Extra: Oscar Predictions, the Streaming Shift, and Why 2026 Was a "Bad Year" for Movies

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This is the Fox News rundown Extra.

The Oscars are coming up or maybe just happen depending on when you're listening to this.

Centres broke a record with 16 nominations breaking the record of 14

for all about Eve Titanic and La La Land.

One battle after another got 13 this year.

New Paul Thomas Anderson's fourth nomination is Best to Record.

The win's yet.

Amy Madigan sets a record for most years between nominations

40, both for Best Supporting Actors.

Best casting is the first new category since best animated feature in 2001.

It's a lot to talk about, not just the Oscars but movies in the business in general,

with Neil Rosen.

It's gonna fix you on TV and radio as an entertainment critic since the early 90s.

Currently the host of talking pictures with Neil Rosen on public television.

Neil loves to talk about this stuff and I do too.

So get a good time.

I'm gonna opt too long to fit it all in in the format of our regular weekday rundown.

You can hear the whole thing now.

Thanks for listening.

Extra thanks if you're a subscriber.

Down Neil Rosen on the Fox News rundown Extra.

New Rosen, good to meet you man.

Thanks for coming.

It is my pleasure.

It is my pleasure Chris.

Well let's start a little broadly.

What kind of movie year was it for you as a critic?

Good bad man.

I don't think this was a good year for movies.

I mean usually when I do a top 10 list at the end of the year on a good year,

I'm like all right I got to eliminate this.

I got to eliminate that you know because it's 10 you know.

Yeah.

This year I decided to do on my roundtable critic show.

I said let's just all do our top three movies.

Wow.

So you could even stretch it to 10.

I couldn't stretch it to five.

I mean it was really I go this is just not not a bad movie.

It is not worthy on being on a top 10 list.

Right.

So I would say not a good year for movies.

The Oscars obviously the big two are one battle after another in centers.

There's never been a more head to head matchup at the Oscars that are against each other in 11 categories.

What are some of the arguments for and against each for director and picture for example?

You know centers is kind of gaining momentum.

If you would have asked me this a couple.

I mean it's got the most nominations like ever.

It's 16 nominations which breaks the record for any movie and this is the 98th Academy Awards.

It was up for every I went down the ballot.

It was up for everything it potentially been up for except for one except for best actor.

But I mean it's not a bad movie.

It's an okay movie.

But I mean to break the record does this movie deserve more nominations than the Godfather?

Lawrence of Arabia, Citizen Kane.

I mean seriously I mean it's just kind of crazy.

I mean it's an okay movie but I don't think it's worthy of the most nominations.

And if you would have asked me how this movie would fare in the actual Oscar ceremony.

A few weeks ago I would have said and will get into the categories in a bit.

I would have told you that you know I don't think it's going to win that much.

But ever since the BAFTA Awards and what used to be called the SAG Awards and it's now called the Actor Awards.

And it won a bunch of stuff.

I would say that it has more of a shot of winning now than it did if you asked me a few weeks ago.

I generally don't give a lot of opinion or editorialize on this thing but because the movies I will.

I saw centers in the theater.

Did you see it in IMAX?

I did.

Me too.

And I came out of it thinking well there you go.

That's I know it's very early in the year but I kind of think that's going to be that might be best picture.

And then I thought that all year.

And then I saw one bad author and I thought okay maybe not maybe it won't be.

But I saw other movies that I liked but those were my two that seemed the most best picture to me.

Well you're right it's a two person race.

I mean it's a two film race and then when you get into the categories it's also I have never seen.

I mean I've been doing this making predictions and covering Oscars.

I don't even want to tell you how many years but let's just say a lot of years.

I've never seen races that are this close where I can tell you what I think is going to win but I could tell you it's a flip of a coin.

And it's a lot of races it's just it's a two person race.

And the same with best picture you think it's a flip.

I think it's yeah I don't think anything else has a chance.

And probably it's probably also a coin flip for best actor.

Best actor is a coin flip.

Best actress is not a coin flip.

We'll get into the best actresses a lot.

Best actor.

I mean Timothy.

I mean sorry Michael B. Jordan for centers playing you know playing the two main characters I guess.

Well if you would have asked me this again a few weeks ago I would have told you the Timothy Chalamet

for Marty Supreme.

I would have said he would have won and I would have told you that he if and if he does win he's not winning for Marty Supreme.

He's winning for playing Bob Dylan last year and one of those where they give you the delayed award.

Yeah it's like he was like slighted last year for a complete unknown.

And I would have said that that's what he's winning for you know not so much Marty Supreme.

But if you asked me today and you know what Academy Awards are coming up really shortly I would tell you that

if I had to put lay money down on bed I'd tell you that Michael B. Jordan is going to win for centers.

But you wouldn't put a lot of money on it.

No it's a coin flip.

It's like being in a casino with a roulette table where you bet red or black or odd or even and it could go either way.

I'd say 51% to 49%.

No I'm present it's that close.

And then Leonardo Caprio is like the double zero.

Not happening. He's the green double zero on the roulette really exactly.

He's one for the revenue. He's just not in the conversation.

And then you got to look at all the other awards, the critics choice award, the Golden Globe Awards.

It's an award season now.

And you should just be the Academy Awards when we were growing up.

So you got to look at that and he's just never won any of those other awards for those shows for this performance.

Although I think he's great.

Yeah.

But you know if there is a wacky upset this year, don't count out Ethan Hawke for Blue Moon.

Which I think is the best performance of the year.

He's a good looking guy.

I mean he ugly himself up for the role.

They dug trenches and they built a replica of Sardis, the iconic restaurant in the theater district in New York.

They built it in Ireland actually for financial reasons.

But they dug trenches so he could look like four foot nine.

And they raised when he was standing on a wall they would raise the pictures up so he would look short.

And it's all dialogue.

I mean he's just talking the whole film.

I don't know if you saw it or not.

Not yet.

But it's on the list. I'm a big guy.

I like him a lot.

I like that he's really and he's really endured from being kind of whatever a floppy hair 90s guy into a pretty interesting character.

He's been around for a long time and I don't think he's going to win.

But I'm saying if there is an upset I'm not counting him out.

That wouldn't shock me.

But the other Vagna Mora who's in that category and Leonardo DiCaprio.

I think like you said double zero on the roulette wheel.

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As you mentioned I'm assuming you're going to say Jesse Buckley's your lock there.

That's the lock for him.

Now there are a couple of movies this year.

For him.

Yeah.

The two I guess front runners are both for playing mothers who are going through a lot.

Between her and Rose Byrne.

Rose Byrne was great.

Yeah.

And she's not going to win.

She was great.

If I had legs I'd kick you.

And she's known her obviously mostly for comedy.

And the owner of Ryan is in that movie.

Yeah.

And he's hosting the eyes.

He's got a little.

But she's not winning.

She's great though.

You know.

I think she gives a better performance than Jesse Buckley who's the lock to win.

Yeah that's your lock.

Okay.

That's probably the one of the big ones that everybody that most people consider a lock.

That would be the biggest upset of you.

If she didn't win.

That's the headline news.

You know more than what wins best picture probably.

Looking at supporting actress.

Now Amy Madigan.

Okay.

Because Gladys, the witch or whatever she is in weapons.

She might not win but she's the character who's most likely to be a Halloween costume.

For the next few years.

Yes.

And it's a fun and performance and she's been around for a long time.

Well, again, that's a close category.

I mean I think Tiana Taylor has a really good battle.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

I think if you watch the Oscars as the evening progresses.

If Sinist ought to win everything, then Tiana Taylor can.

That could work to her benefit.

And she could get caught up in that sweep.

But.

And it's that that's another real close one.

And if you look at that category, when we pull up all the nominees in that category.

You're some people saying one me.

I can't help me on the pronunciations.

I think it's Musaku.

Musaku would send you.

Apologize.

Yes.

People were saying that she could possibly win, but she's not really campaigning that hard

for it.

And a lot of this, by the way.

I was going to ask you, how much is it, I know years ago, maybe it was more so, or

maybe it still is, that there is, there's politics involved.

I guess, you know, the sad part about this is that it's not like, okay, let's look at

the performance and what is the best performance.

It's politics.

It's campaigning.

It's how much the studio gets behind you and takes, you know, ads out full pages, ads

in variety.

It's sending swag to, you know, the Academy members to try to, I don't think that really

works, but they do spend a lot of money on promotion and campaigning.

So, you know, I think the performance is certainly a part of it, but there's so many other

components to that, you know.

And again, please pronounce her name for me, you know, she hasn't been campaigning as

much as she should be.

I think it's between Tiana Taylor and Amy Madigan, and I think because Amy Madigan has been

around longer, unless as soon as gets, like I said, gets caught up in a sweep, Amy Madigan

has been around longer.

She's has a long time marriage to Ed Harris, which is a rarity in Hollywood to be married

many years.

I mean, how many long time marriages?

I mean, you know, Kevin Bacon and Kira said, jazz brick, I mean, and she's liked in Hollywood

and she's been around and, you know, and it is a whacked out, interesting performance,

you know.

So, yes, I would predict that Amy Madigan would win that particular award, you know,

put Tiana Taylor.

If they go to the winners Tiana Taylor and Sanders is winning, I wouldn't be surprised.

But yeah, again, if I'm back to my casino analogy, if I'm in a casino betting money, yeah,

I'll put the chips down on Amy Madigan.

We haven't talked about director Paul Thomas Anderson for about another, I think he's

got it.

Yeah, I think he's got it.

I mean, again, Ryan Cougars is well-liked in the industry as well for centers, but Ryan

Cougars is going to win, well, the casting director wins this thing, they have this new category

that you hold the best casting, but he's going to win the, one of the, the, the, the

international screenplay, the original screenplay award.

So he will win something, but yeah, I think, I think Paul Thomas Anderson is a lot, but

Ryan Cougar would be the, it's not the massive upset like that we talked about earlier

of, if Jesse Buckley doesn't win, you know, it's not that.

And Rose Birdwin's that, that would be crazy, but yeah, I say that's a lot, but you know,

but Ryan, if he didn't win the only other person who has a shot in that category would

be Ryan Cougar.

I don't know how much you really care about this when the nominations come out, but I know

you have, obviously, have opinions.

Did anybody annoy you, snub wise?

I know you like Bagonia a lot.

I assume you think Jesse Plemons got ripped off.

Yeah.

I think Wicked for good was a real snub.

You know, it, people didn't like this movie as much as last year's Wicked, and if you

were familiar with the, the, the show, the musical and Broadway, the second movie was the second

act of that show.

And it's darker, and there's no hit songs in it like popular or a defying gravity.

I'm not going to sing these for you, even though I did a little humming on, on popular.

But I think it's really, I think it's a very, people who are expecting that fun, bright

bouncy first movie.

And it's a darker thing, but I think it makes a lot of, a lot of interesting comments on

society today.

And even if you say, why didn't Cynthia Eriva, why did they get snubbed or Ariana Grande,

how do you not give this movie, I mean, technical awards like, like production design and costumes

and, I mean, it's an eye-pop spectacle.

It's amazing.

So I think that's a major snub.

And as you said, I think Jesse Plemons and Bagonia was a snub.

And yeah, there's, there, there are a bunch of snubs, you know, what's her name?

She's in coming up in the testaments, which is the sequel to The Handmaid's Tale.

She was a major snub.

I'll tell you her name, what's, what is her name?

This is, what is her name?

What is her name?

Chase Infinity.

Chase Infinity.

For one, for one battle, I think she was terrific and I think she's great to be a big

star.

And, uh, she's just one of those young performers, you can't take your eyes off her.

Yeah.

And if you like The Handmaid's Tale, Margaret Atwood wrote this book, The Testaments,

and there's a mini series that I saw the whole thing already, but it comes out in April.

And she's phenomenal in that.

So I think she's somebody to watch, but yeah, that was a snub.

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Talk about the business for a second, um, K-pop demon hunters, um, up for best song.

That's like a cultural phenomenon.

But so it goes from being, it goes from being really popular on Netflix, to then becoming

a box office hit.

So that's, that's, that's a unicorn.

That's kind of a weird thing, but I wonder, that's where long it's going to win by the

way.

Yeah.

Every says.

Um, I have some of the few kids in America that do not care for K-pop demon hunters.

Yeah, but that thing is just like, yeah, that thing is like, it's more than like a movie.

It's like a, yeah, with, it's a whole thing, it's a whole thing.

Exactly.

Um, now I do wonder with all the consolidation.

Why not try to squeeze every single penny you can out of these movies, put them in theaters

for a couple of weeks, get that money, and then you get yours, and then you, and then

you bring it to your streamer.

People aren't going to unsubscribe to Netflix because something was in a theater two weeks

first.

Well, let me, let me tell you a story, um, I live on the Upper Resort in New York and within

a seven block radius of my apartment, when I moved in 30-some years ago, they were I

think at least, at least maybe more, but I can definitely count 16 movie theaters in

a seven block radius.

Take a guess how many movie theaters there are now.

Just take a guess.

We got three.

One.

One.

It's across the street from Bloomingdale's.

It's used to be called Cinema One and Two.

Now it's Cinema One, Two, Three.

They added a screen of number of years ago.

You could say two.

You could say the Paris theater, but that's owned by Netflix and they pretty much use that

just to, you have to show a movie theatrically for a couple of weeks run in order to be,

in order to qualify for, um, to be eligible to submit for the Oscars.

So they, look, I'm glad they bought the theater.

They were going to just make it an office and we've got enough of those in Manhattan.

And it's a beautiful theater.

And it's a beautiful theater.

They kept it.

But one real movie theater that's showing, you know, one battle after another or sinners

or something.

Yeah, that's one movie theater.

Cinema One, Two, Three on 60th Street in 3rd Avenue.

That's it.

So what's your advice to assuming everybody still wants to make money in that business?

What's your advice to theater owners?

What's your advice to studios to make as much money as they can while still maybe is

a side effect even serving the audience best?

I think it's a great question.

I think that to go back to the story that I told you, um, it's very expensive to go to

the movies.

I mean, if there's a tent pole movie like a Marvel Cinematic Universe movie and everybody

wants to see the new Avengers, I mean, that's what, or, uh, Avatar or just something,

or a mission impossible, which I mentioned earlier, or a James Bond film, you know, people

want to see that on a big screen and they will come out to that.

But to see some of these, if you look at the nominees for Best Picture, something like,

uh, I don't know, secret agent, you know, something like, or like train dreams that might

have been something that people, you take a family of four, let's say, to a movie.

Movies like 20 bucks, you know, a ticket.

And then the kids want, which is where the movie theaters make the money anyway.

You know, it's on the concession stand with the soda, which of course, the nothing or

the popcorn.

And I mean, it's like a, you know, yeah.

The movie theaters are concession sellers that happen to have screens.

Yeah.

Exactly.

Because the people, the misconception of people that don't know the business, it's not

like you buy the ticket for the movie theater and the theater owners came money.

The studio is getting, you know, the bulk way, the 80, 90% of that, it, right.

As I said, it's the concession stand where they make the money.

So if you have an Netflix subscription or a Hulu or an Amazon Prime or a Paramount

plus subscription, and you pay in nine to 13 bucks for that a month, as opposed

to going out with your family and spending a hundred bucks.

And in some cities, you know, you got to pay for parking, you know, and, I mean,

you're talking about $120, where you spend nine to 13 bucks, you know, if you,

nine bucks, if you want the commercials on Netflix, 13, if you want premium

package, and you're getting all these movies and they, and they're coming there

a few weeks later.

So what advice would I give?

To answer your question, which is, I gave you a long preamble before I gave you the answer.

It's not so much the movie theaters.

It's, you know, it's the studios that have to churn out this stuff.

These big blockbuster movies, which people don't want, which people want to see

on a big screen, like on an iMac screen, where you and I saw one battle after another.

And, or just something where like they don't want to wait.

They want to see it immediately.

And there's really very few movies that are, that are like that.

So, um, to my point earlier, advice, theaters are going away.

I mean, I think the, the nail in the coffin was, was the pandemic, you know,

people were streaming stuff, but they were still going to the movies, although the movie

theaters were dying.

And then everybody just got into the habit of like, well, you know, I'll just watch this.

I'm paying my subscription.

I'm paying for these four subscriptions.

Or if I have Amazon Prime, it comes with my Amazon Prime.

And it's a lot of money and there's no advice I could give.

It's just the, you know, it's just the evolution.

Yeah.

It's like radio was going away.

And when TV came out in the late 40s, you know, and people just stopped listening.

They were radio changed.

It's format to music and talk radio and stuff.

But people moved over to watch that entertainment on television and stopped going

to the movies to some extent.

And then they came out with these crazy things like cinemascope and VistaVision.

And I don't know, all this stuff, I don't know, they've tried to, there are some things

like Alamo Drafthouse where they serve food, you know, and that works, you know, but the

days of, you know, before my time, you know, the 1950s where people would just open the

paper and it wouldn't be like, oh, I want to see this movie.

He's like, we're going to the movies tonight.

What's playing?

Exactly.

You know, right?

What are we going to see?

You know, my parents would do that.

They would, he's like, we're going to go to the movies tonight.

What do you want to go to see?

Well, this sounds interesting.

Well, well, I don't know about, if there was nothing that, well, we'll just, maybe this

will be good.

Those days are gone.

And then you also had the days when movies would stay and stay and stay in theaters.

Right.

And then they'd come back later.

Yeah.

And then they'd be, like the Bond films, right, they would stay for, and then, you know,

they'd come out with the new Bond film and then they would run the double feature of,

like, Goldfinger and, you know, Doctor No or something like that and you'd have the

new one that would come out, or Star Wars would have like a, but, you know, that's an

anomaly.

But I mean, Star Wars would run for like two years, I remember, you know, uh, yeah, the

Prince by the end would be kind of beat up.

Yes.

Exactly.

And then, and then they also now rest in peace, those, you know, those dollar two dollar

theaters where the, where the, the little earth theaters would take the movies that were

real, they were really done.

And you could go catch them there.

I know.

Because they were waiting, right, you-right.

And you get-you get-someone you get a double feature, you know?

Well, anyway, now that we've talked about how relatively old we are.

The movie business is in really, uh, movie theater business.

I mean, not content.

This-but that's-well, that's what I was going to talk-that's what I was going to get

to next, is that it's the movie theater business that were really lamented, the-

Yeah, the-the more content, the more content there is there is like, when all those movie

theaters that I talked about earlier were around, if you look at all this original movies

and programming that are made for all these streaming services, there's more of that

than there were when there were movie theaters.

There's the Neil Rosen Oscar for the most, just you, up on high, the most entertained

or even moved or whatever movie or performances this year, forget about what the actual nominations

were.

Are there, if you could just say, this is what I like, this is what got me this year.

Okay.

Again, a really bad year for movies, but I love Bagonia.

I liked it.

It was, it stars the same people who did poor things, Amistone and Directed by, it stops

I mean, it stars the same person who was in the Yorgos, until Yorgos Lantamos who directed

it, film, they did poor things.

I liked this movie Bagonia way better than poor things.

I think it was interesting, it's a simple premise that you could explain in a sentence.

I mean, she's a CEO of a corporation and she's kidnapped because they think she's an alien,

you know, who's gonna like wipe out, and her disciples are gonna, alien disciples are

gonna wipe out the human race.

I don't know if you caught the film.

I did.

And it's one of those movies that I have recommended my wife hated it.

You either love this movie.

That's the thing.

I recommend to this movie with the caveat.

Look, you're either gonna thank me or you're gonna be really mad at me.

Exactly.

But the ending was just, I'm not gonna give it away, but I thought it was so clever and

it's funny.

I mean, you know, when I just described it as somebody being kidnapped, it doesn't sound

funny, but there's humor in it.

I thought, again, Jesse Plemons was snubbed for a nomination.

I really enjoyed it.

So I really enjoyed that movie a lot.

There's a movie that nobody talks about that I really love.

That's streaming on, I don't know what service it's streaming on right now.

Or it might even be on demand for like 499 or something, but there's a great movie that

was in my top three movies of the year.

Oh, yeah, which were, which were Bagonia and one battle after another.

And this movie I'm about to tell you about called Roof Man, Roof Man.

I saw it.

And I love that movie.

It's with Channing Tatum.

And it's a true space, a true story about a guy that busts out of prison and hides.

I'm telling your audience.

You know, you saw it hides in place, like in a Toys Or Us really happened for six months.

That's crazy.

And I just really enjoyed that movie, made all the more better because it was true.

I mean, then he kind of screws up, you know, I mean, he starts falling for, you know,

Kirsten Dunst who works in the Toys Or Us.

But really an ingenious film.

Fun to watch.

It's got a lot of heart to it.

It's one of those Peter Dinklage's in it.

I mean, it's just, I just love this movie.

And this movie was not in any kind of Oscar conversation.

And I just thought that was just a really entertaining movie.

I'll give it to you.

You know what?

Did you like it?

I did it.

I liked it a lot.

I know.

It was fun, right?

Mm-hmm.

That's one of those movies that you might sort of hover over.

Okay.

I like Channing Tatum.

I like Kirsten Dunst.

I know basically what this movie is like.

Click.

And I was trying to pants off me.

I know.

It's just great.

I mean, then how we got away with it.

And again, I'm not going to give away the ending.

The whole, the whole, even the ending is fascinating.

The whole, and it made all the more fascinating

because it happened.

You know?

Well, Neil, it's good to meet you.

I've been a fan for a long time.

Right, man.

You can see Neil, been a bunch of places.

Social media, Neil Rosen, Apple's on X.

Real with Neil and IEL.

And E-I-L, sorry, on Instagram, is on PBS.

Yeah, I got a show.

You could just go to YouTube and put in talking pictures

with Neil Rosen and see the Oscar predictions.

I just made or pull up past episodes last month.

It's still up there.

I did a half an hour with Ethan Hawke.

Who is nominated for, as I said, for Blue Moon.

And we do that show, doing that show for a lot of years.

And I have critic panels with big critics.

And we talk about movies and stuff like that.

Oh, look, well, what's your favorite movie the year?

Not what you think is good to win.

What is your favorite movie the year?

The one that got to you, since you asked me this question.

And you seem to go to a lot of movies.

I see more than I see enough more than your average show,

not as much as I used to.

You know, I don't, something we haven't really

talked about much, except for Amy Madigan,

as I thought weapons was really fun.

I knew very little about it going in as did most people.

And that's how I'd recommend seeing it.

But otherwise, I think I like the big ones.

I like sinners.

I like one battle.

I like Bagonia.

Yeah.

But not it's not like last year where I could rattle off

like 10 movies like that for you.

Or like liked it, liked it, loved it, liked it.

So many things disappointed me this year.

Well, I hope you get 20 this year.

Well, in 2026, yeah, I hope.

But the real good stuff comes out.

It doesn't come out till the fall, you know?

All that summer stuff that's aimed at kids that never,

I mean, F1 got nominated this year.

You know, that's like, that was one of the ones

where people were like, OK, fine, it wasn't an unfun movie.

But it's not about the trees.

The only reason that got nominated is if you have a quick second,

I'll just tell you, it used to be five pictures

that were in the category for best picture and the Oscars.

And they were usually films that people hadn't seen.

They were independent in some old films.

And their ratings were going down in the Oscars.

So they said, let's increase it to 10

and put some blockbuster movies in there

that people would go, oh, you know, great.

You know, the Avengers is in there.

It was never wasn't there.

But that was the point of that whole thing, you know?

And I don't know, that's why F1 is.

Now some years, it's stretching to get that far.

Yeah, I know, it's really true.

So, you know, we'll see what happens.

You know, it's, I don't know, like you said,

I hope 2026 brings a better group of films, you know?

Well, enjoy the Oscar show, nevertheless.

Thanks, Connor O'Brien's back.

So we'll see how that goes.

And I don't know, maybe to me, it's a long show.

What makes it fun is always the surprise.

It's like good or bad.

Like, we'll smith getting up and snap and creeps

rock in the face.

Not a good, not, not, not, not good.

But like, gee, I can't believe I just saw that, you know?

Or the winner is Lala Land.

And it's like, oh, no, no, you gotta sit down.

It's moonlight.

We made a mistake, you know?

I always, the unexpected stuff, which was what makes it

very, very, very cute things people are talking about

one day morning that we are talking about now.

Yeah, exactly.

Like always something happens where it's like, wow, you know?

Like, a Nora one best picture, like, seriously, you know,

it was last year's winner.

So we'll see what happens, you know?

I like to know her too.

We can talk about that later.

Yeah, but Nora was, I like to know her too.

I don't think, I think Con Clay would have been a better choice

for Oscar winning movie last year if we want to, you know?

But I like Nora.

I don't know if it's worthy of being the best picture of the year,

but it was a good movie.

All right, let's say it's 2025 or 2024.

Maybe next year we'll do it.

Oh, yeah, we can go back good, right?

And argue about Pulp Fiction.

Yeah, there you go.

That's my old type favorite movies.

All right.

Well, do you all hope to talk to you again?

Yeah, it was great.

Thanks for having me on.

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