The Shape of Water (2017) Review: A Mesmerizing Fairy Tale

Today we're diving into The Shape of Water from 2017. Guillermo del Toro's The Shape of Water

is a mesmerizing blend of romance, drama and fantasy that transports viewers to Cold War

era America in 1962. The film centers on Elisa Esposito, played by Sally Hawkins,

a mute janitor working in a high security government laboratory. Her life marked by isolation

and routine takes a dramatic turn when she discovers a secret experiment, a mysterious amphibious

creature, played by Doug Jones, held captive in the facility. Del Toro, known for his unique

storytelling and visual flair, crafts and adult fairy tale that echoes the timeless themes of beauty

and the beast. The film explores the idea that true beauty lies beneath the surface,

challenging societal norms and prejudices. Elisa, despite her inability to speak,

communicates with the creature through sign language, forming a deep and empathetic bond.

This relationship is the heart of the film, showcasing love's ability to transcend barriers.

Sally Hawkins delivers a luminous performance conveying a wide range of emotions through her

expressive eyes and subtle gestures. Her portrayal of Elisa is both relatable and captivating,

drawing audiences into her world without uttering a single word. Doug Jones, under layers of

intricate makeup, brings the creature to life with a nuanced performance that captures both its

otherworldly nature and its humanity. The supporting cast, including Octavia Spencer as Elisa's

friend Zelda, Richard Jenkins as her neighbour Giles and Michael Shannon as the menacing

Colonel Strickland, add depth to the narrative. Shannon's portrayal of Strickland is particularly

noteworthy as he embodies a complex antagonist driven by insecurity and a desire for control.

His performance is both chilling and pitiful, adding layers to the film's exploration of power

dynamics. Visually, the shape of water is a feast for the eyes. Del Toro's meticulous attention

to detail is evident in every frame, from the warm hues of Elisa's apartment to the cold sterile

environment of the laboratory. The cinematography, coupled with Alexander Desplars in chanting

score, creates an immersive experience that lingers long after the credits roll. The film's narrative

is enriched by its exploration of societal issues such as race, disability and sexuality.

Del Toro weaves these themes seamlessly into the story, offering a poignant commentary on the

human condition. The characters, each grappling with their own struggles, find solace and strength

in their connections with one another. While the film's pacing may feel slow at times,

it allows for a deeper exploration of the characters and their relationships.

The deliberate unfolding of the story mirrors the gradual development of Elisa and the creature's bond,

making their eventual escape plan all the more compelling.

The shape of water is a testament to Del Toro's ability to blend fantasy with reality,

creating a world that is both magical and grounded. It is a celebration of love in its many

forms, a rebuke of intolerance and a reminder of the power of empathy and understanding.

This film is a must see for anyone who appreciates the art of storytelling and the beauty of cinema.

That wraps up my review of the shape of water and I'm giving it four stars out of a possible

five stars. Thanks for listening. If you've enjoyed this review, please like, subscribe and I hope

to see you next time.