believe that there's spirit to still
around the driven?
I believe.
I'm ma'am.
I haven't seen them for years.
I wouldn't be too curious about them if I was you.
They informed the strangers.
No, sir.
Not one bit.
Now, this year's room can be for you, ma'am.
In your room, sir.
It's just down the hall.
Is it all right to go in?
I mean, has the room got a floor?
Yes, indeed.
Go right in.
We can open our packs and have our supper in your room, ma'am.
If you don't mind.
Mind if you think I'm going to say...
What's that?
Well, it's a piano.
And a woman singing.
Yes.
Sounds like the start of the evening's business
at the Crystal Saloon.
Oh, who are you talking about?
The spirits.
Let's come and see the singing now.
Come and see them.
Hey, if you disturb yourself, send word to sheriff to heaven and tone it down.
It's scary, ma'am.
He obviously believes that those are spirits that we're hearing.
Of course, the people have been dead for 40 or more years.
Oh, she's got a sweet voice, ain't she?
No wonder Elbridge is so local about it.
The trevon.
Where is the Crystal Saloon?
Just down the street.
Come on, ma'am.
Where are you going?
To the Crystal Saloon.
This is our chance to learn something of Mr. Evans' ghost.
Well, singing, playing of stuff.
Come on, ma'am.
We may still be in time to see them.
What?
I guess they're gone.
Yes.
Cue your behavior for ghosts?
Well, there's the piano over there.
Let's have a look at it.
Oh, man, this place is just as long as they're willing to go.
Well, they filled glasses on the bar and chairs are still set around tables.
The wind for the heavy dust you'd almost believe it,
since they were open for business tonight.
Well, that's on.
What?
The same heavy dust that you speak of is covering the keys of the piano.
And yet we heard it play.
Was there another piano?
No.
Not here in this.
What was that?
Let's find out.
Stop!
Stop!
He's riding up to the hill!
Did you see him as he went past?
Not to think they know.
He was dressed in a costume of old Mexico.
That ghost is Alvarain.
Or someone pretending to be the ghost of Alvarain?
Come on.
We better see what happened at the hotel.
All right.
Look, come on.
On the hotel's desk.
There's a man lying there.
Yes.
That's hurry.
Come on.
He's riding in pain.
So shocked with his face.
Yes.
This man was a victim.
I'd rather you didn't look at him or go.
He's been shocked with the head.
But he's still alive.
Yes.
We better go in and find Pop Evans.
Get some water and some bandages.
Come on, Marko.
Well, he certainly isn't one of the ghosts.
No.
Ghost never fleed.
Mr. Evans.
Mr. Evans.
Yes.
Oh.
Well, you're right here.
Seven.
There's been a man furiously wounded right outside your door.
We must have some water and then you get quickly.
You hear me, ma'am?
Yes, yes, I hear you.
But don't get excited.
Then just my friends, Mr. Evans, have a little fun.
Listen, Mr. Evans.
If you'll just step outside and look,
you'll see that this is not a spirit this time.
Sure.
Sure.
I come out and look.
I've seen the same show a hundred times.
But I look again.
Sure.
Anything to please the customer.
Now, where is this mortal wounded individual?
Right.
What is going on?
A month.
Well, are you satisfied?
No.
No, I'm not a bit satisfied.
And suppose you'll be wanting to check out after this little scare?
Quite the contrary, Mr. Evans.
We're more determined than ever to spend the night here.
And before morning, I personally guarantee you
that we will have exploded for all time,
the legend of bad grief.
What do you make of this whole thing, Ramon?
Well, ma'am, one thing is certain.
We're not dealing with ghosts.
But who these Halloween artists are?
And what the purpose of the exhibition is?
I still can't figure out.
Our friend again.
You suppose he's part of her thing, too?
No.
It's a voluntary help.
They have a woman working with him.
The one we heard singing in the crystal saloon.
Yes.
I presume she's supposed to be the spirit of a lovely common seeker.
And the man on horseback with dresses over is.
Yes.
Say, common seeker, Selvarez.
How long ago, why didn't we think of this before?
What?
The events so far this evening had coincided
with the verses of the song Elvarez and common seeker.
Remember it?
Yes.
Yes, in the first verse of the song,
common seeker is singing to the gold miners in the crystal saloon.
That's right.
And in the second verse, Elvarez rides through the town
and shoots his rival on the steps of the hotel.
Now, we have something to work on.
All we have to do is wait for them to begin to enact the next verse.
Well, let me see them on.
What is that next verse?
Selvarez and common seeker.
Buddy.
Wait a minute.
Hey, it's Cole Swindell.
After I give everything I've got to land a perfect vocal,
I easily take five before jumping into the next track.
And I've learned exactly how to recharge in that time.
Some folks grab coffee.
I hit a quick good looks, Phil.
Next thing you know, the break is just as fun as land down the track.
A better break makes for a better take.
Need a break?
Let's jump them.
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Come into your vocal store today and get your print on.
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That's it, that's it.
Later on, that very evening.
Down the main street, he did ride, remember?
That's it.
Well, that's it.
And in the third verse,
Elbow is ride back to the crystal saloon and shoot the girl.
Yes, yes.
And in the fourth verse, the...
Fourth verse, the...
That's funny.
I can't remember.
Well, is that where the sheriff's posse hangs in?
No, no, no, no.
That's much later in the song, yeah.
Here, then I don't remember.
Well, at least we know what's going to happen next.
You mean, happen now?
Shall we go to the crystal saloon?
No, no, it's too late for that.
They can stop before we get there.
I'd rather investigate this thing.
You wait right here in this room, my lord.
Here?
Oh, my lord.
I'm sure there's nothing will happen to you.
So please stay.
I must do this alone.
Well, where you going?
The pop Evans room.
He's going to receive a visit from the shadow.
Mr. Evans.
Pop Evans.
Hey, what?
Wake up, Mr. Evans.
Who's there?
You have company, Mr. Evans.
Wake up.
No, wait a minute.
Like this lamp.
Find time for college.
There we are, now.
Say, where are you?
Didn't someone speak to me?
Yes, I spoke to you, Mr. Evans.
But I don't see you.
I'm standing right beside you, Mr. Evans.
But you can't see me because I've found you.
I'm standing right beside you, Mr. Evans.
But you can't see me because I've found you.
I'm standing right beside you, Mr. Evans.
But you can't see me because I've found your brain with my hypnotic power.
You mean you're invisible?
Invisible.
How ghost?
A real ghost has come at last, eh?
I told him.
I told him that.
I told him that someday a real ghost had come along and spoiled their little game.
Well, I'm madly glad you come, Mr. Evans.
Men call me the shadow.
Yes, yes, Mr. Shadow.
I'm madly glad you come.
They're going to be sorry now, aren't they?
You real ghost is going to keep him a turtle, right?
Who are they, Mr. Evans?
They?
Why are they the ones that's been scared and folks who are pretending to be Elfarez and Carmen Cedar?
Murderers? That's what they've been?
Playing murderers?
But who are these people?
What are their names?
Their names?
Yes, yes.
Well, you should know that.
Why don't they just...
Mr. Evans?
Mr. Evans?
I think.
It shocked me.
Who? Who was it?
Mr. Evans?
Mr. Evans?
He's dead.
Thank you, Le Mans.
Le Mans.
Why didn't you answer me, Le Mans?
You little fool.
You little fool.
This is useless to struggle, Senator.
You're coming with me.
We are living here.
You little fool.
Stop biting me, you little spitfire.
Now I shall take you for a little horseback ride.
And make the most of it.
You shall be the last ride you will ever take.
Ten Santos.
How?
How?
How?
How?
There you are.
Shut up.
You.
Come on, Santos.
Hey.
Hey.
Come on.
Hey.
Hey.
Come on, Santos.
Hey.
Come on.
Hey.
Where are you thinking?
Well, right now, Senator Issa.
We are in one of the tunnels at the Singles, Colton.
And I don't think that you should hope anyone will find you here.
This mine has been abandoned for almost 50 years.
To this door, please.
Step in the room.
Hello, Albert.
You brought that company.
Yes.
I brought up one of the guests from the Evans Hotel.
Oh.
Mr. Dana's been nosing around all night.
He's the one.
There's a guy he had with us.
We'll return for him later.
Where's Eddie?
I'm right here.
That man.
That's the one who was shot in front of a hotel.
That's right, Susette.
What's that wound in your hand?
That was a little trick we learned from some movies folks who was here once.
Really good, huh?
Not too good.
And I suppose this woman was the one who was saying it's common seated.
Yeah.
I do know.
I do know.
I'd recognize that off-key voice, I suppose.
Say, another crack like that, now.
So I'm finally meeting the ghost of Bad Creek.
I guess you could call us that, Mr. Rita.
Well, why don't you take off your mask, Elvarez, so I can sue you too.
I never take off the mask.
Well, why did you bring me here?
What do you want of me?
We have decided, Mr. Rita, that you should become one of us.
That's what part would I play in this ghost, didn't we?
Well, we have always felt that our performance would be more effective.
If we only had a car, a real car.
You mean that I would...
Yes, and you would be the car.
No, no.
And I think that you will give your first performance this very evening.
We will exhibit you for your companions back in Bad Creek.
Now, have you any preference?
Well, what do you mean?
Well, would you rather have a bullet hole perhaps in your head?
A real bullet hole this time, of course?
Or would you prefer a knife?
No, let me out of here.
You can't do this to me.
Since you won't make your own choice, Mr. Rita, I shall make one for you.
A knife would be much more effective.
No.
Eddie, you will use your knife, please.
You do those things so artistically.
No, let me go.
Let me go!
Now, it'll be all over in a second.
Eddie, now.
Drop that knife, Eddie.
Huh?
What?
Let go of that girl and drop the knife.
What was that?
I don't know.
Since you won't drop the knife, I'll have to knock it out of your hand.
Well, the knife was knocked out of my hand. I didn't see no one do it.
What is this? What's going on?
The voice is right here in this room.
The voice is still here in the room.
You need to look around for me.
I've used my hypnotic power so that you cannot see me.
Who are you?
I am called the Shadow.
The Shadow?
I've heard of him.
Now, Mr. Elvarez, we should remove your mask.
No, no, take your hands off me.
Now, we see what you look like.
How do you like it?
Why?
Why you are the guy who led Mr. Cranston meet a bad creep?
Well, what of it?
Why have you tried to frighten people away from bad creep?
What secret have you here?
You've been willing to resort to murder to protect.
We like to be alone, that's all.
It wouldn't be gold, would it?
Sonsamine, is it gold?
Why don't you find out?
But my wife in here I saw that there's been some recent digging in this mine.
When I examined it I saw that you struck a vein of pure gold.
That's why you've tried to frighten people away.
You're stealing this gold from a mine that does not belong to you.
Yeah, what can you do about it?
I can turn you over to the authorities, all of you.
Uncharges of lossening and murder.
Listen, Shadow, you've gone far enough, see?
You ain't telling us what to do.
Nobody is.
We've been prepared just such a happening as this.
Well prepared.
There's enough dynamite pattern in this mine to blow the whole world fired in the skyrocket.
No, no, don't use the dynamite.
Shut up, Eddie.
Maybe we can't see you, Shadow, but when I pull the switch you'll die just like a restaurant.
Say, he don't know what he says.
I don't, huh?
Well, let's pull the switch and see.
No stopping.
Don't touch that switch.
Let me go.
You hear me, Shadow.
Let's go.
Look out.
You're knocking over the ledge.
Well, you can't see me.
Now, easy, Shadow.
The fight is on even terms.
Come on.
Where are you?
Oh, go.
Come with me quickly.
Can you hear me?
We're going to try to get out of here.
Where are you, Shadow?
Are you afraid of me?
Are you?
Cut it out.
Well, yes.
If you pull that switch and kill all of us, shut up.
Why don't you try to stop me pulling the switch?
Now, Shadow.
Huh?
Wait a minute.
Where's that girl?
It must have made a break.
I'm going to do the test.
Ah, me too.
Oh, no, you don't.
No one is getting out of here alive.
Le Mans.
I'm right here, ma'am.
Well, I made it just in time.
Are you all right?
Yes.
For those people.
For those people we left in the mine.
They're buried in there.
There's nothing we can do.
Oh, oh.
Le Mans.
How did you know where to look for him?
Very simple, ma'am.
You remember how we followed the movements of the ghost by recalling the verses of the
Elvarez and Carmen Tieta-Tong?
Yes.
Well, I finally remembered the fourth verse.
It tells of how Elvarez fled to the single ace mine on the hillside.
I played the hunch that they were sticking to the song and came here.
Le Mans from now on, man and boy, that's my favorite melody.
Friends, you ought to hear next week's unusually thrilling shadow story.
When Le Mans and Margot ventured into voodoo land to solve the weird mystery of the trouble.
I wonder if you can help us, sir.
We're looking for the Nezbit plantation.
Nezbit.
Yes.
Nezbit.
Nezbit.
Plantation.
Yes.
Yes.
Keep away.
Keep away from there.
Keep away from there.
Come back here.
Come back.
Le Mans.
Did you see his face?
Do you suppose he was a zombie?
Today's program is based on a story.
Today's program is based on a story copyrighted by the Shadow magazine.
The plot or fiction.
And the similarity to the person's living or dead is purely coincidence.
The lead of crime.
There's bitter fruit.
Crime does not pay.
The shadow node.
Tyler Reddick here from 2311 Racing.
Another checkered flag for the books.
Time to celebrate with Chamba.
Jump in at chambacacino.com.
Let's Chamba.
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BTW Group.
Point work prohibited by law.
CTNC.
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Finding great candidates to hire can be like, well, trying to find a needle in a haystack.
Sure, you can post your job to some job board.
But then all you can do is hope the right person comes along.
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It finds them for you.
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So, while other companies might deliver a lot of hay, Zip Recruiter finds you what you're looking for.
The needle in the haystack.
See why four out of five employers who post a job on Zip Recruiter get a quality candidate within the first day.
Zip Recruiter, the smartest way to hire.
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That's right.
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That ziprecruiter.com slash zip.
Zip Recruiter.com slash zip.
Access to affordable credit helps me pay my employees.
But I don't really need it.
Infliction is killing me.
What do cares?
Big retailers are making record profits.
That's why we support the Durban Marshall credit card bill.
See?
Things in credit unions help small businesses make payroll.
This bill would cut the vital resources they need.
While increasing Megastore profits.
They deserve it.
Don't they?
Tell Congress, stop the Durban Marshall money grab for corporate megastores.
Paid for by the electronic payments coalition.
