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I'm John Boucher with Alan Filps.
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His wonderful rich anecdotal overwhelming book about wartime Moscow,
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the Red Hotel, the Metropolitan Hotel in the untold story of Stalin's propaganda war,
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is a series of heroines who live several lives and we're now following
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Nadia, the granddaughter of a prosperous successful rabbi,
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who's now a Soviet agent, but at the same time a translator
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inside the Metropolitan Hotel for one, for several journalists,
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she's sort of the grandmother, now big sistered mother to all the other secretaries.
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But Blondon is a very famous correspondent, relentless, successful.
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He actually is taken to the front and views Alan tells me.
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von Paulus after the surrender Stalin grad.
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But after the end of the war, Blondon fences himself as a novelist
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and he writes a book that reveals way too much about how Nadia kept him well informed
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during the war. What happens, Alan?
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Well, Blondon was an Australian.
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He was an ambitious Australian journalist.
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At the time, people like Blondon thought Australia was too small
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and provincial a place to really show off.
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So he was determined to make his future in Europe and America.
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And that drove him to Moscow.
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He was not particularly keen on our Soviet communism.
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He didn't think it was the future of the world.
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But he knew there were lots of secrets there.
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Nadia worked for a number of British and American journalists.
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As the war dragged on and it became clear that Stalin or the Allies were going to win.
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She effectively became a secret dissident.
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She'd lost her faith in Stalinism when she and Alex came back from New York.
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Her friends, she saw her friends being carted off in the purges,
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being tortured or just shot in the back of the head.
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And she decided that Stalinism and indeed Leninism was a big mistake.
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Obviously, she couldn't tell anyone.
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When the war started with a good English, indeed American English,
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she was first chosen to put the English speaking to keep an eye on the English speaking.
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Correspondence and make sure they told the right story.
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But secretly, she was airing her real views.
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None of the other journalists betrayed her views.
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But she trusted London because she liked Australians.
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She thought the British were snobs.
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She didn't like that.
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She thought the Americans were so commercially minded or career minded, I would say.
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So career minded that whatever she told them would appear in the pages of the New York Times.
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But London, she thought, was trustworthy.
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Of course, who can trust?
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Who can trust a journalist, say I as a former journalist?
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Anyway, and she told him what she really thought about it.
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And even took him to visit a couple of the home of a couple of old ladies
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because at that time, it was impossible for foreign journalists to see the inside of any
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piece or the at home. Of course, homes were incredibly crowded.
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Living space was at a premium.
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So the authorities had said, right, no one is allowed.
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No one is allowed to see the inside anyway.
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And after they'd left, and London was quite shocked at what he'd heard.
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And Nadia said to him, well, of course, you can't write this in your newspaper.
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And he said, well, of course, I won't put it in the newspaper.
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I'll turn it into a novel.
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Well, the novel appeared and the identity and location of the flat of the two old ladies
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was not particularly well disguised.
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It was obvious where he'd been.
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It was obvious who had taken him there.
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So there was a knock on the door.
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And Nadia was truly arrested.
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And from that moment, February 1948, this very
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careful woman, is put into Hades.
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She spends the next eight years starving to death and watching her daughter
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broken Maya, her husband broken Maya.
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They are all assigned sent to the gulag.
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The fact that Nadia survives is incredible, Alan.
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It's the person who helped her most when she first got to one of the transit camps was an
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informer. There was no trust whatsoever, except for somehow she determined that the NKVD
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or the gulag keepers couldn't intimidate her.
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And there was nothing they could do to her that they hadn't already done.
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She does emerge after cruise ship secret speech.
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Does she move to Israel in the 70s, 80s?
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And a happy end of the story.
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Her son is in Jerusalem now.
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Is that correct, Alan?
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It's her grandson. She moved with her daughter.
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And her grandson is in Jerusalem still.
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He is a professor of ancient history of the Hebrew University of Jerusalem.
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And so the story has a happy ending, although the tragedy of the gulag
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and what happened after the war, after the red hotel, after the metropal,
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is part of the largest story of the brutality that the Russian people have endured for more
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than a hundred years. It's told in the new book, the red hotel, the metropal hotel,
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and the untold story of Stalin's propaganda war. The metropal is still there.
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When and if it is safe for journalists to be in Moscow again, I intend to be there
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to celebrate Alan's book, but right now we're going to tell a happy ending
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of the heroines of the red hotel. I'm John Batch.
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You're listening to CBS Eye on the World with John Batchler.
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