Sherlock Holmes - Case of Alice Faulkner

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Our God.

There's a number of odd counts. There's a great pleasure in bringing you the files in a series of weekly odd counts.

These ring awesome files and the Mercury Feather on the air.

Tonight, four ways. That's right here.

No color register for producing company air.

Rings to life, the best love character in detective fiction.

The Immortal Sherlock Holmes.

The play is also well-known adaptation for radio of William Gilletson during Melodrama based on the famous stories by Dr. Coleman Doyle.

Before the performance begins, here is the director of the Mercury Feather.

The star and producer of these unique broadcasts.

Awesome well. Good evening.

We're on tonight's Back to Baker Street.

Back to that unlikely London of the 19th century where high adventure awaits all with sea geeks.

In a handsome cab or under a gas lamp in an infinite cave.

But tonight we pay tribute to the most wonderful member of that most wonderful world.

A gentleman who never lived and who will never die.

There are only a few of them, these permanent profiles, ever lasting silhouettes on the edge of the world.

There is first a little hunchback with a slapstick whose hook nose is shaped like his cap.

There is now and always will be the penguin-footed hobo in the dirty in the back.

With a small boy with a wooden head.

With a long rusty knight on horseback.

And a sat knight who could only procure a charge on foot.

There is also the tall gentleman with a hawk face.

And the underslung pipe before an ass cap.

You'd know them anywhere and call them easily fighting.

Pock and the Charity.

Captain McCocky.

Emilty.

The John and Sherlock Holmes.

Now your relevance is this may seem weird to me.

You may see it there very much off the bike.

The professor threw a revival of a fight on the menace.

But a lot of people remember it's only for blunt effects.

Which is too much Johnson.

Its author was William Gillette, which reminded us as it reminds you of Sherlock Holmes.

As everybody knows that celebrated American inventors under acting,

lent his considerable gifts as a playwright to the indestructible legend of the Conan Doyle detective.

And produced the play which is as much a part of the Holmes literature as any of Sir Arthur's own romances.

And as nobody will ever forget, he gave his face to him.

The William Gillette was the aqualine and actual embodiment of Holmes in Sir.

It's too little to say that William Gillette remembers Sherlock Holmes.

Sherlock Holmes looks exactly like William Gillette.

Sounds like him too we're afraid and hope development at the Mercury Theater

and the radio will take none of the glamour from the beloved fable of Baker's feet.

From the pipe and the violin and the hideous purple dressing gown,

from the needle and the cigar on the window ledge,

and the dry, final, famous lines,

elementary and idea Watson, elementary,

the mere child's play of deduction.

My name is Watson.

I am a doctor.

It was merely 1880 that Holmes and I were introduced by a mutual acquaintance.

At the time we were both looking for a lodging that would suit our modest needs.

This we found on the second floor of the house at 2.31 D. Baker's feet,

and it was during the years that we occupied these chambers together

that Holmes established a unique international reputation as a consulting detective.

During that time, I was privileged to be his daily companion,

and I have done my modest share in giving to the world

and account of some of his most famous pages.

Most famous of these are the ones of which I have written under the names

of the speckled bands,

sign of four,

house of a bachelor,

the studying scholar.

They represent, however, only a mind-ewed section of the 643 cases,

Holmes successfully solved during the years that we shared the lodging in Baker's feet.

Other cases, I hope one day to get to the world

and include the college and murders,

the studying death of Cardinal Tuxta,

the adventurer of recollecting of the club's foot and his abominable wife,

the case of Mrs. Ketterntosh, the sister-stale,

and the case of the royal family of Scandinavia,

each of us fit in their own way,

with a mockable genius of my friend, Sherlock Holmes.

Since my marriage three years ago, Holmes has continued to occupy

the Baker's feet lodging by himself.

I hear almost every often, when my work in the office is finished,

I am in the habit of calling on him,

the sitting room as you go in,

exactly as it has been for the past 13 years,

the warm, bare skinned rug,

the huge sofa covered with faded skin,

the matte of these covered with miscellaneous objects,

unanswered letters and piles of loose tobacco.

On one side of the fireplace, in the deep armchair,

despite curling soft, slow leaves of packet tobacco,

baked in his hideous, pepper dressing gown,

the Sherlock Holmes with his violin under his chin.

Come in.

What's my jiffy?

How are you, Holmes?

I'm glad to see you.

Pleasant delighted.

It's on my word, I am.

But, uh...

Thanks, sir.

I just have to show white as well.

She has gone. I was a visit.

But, how did you know?

How did I know when I liked her?

How do I know anything?

How do I know you've been getting yourself very wet lately?

That you've been extremely careless, sir, and girl,

and you've moved your dressing table to the other side of the room.

Holmes?

If you had lived a few centuries ago,

that it burned you alive.

Such a confidation would have saved me a great deal of trouble,

and spent on me, and I'll...

How did you know all that?

Too simple to talk about scratches.

And comes your cut, my dear, felony, and inside of your shoe,

there are just where the firelight strikes.

It scratches, cuts.

And the scratch away-custard muddened.

It is bad there.

Bad there.

Scraped the shoe along with it.

As your wet foot, my dear, what's in there?

What's in there?

You've cut a certain girl along with one shoe.

I've faced any shame in the right side.

I was used to be on the left,

like my scum's the other side.

I can very well move your window, my smooth dressing table.

Ha, ha, ha, ha, ha.

The closet is...

The closet's empty, do you know why white is away?

I want a duke, you're just second-wested, bottom-water.

Hmm, what the duke is yesterday's button here,

doing it today's a pill, and why the duke's too wetty expression.

I want a bottle of water.

I want a bottle of water.

I want a men's room, I want a man's room.

I want a man's room.

A child's bedroom.

I'm only doing it for your amusement,

before we pass on to more serious matters.

Oh, what is it now, though?

What's in my dresser up?

The enthusiasm, which is comfortable,

the chronicle, and the shoe, excuse my saying.

So, somewhat too indelish, my little adventure.

The occasion is seen six hundred years of certain element of romance,

which struck me as being just a type of lot of space.

Something like working in a loop,

and the fifth proposition of you, Claude.

I merely refer to this in case you could see six of seven,

six of time to chronicle a case on which I'm a dressing box.

The strange case of Professor Robert Moriotti.

Moriotti?

I don't remember ever having heard of the cellar.

No, what you haven't.

It's precisely this quality of indivisibility

that makes the Professor Moriotti

the podium of time sitting motionless

like an ugly, zealous spider in the center of his web.

But that web having a thousand radiations

in the spider knowing every quiver of every one of them.

And within 48 hours,

I'll have the lines drawn so tightly around him

that he can't move.

And the rest of him is entire gang.

My opponent, this is a very game.

This is an idea I thought it's supposed to do life for.

My whole life is standing at sea.

There's a magic endeavor to escape

from the greatest commonplace of existence.

The best period I escaped.

He's congratulating me.

The day before yesterday I received in this room

the visit of a certain fallen nobleman

who was recently inherited a bit of considerable title

and who was about to be married.

Things that this title of gentleman

was still written to us to fall in love

with a young English lady,

to the name of Faulkner,

socially and inferior,

and to make it a promise of marriage.

Later, his family's insistence

the things that he was looking for

to be after the broken heart.

He's in behind the sister,

also, considerable evidence

in the form of letters, photographs,

and curaire within scriptings.

These, the sister kept these together

with the sister,

and now being held in a house

in John's ward by a pair of blackmailers

who go with the name of Trichwood.

So far as you see him,

I hear what's necessarily ordained

in the case of blackmail,

haunted with my attention.

Last night,

on my inspection,

a certain element was viewed as there,

which renders the case far more important

than what I had expected,

and that element was,

which is a moriata.

Tell me.

Is this one of your own?

Yes, tell me one of it.

Tell me one of your own by the name of Thelman.

It's from Indirae.

Tell me.

Yes, Mr. Rome.

Come in, Mr. Fallon.

You're in the apartment.

You're in the apartment.

You're in the apartment.

You're in the apartment.

I was in the Inspector Fallon.

This is the day before yesterday,

he asked for the position of Butler,

under the name of Judson,

and the home of Mr. and Mrs. Chetwood,

the blackmailer of the system, John's Wood.

No, Fallon, any news?

Yes, sir.

This morning, at the last of nine,

Chetwood and his wife,

go away in a fall villa.

They stand about 11.

That's it, the women.

You know him, though.

Three years.

When I last had the occasion,

I think, Mr. Chetwood,

that's two years.

A six-packing.

You go on, Fallon.

Very good businessman,

Chetwood's in the library.

I got to look at him in the outside,

and Mary was opening up the space,

but they'd been keeping the letters.

Go on.

In the end, we'll make up the fifth open.

It was empty.

But letters were gone,

it seemed like the fourth window door

got from back somehow.

I got them to be excited.

Chetwood went out to send a telegram.

Maybe we got coffee?

Yes, yes.

Here it is, though.

Concorde.

Marie Archer.

That's not so much.

This case is taking the most promising turn.

Fallon, your turn at once

to the house in Charles Wood.

Been ten minutes, actually, to myself.

If I remember correctly,

the kitchen is immediately below the drawing room.

Yes.

When I knock over the chair, the drawing room,

you will overturn a lamp of the kitchen,

scatter smokeballs,

and give them a alarm of fire.

All of the instructions remain unchanged.

Any good stuff?

All right, Fallon.

Here's the room.

Well, my dear Watson,

seems to look like a most interesting evening.

Hello?

Hello.

Hello.

Hello.

Hello.

Hello.

Hello.

All right. Good evening.

My name is Sherlock Holmes.

Robin.

Robin, do you wish to see Mr. Hallon?

Thank you so much, Mr. Chetwood.

It must have been out for the buckler in my way outlaw.

I didn't very well.

I'll hear you.

Yes, sir.

It's both invasions to homes to excuse us.

It's not well enough to see anyone deceiving me.

No, you see, sir.

And this car to this fault doesn't say the dies.

It's a jail problem at the home.

But it's quite useless.

Really?

Oh, I'm so sorry to hear it.

Yes, it's false news.

I've agreed to say it quite instantly.

You've only needed to see anyone.

Her health is so poor.

Well, is it ever occurred to you, Mr. Chikward,

that she might be confined to the house too much?

How does that continue?

Yes, sir.

It doesn't.

I think it makes a suggestion.

I'd like to see you do that.

What about this name?

Joseph.

You know, very well.

Joseph?

Go on.

Take my car down.

Very good, sir.

No, this is really too good.

Well, of course, you can take up your car,

or your note or whatever it is if you wish it so much.

I was only trying to save you of a trouble.

Thanks.

Ah, then it's over to us.

And it's a car.

You know, Mr. Holmes.

You can just leave very much.

Oh, really?

From my work, yes.

We've all heard of your wonderful method.

You're punishing men on which you gain information

from the most titling details.

Now, I dare say, in this brief moment or two,

you've discovered any number of things about me.

Well, not his consequence.

Mr. Chikward, no.

Not the more than us, myself,

where he was so distressed to see me

at this particular moment,

and what there can possibly be about the space

in the lower part of that desk,

because you're such pain-flags right?

Yes, very good.

Very good indeed.

If those things were only true now,

I'd be wonderfully impressed.

It would be excellent if you were me, sir.

Ah, Justin.

A message for you, Mr. Chikward.

You'll excuse me, I trust you.

It's from Ms. Faulkner.

Yeah, really?

She's dedicated to the allows of seeing you, Mr. Holmes.

She absolutely inflows it.

Well, I suppose I shall have to give way.

Justin asked Ms. Faulkner to come down to the drawing room.

She said that Mr. Holmes is waiting to see her.

Very good, sir.

Quite remarkable upon my soul.

May I ask, if it's not an infotainment question,

what message you send up that could soar

from Ms. Faulkner's desire to come down,

and remember that she wasn't down here in five minutes.

I'd go up.

Oh, that was it.

Yes, that's it.

And then, last time, great to meet you.

And I hear every young lady on the chair,

which case she has a minute in the house to spare.

Okay.

And it is Ms. Faulkner.

Let me introduce Mr. Sherlock Holmes.

Mr. Holmes?

Yes.

Ms. Faulkner.

I'm really nervous, Tom, we can meet you.

Although a job looking at you made me come down

and dance with myself, dancing with you.

Thank you very much indeed for concerning the scene in Ms. Faulkner.

No, no, no, no.

It's a regret to observe that you were put to the trouble

of making such a very rapid change of dress.

Oh.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

I did it.

What do you mean you block that no one rang the bell?

I'm quite sure it was love, sir.

Well, I tell you it is nothing.

Your brother is right, Mr. Schetwood.

The bell did ring.

How do you know?

I rang it.

What do you want?

I'll send my car to the real Ms. Faulkner.

The real?

I said the real Ms. Faulkner.

Justin, yes, sir.

Oh.

What place have you to ring for, sir,

to give orders in my house?

What's right of you to prevent my car to reach in their destination?

Now is it happening if you and this woman are sorting the trickery

and deceit to prevent me from seeing Alice Faulkner?

Through some trifling oversight, Justin.

Neither of the cars I handed to one has been delivered.

Time to see that this error does not occur again.

My order.

Ah, you have orders.

I can't say you go.

You are told not to deliver my car.

What business is it of yours?

I'd like to know.

I shall satisfy your curiosity on that point.

Isn't it short time Mr. Schetwood?

Yes.

And you'll find out in a very short time that it isn't safe to meddle with me.

It wouldn't be any trouble at all for me to throw you out into the street

and it's possibly not.

But trouble would swiftly follow such an experiment on your path

because it's not the thing for you.

I'm not on it.

Yes.

Well, Mr. Faulkner comes down.

You go on on yourself.

I'm myself. I'll call the police.

What more are you doing now?

I don't know.

You will not do it now.

You will remain where you are until the lady I came here

to see his entrance room.

What makes you so sure about that?

Because you will prefer to avoid an investigation

of your suspicious conduct, Mr. James Letterby.

No.

Yes, I am.

The name under which you are known to Scotland,

and you are, I believe, Mr. Chetwood.

The lady here is your wife.

Do you doubt me, Will?

I have to deliver that card to Miss Faulkner at once

so I'll see you in the police station tonight.

That's a small consequence to me.

What do you do?

Shall I?

Shall I go, sir?

Well, take up a card.

It makes no difference to me.

Well, short time since Letterby,

you've displayed any key to anxiety to leave the room.

Please do not let me detain you or your wife.

Any longer?

The team to prefer to remain.

Well, I spoke to Miss Faulkner.

Where you going at the home?

Hmm.

Max, Miss Faulkner.

Did you miss the home?

Here.

Do you wish to do this?

There must indeed be Miss Faulkner.

But I'm sorry to see that you are far from will.

I do not.

No.

There you go, Tom.

This is Miss Maulkner.

Oh, but not nothing.

Yes.

And the mark here on your neck,

mainly showing the clutch of a man's fingers.

Does that mean nothing also?

There is to me that I should have an explanation of this.

Possibly, you can finish one, Mr. Letterby,

should I know?

It seems to have occurred in your own house.

What does it mean?

It's not to understand that it doesn't cost me for you or anyone else to interfere with my business.

Ah!

And here's your business.

Here's that much at least.

Fair decision, Miss Faulkner.

I don't know who you are, Miss Faulkner.

Why are you here?

I should be very glad indeed to explain.

And this is this.

I didn't consider this the possibility of obtaining communication letters,

addressed your sister, which is supposed to be in your position.

I cannot give up my sister's identity to her.

That other thing is besides her identity.

And it's punishment.

Ah!

Believe me, Miss Faulkner.

There is nothing more to say.

Good night, Miss Faulkner.

Good night, Miss Faulkner.

Oh, I'm so sorry.

How come you, Miss Faulkner, over this chair?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Where is Faulkner?

Don't alarm yourself, Miss Faulkner.

There is no Faulkner.

There is Faulkner.

There is Faulkner.

The smoke was all arranged for it.

A arranged smoke?

I didn't mean to miss it.

It means there is no Faulkner.

It means that I wanted a package of letters, Miss Faulkner.

But by following your eyes just now, when you thought there was a Faulkner,

I discovered that you would be sitting there with me in post-service chair.

Here.

Here.

Quite elementary.

You see.

And now that they are in my position, there seems to be no reason to remain any longer in this house.

Miss Faulkner?

Yes.

Miss Faulkner?

Yes.

I...

I can't take it, Miss Faulkner.

Is there a vlog to you?

I find that I can't take it.

Unless you come and possibly change your mind.

Unless you have the movie.

I can't take it.

I can't take it.

Miss Faulkner?

Is there a vlog to you?

I find that I can't take it.

Unless you come and possibly change your mind.

Unless you have the movie or in free will.

I find this so you could.

I would therefore return with you.

And, uh...

Oh.

My friend is the letter there, returning to me.

I have.

Oh.

That's the...

Now I suppose I can see you walk out of the house with the car on the contrary.

I've done a senior return to the right for a moment.

Miss Faulkner?

Here are your letters.

You can give a change of mind and be so generous.

Hope it's giving us to wish the returning feathers to the ones who wrote them.

You have my dress.

Any events that's assured there will be no more quarrels, any more persecution in this house.

Thank you, Miss Faulkner.

You are perfectly safe for your property, Miss Faulkner.

So I should still arrange it for your faintest cry of distress will be heard.

Miss Faulkner is heard.

It will be very unfortunate.

For those who are responsible.

And for you, Miss Faulkner, let it be end to you, to them.

I believe you don't understand.

It will continue your persecution.

That's already actual peril.

Good night.

Miss Faulkner.

Come here, Miss Faulkner.

No.

Are you going to give me those letters?

No.

No.

Are you going to give me those letters?

No.

Have you got what you need?

No.

Miss Faulkner.

Who's going to give me those?

What a hell for a toy.

Break your arm.

Look back.

Come on up, come on up.

Go.

It was on her.

Hi.

If you call Madam, I'll see someone more.

I'll see you, Madam.

I did broaden, Madam.

I've got no one up the door.

Get ready to go.

You stop at once.

What you want to do is to give us a loan.

Let's be emperor, I have it.

No.

You talk to my husband?

That's true.

I mean, once we get out of here,

you'll start a lesson home.

Don't you worry a minute.

I tell you, if you'll suspect our memorials,

you'll get at him before noon tomorrow night.

We won't wait long either.

And when is this life?

Let me go.

You did a great job, boss.

I know.

Ayer, I'm proud of you.

Great job.

Are you back, Mr. Governor?

I will.

Thank you for your peer, Illinois.

Give me that and sign.

Get away.

I wasn't allowed to work.

I don't have the money when I register.

That's not it.

It didn't take you by an extra money.

Money didn't appear.

It appeared.

You're a lot of souls again.

Oh, there's a lot of big jobs.

You know that too.

That's where I get meetings with Stinger.

So only the same weather, things were same, that's a good thing.

That's the reason I get seven years ago.

So it's a good thing.

You see, you're a greater person than you can be, that's the reason.

That's the reason I think that's the reason.

Just a lot of things that I see you in peel, do you hear about that?

Well, we these oh Banded men.

They doesn't realize, or we came to the street in London,

little bit sick but it is biting, that he's name's logically.

He'll make these amazing innovation,

only more things.

Get hiring舒DS west as Montyz.

Yeah, yes, definitely.

Yes.

Thank ya Spree, isn't it?

Thanks Spree, thank you Spree, thank ya!

Thank ya.

It was making it safe.

It was making it absolutely make it synergy.

I'm just thinking of a way to do it.

And I think it is.

It's going to go over and over and over.

You know, for at least the boys,

they're never going to be able to do this tonight.

It's a busy day.

And then it's all for the dependence out on when

we take for another.

And it's about, you understand?

I'll see you this year.

I'll call you in with myself.

I'll give you a chance to do this.

That's it.

I'll say.

No, just say it's a last car that I knew

with the car that I'd seen,

but except at the moment night.

It has been in there for quite a bit more time

with this crew.

There will be a lot of people wanting to write a letter

as they start off the rooms with the size of the table.

You can get a set of magic things going on there

at nine in the night,

but start off from the housing,

things that speak.

Yes.

There you go, there you go.

Yes.

There you go.

There you go, there you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

There you go.

Valiya, Valiya.

There you go.

That's it.

That evening, yes.

I signed together Scotland.

I can still see him on this particular night of the Moriarticae,

well knowing that his life is in tell,

sitting beside me in the stall,

resting the most perfect happiness.

This in the cellar side has played the violin,

definitely waiting his long, thin fingers in time to move it.

I'm gonna go back.

Better to go back?

You know, put on his long coat

So then shot it with long steps in the direction of the two.

That may allow us to throw the breaker three.

I have an idea.

It's very cool, isn't it?

We're receiving most things of things of it.

I'm leaving Paul.

We're here at the Hudson.

And it's a two-down breaker three.

We get two different lifters during on the second floor of 2021 B.

We went up the dock and out of spare.

The boy did it with waiting for him.

There.

Here it is.

He should go through a couple of steps.

I should also know to go through you.

No, where's the captain?

There's no stairs in the situation.

Oh, my captain.

It's right.

I don't think he can.

Where's he here?

Oh, the captain will be in this world.

It was most terribly important, sir.

He was too often to watch the rest of the captain in the morning.

Yeah, the captain.

He was in the captain.

Yeah, this morning.

It wasn't that important, sir.

He wasn't here.

All right. Well, if he had no.

Yes, sir.

Is that okay?

It's okay, sir.

Yes, sir, thank you, sir.

Well, we still don't.

There's a little boy.

He's got all the people.

He made a few minutes ago.

Hmm.

We're leaving once, sir.

That's what I'm getting at.

Yes, sir.

Hmm.

He got the equipment.

Yeah.

He was out of it.

You know what I'm saying?

It's a serious evening.

Yes, sir.

I hope you won't say that again.

Hmm.

I have the honor to inform you that this captain has changed the mind regarding the letter

except him, which he risked to obtain, and has decided to dispose of them for a monetary

consideration.

Hmm.

Which he risked to negotiate.

So you'll be at tonight's talks as a god's monument at the foot of Waterloo Place.

You'll see a fall through there with wooden shutters to the windows.

If you have a cab follow, they'll try any other underhand tricks.

You won't get what you want.

Let me know your decision.

Yours to the game's out of it.

Hmm.

Mine to me.

Well, take us a hat.

Put it on the television.

Put it on the television.

You'll tell me a base of the locations.

A lot of time.

A lot of certain letters.

He doesn't have to read.

That's a problem.

I'll tell him.

Now.

To vote.

Knife with the crop god monument.

Cab with wooden shutters.

No one to come with me.

No one to follow.

All right.

Don't get what I want.

That's all right.

But there's a cab with wooden shutters.

And then there's a little device.

You can see where they're taking it.

There they are.

Yes, sir.

Give this to them there.

Give this to them there.

Oh no.

They're on the road.

They're quite young, sir.

And they're having four wheelers.

And they're seeing a driver before.

Yes, sir.

Did I call somewhere?

No, sir.

Thanks, sir.

Okay.

We're late.

Jonathan and Sir.

There's an order for here.

Thank you.

Thank you.

Oh, you're doing good.

Yes, sir.

Three.

Sir?

Fine, please, sir.

Well, this is offering a suspension.

You can call me?

Yes.

Excuse me.

Is that all?

Do you want the call?

Surely.

Good luck, Miss.

Quick here.

What's the doctor?

The boys gone.

There's a man within the funeral.

I missed you.

Becky, no.

Come on.

Stop the doorbell out here.

It's read a trial.

Hurry.

What's up.

Hurry.

What's up.

What's up.

What's up.

What's up.

Hurry.

Wake up.

Go away.

Wake up.

It's getting a little heavy since the hood is a thing that loaded far around in the

pocket of buttons that can go down.

Alright, give you my word.

This is a mark out there.

Do we take him from here to the hospital if he keeps our hand behind you like that?

Alright, let's set up.

That's me.

Please put a little ball around the table.

Do whatever you want.

Do whatever you want.

Okay.

Alright.

I think it's quite evident that I do.

I say I have a chair.

I can take you five minutes.

Let's go there.

Sure.

I can't hold it.

You got to do with that in my outfit.

Okay.

Very well.

I'll tell you when you're five minutes is up.

He's running in front of the TV.

There's space against him.

And that is my intention.

To the end, there's a gift gift.

Alright, sorry.

Over just a minute.

You'll see.

That would be...

Yeah.

Everybody has a big, big, big face.

And you have wayward space.

Alright.

You could never feel just there.

Oh, that's a big joke.

Oh, it's a mess.

Look at that.

That's my outfit.

You're making this all right.

The doctor and your boy there will soon return.

What?

So, if these are...

I don't know.

I think it's...

Yeah.

Christ, I don't know.

So, as we control the next room,

I have to say,

those are not the best threads.

In the first place,

I was going all the things into a few memorandums.

I thought it's thousand,

but you'll find them.

So...

There they are.

Okay.

Let's do this.

Here's our present.

We'll follow it from that memorandum book

you're talking about.

How do you know?

The idea.

How do you...

How small?

This book?

Well, nearly don't do it.

I don't want it.

Got one of my own.

If you want it,

we'll have someone get it for you.

I always like to say,

like you're unnecessary trouble.

I guess, well,

this is your point.

We've got some doubts.

That's the truth.

No.

But I have an idea that he will,

but I'll...

He's talking to me.

He's longer than you think.

That's the truth.

What?

That's fine.

Yeah.

That's fine.

Yeah, I think you're trying to help one's mom,

do you think that?

Don't you think you can help one's daughter?

Yeah, it does.

Do you think that?

No, but it also hurts me they're doing very much

to save treatment for making my own out there.

It's quite evident, however, that he says do so.

He's got my coat, sir. He hasn't got me.

Yes, sir.

The gentleman I'm here for pointing out to you with his 45 desires to have us get us something

as his meth-hand inside coat pockets.

He's not feeling quite himself today and the confidence of his trying to do it himself.

My cool figure, why?

Just do it, Henry, for him.

What's going on?

It's fine, sir.

I'll put it on the table.

Not there, Billy.

On this table.

I'll actually read you.

All right, here.

It's over there?

It's in Huston.

He's got a number, sir.

It's fine, Billy.

It's fine, sir.

That's the gentleman's taking the trouble.

It's going to be a problem.

See, it happens.

When he made a test for this one.

And now, but that's all.

Now, if you have your other little memorandum, but if you'll see anything else you'd like before there you go,

any little thing you've got that you don't want?

So sorry.

It's over there.

Thank you, sir.

This was over some years ago.

I'm from the fourth of January.

I grew across my father.

From the 20th year, I joined the commode agreement.

Now, it's supposedly broke.

I find myself in such a position, so we all continue to end up together.

And if I need positive things, I'll do everything right about that.

Hmm.

I'm going to suggest this next.

No, I have no suggestions to make.

I have a test to state.

You don't probably know the one.

The life's not worth it.

Well, it's right to say something.

It's right to have this conversation.

I'm expecting more important than it.

You excuse me a moment.

Why don't I get my pipe on the left, please?

And things are the season, Mr. Holmes.

You see a piece.

But not the area you see.

Mm-hmm.

It's right there.

That's all.

You've seen a test not only if we get my proposal.

It's making something resonant.

It's coupled with a test for the rest.

You can't even bother with your finger.

You don't need that warning.

Perhaps you will need this.

Put your hands this over there.

Put your hands this over there.

Hmm.

Didn't imagine I'd do that gun loaded.

Did you test them right out here?

Carry out consciousness.

All right.

I didn't show you who's one of you that's going to gain.

So I just don't know why you were talking.

So it's in my pocket.

You'll find them all there.

That's it.

There.

Yes, sir.

You can show them some right out here to the door.

Yes, sir.

This place it.

You can see very straight ahead.

You can fall.

You will be so old.

No, no.

You can see my out there.

So.

I never will.

You're right.

Come here.

Yes, sir.

Do you hear it?

You're in your good blood.

Yes, sir.

Thank you, sir.

I'm going to go to the hospital.

I'm going to go to the hospital.

I'm going to go to the hospital.

I'm going to go to the hospital.

I'm going to go to the hospital.

I'm going to go to the hospital.

You are listening to the Columbia Broadcasting System

Subnitation of Alton Welles and the Mercury State of

Omeer in Silver Hole.

We're Alton Welles in the type of hole and Ray Collins has

Dr. Walker.

We call him a once called three-nighter station.

This is the Columbia Broadcasting System.

We continue now with this PDF translation of Philip Holmes.

They buy Alton Welles and the Mercury State of Omeer.

This is exactly nine-o'clock in Sherlock Holmes.

That's the how to pick a speech.

And here is this instruction that no one looks to follow him.

If there had been no bread from him by a human of the following days,

do the Shopify stuff in the art.

I wish the window would be out soon.

He went down and picked a suit.

A tall, thin figure and a great outfit.

One of his long, smooth steps in the direction of Langham State.

There, he entered his cab.

There he comes.

Yeah.

I'm doing it right now.

You have to do it, I'll do it.

Watch it, watch it.

I'm gonna take the gas, pull.

I know that.

It's important.

Sir, you should get up, you know.

I'll put the gas.

You have to go.

You have to go, ready?

Do you realize that?

I don't know. Why is kidnapping a cop like this?

What is it?

I can't, I can't.

Shower off, shower off.

Where are the dogs?

on the way on the other side of the house.

It's coming in here.

It's coming in here.

It's coming in here.

It's coming in here.

Okay, take it.

Here, sir.

Dr. Fulton, do.

Oh, yes, sir.

Then we see tonight, sir.

Be careful with that, sir.

Is that a big, huh?

He's in on this job.

I know that, sir.

Okay, call that big.

More, sir.

So, I'll take it.

Then, whatever, sir.

It's a little negative.

Yeah, and make sure you go.

You do this.

You top of that area.

I am barred, that's better.

We let him tie down the body from big in the glass.

Oh, yeah.

You do this before, right?

Fulton right there, sir?

Every time it hits you, sir.

When the men have turned the gas on him,

they re-veil this door.

Yes, sir.

They might like to go out.

If they're both fully outside still,

so that those bars overall.

You see how quick you can operate them?

Yeah, they tie a man down there.

Yeah.

No need to hurry.

I think you can operate them.

Yes, sir.

That's good.

Open it up.

Okay, again.

We're at you.

One thing we're not about.

Whatever happens,

no shooting tonight,

or the single shot.

We'll be ahead of the alley below.

First thing, if you get his revolver away,

before he has a chance to hear it.

Two of you are right through the tension and crunch.

You have to come up on him from behind

and smack it out, we're talking.

Then you're ahead of him.

The way he's got taken from either.

You understand?

He waits for you.

I understand, sir.

Thank you.

You do this opportunity.

They decide in the packet of blood

or you fall.

You can get what you can get from him.

Two hundred pounds.

It doesn't interest me, Mr. Railway.

Okay, and there he is.

Oh, I understand.

You change.

And what's your money?

You're personal.

And you can get from him.

You see, sir.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get from him.

You can get him.

You can get him.

You can get him.

You can get him.

You can get him.

You can get him.

The public movement presents

a complement, Mr. Railway.

It's a day of the day.

We can experience journey to the other side.

It's a holiday.

The holiday is a good night.

A good night.

A good night.

A good night.

A good night.

All right, guys.

Clear.

You get a whistle in your cup.

Right, sir.

There it is.

You get one on the floor, let me know when it comes.

I will let you know.

All right, well, have you seen him riding up?

Come down the alley and fill three times.

Very good, sir.

Here, watch it.

There he is.

What did you do?

What did you do?

I came to know.

What did you do?

I came to know.

What did you do?

I came to know.

Oh!

It's huge.

It's huge, sir.

How did you get to this place?

I thought I'd do it in the dark.

What have you been doing since I came up here?

One of the parties, sir.

I was just ready to do something, so I went to the warning microphone.

You want a nest, look at this window in the ceiling.

You tell him to cut the floorclad it, don't know that.

What else do you want me to do it?

He wouldn't like to know.

Tell him what you want me to tell him up to him.

What, man?

Please tell him what you want me to tell him.

You don't need me.

Please, man.

Do you want me to fuck up?

Ow!

Ow!

Ow!

Ow!

There he is now.

What?

Oh, yeah.

That's a few.

You don't have time to get her out.

Put her in there in the back of her hair.

I don't know.

Get her in the cover.

Hey, it's already a lot to do.

You don't know.

It might come in here, man.

Yeah.

It might.

This will do it.

I don't know, man.

I'll get out.

Did he even get to that home?

Where are those sociedade?

Where did they get it?

I don't want this to come in.

There's no follow-up.

It's too urgent.

I want to get out.

I don't–

There's no sleep over it.

How?

What 그럼 can I hear the wind coming?

It's alright.

Good point for me being taken care of…

It isn't too urgent to get close to him after the finish.

It had to be actually not because of the annoyance.

I better make it right awayか...

No problem.

Understand?

It's common, the crack's common.

I've been told in the light of them before.

Where you said they never heard of him after.

So that, they could kind of use these luxurious chambers.

It was $5.89.

Well, it's not covered.

It's $12,000.

Quite interesting.

The pithers have told you since then,

and they haven't, because they haven't.

There's only cracks in them.

Considered six pockets and 30 spenders.

There's times, but no.

Oh, wow.

Well, between you and me, the collateral

we've heard some not altogether agreeable rumors.

The pithers shady work, not talking, yeah.

The murder to live at the feet of time.

I've always had a suspicion.

That's it.

My sublime is collective fear.

This is what.

This woman's caught, sealed.

That seems to bite a lot.

It's nothing to us, that's the letter.

It's nothing to us.

But it might seem to find a good deal to some sort of devil

who's been caught and gacked in a trap.

Well, it's nothing to us.

Suppose we leave the pillow and get the business.

My time has been there, of course.

This is a great idea to use reflections.

It could not stop the fear of the deal to you.

Well, if it's a down the film, it's OK.

It's just a journey, it seems, to that of it.

It's going to be in heaven.

Right, you like it.

Now, here is the little package of letters,

which is the object of this meeting.

I haven't opened it yet.

But please say it, that tells me everything is bad.

As soon as we're allowed to do business,

for us to know nothing about this affair,

we have little names for discussion.

What do you mean?

We don't get to talk about it.

You did.

Every look shown just to everything you've said and done

since I've been in this room with informant,

but my spokeners never consented to this transaction.

That there's a little speculation in your own.

Wow.

I suppose you think it reads me like a bone.

No, no, no, like a simmer.

Well, let's go.

How much can you give?

No, it's $1,000.

I couldn't pay this.

What do you ask?

Five pounds.

I couldn't give it.

Why don't you give it all $1,000?

But in some way, I didn't do the ticket.

Because I intended to get more.

Oh, that's good then.

They offered $4,000.

They'll give five.

They won't give anything.

Why not?

There's kind of a case over the mid.

Maybe just $3,000.

So that would exchange the mass here

in my time as limited as well as yours.

I have built really the sum of $1,000.

It's all that I wish to pay.

Did your desire to sell it this figure?

Kind of something that is never expected once.

It's not.

And if we wish them a very good evening.

Well, you've been having.

Too small a matter if I hang it over.

Give me the money.

Certainly.

Oh.

My sister said you don't need just the phone.

I did.

This is it.

You blow the cycle more.

Very quick, though, all right?

You didn't say I hadn't brought any more.

You can be a little sick when it comes to attention.

It depends on who I'm dealing with.

Yeah.

You can leave that money.

Come on, face me.

I'm going to go right.

Ah.

Ah.

No.

That's actually why I want you, James, for that of you.

You've been so cunning and so cautious

and so wise.

We couldn't find a thing to hold you, though,

but this little slip will get you in forever.

You'll have to eat it, will you?

Why are your shoes about being late?

But they get away from here, you'll have to.

I do not anticipate any particular difficulties.

Hello, Rory.

Why even if you've got away from here?

You haven't got away from here?

You haven't got away from here, you're me.

And that's the surest of that, Mr. Letterman.

That's the surest of that.

Do you miss fastness?

Covered gold and a merciless crystal?

I'm thunder.

I'm thunder.

I'm thunder.

I'm thunder, what does this mean?

I say I'm a beast.

I'm a great job, better.

Let's hope that.

Get the hell out of here!

Get out of here!

Get out of here!

All right, all right.

That's us.

You've got him in the way for one moment, please.

Get out.

What's your idea of sitting down right before you're

right in your will?

No, no.

On the brief description of one or two of your gentlemen,

please.

Wait a minute.

You better listen to me, Mr. Olm.

We're going to tie you down right in place

on the call to that table.

Why?

You'll decide, Nick, that's what I'm thinking.

I sure sure of anybody in this room.

And three bars gone out of that window.

Pause on those bars.

You're not going to get off here.

The duty is right.

There are so many reasons to Letterman

that I hardly know which one to choose.

Are you better to quit?

I can tell you where.

All right, choose at once, Mr. Tegan.

And my choice falls on this.

Oh, my God.

It's not easy to win the door.

But don't worry about it.

We're going to start off, where you're going to start.

We're going to start off, but not everybody,

we're going to start off.

We're going to let it decide off.

We're going to start this week.

On the rhythm, there you go.

We're going to start off.

Where you going?

No gentlemen, no, not spread a window.

I'm leaving by the door.

I had a busy morning at my office in Hollywood Street.

Dr. 11 before the last of my appointments was over and still no news of home.

Oh, it's really one waiting I have to be in Baker Street at noon.

Hey, what about?

I'll see you in call a cap for me at the same time and have a wait till the lady in.

This is really nice.

Dr. Orton is going to do this to me.

I will do this to him.

You know, I can even write cards here.

If I did, I'd lost him.

So, what about a card?

This doesn't want us to home to spend.

Several people told me that, but several.

There's nothing else to do out of time here today.

This morning, I'm never going to spend on it.

Dr. Orton, every time.

Go to Mr. Homer's bus.

What do you mean?

I do, you want to tell him?

We went to Mr. Homer's house.

Yes.

We did this to him.

I don't know who to be.

You don't know who to be?

I don't know who to be.

You don't expect him to come.

No, there's no possibility of Mr. Homer coming as far as I know.

The crew is open to come.

There's a lot of people.

They're crazy.

They're crazy.

I mean, the phone has been about to be destroyed for a thousand people because of work in Mr. Homer's house.

I could not get him to come out of my business.

Excuse me.

I'm going out myself with urgent business.

I have no idea of Mr. Homer's business.

Is that possible?

Yes.

The whole building happened.

It has probably nothing more.

Here's what he was following.

벗...

Humanism?

Plenty of workers.

No one can do that.

Everybody can come in.

I have no more time.

Who's this?

Got him going straight away.

He's part of the world.

I have no daughters of a business.

I have no daughters of a good church.

You're telling me every one of them.

I just want to see the three-day ride.

All right, happy men.

No, no, no, no, no.

They got the enough for the boy, get over there.

Oh, what an exciting ride.

This is where you spend the days.

The heck?

Come on, they'll be heck.

It isn't really huge.

That's great enough.

He was on the wrong side in this three-day ride.

You know, over here.

No, no, no.

Don't just suppose I know where I want to sit down.

You'll sit down here.

There's a doctor over there, look at this.

Here's the doctor.

Here's the doctor.

Here's the doctor.

Just come and have a look at these two places.

Yeah, he's over there moving.

Are you a captain?

Yes, I'm a captain.

Well, I'm your assistant for this.

Your assistant, your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

I'm your assistant.

Come back.

I'm your assistant.

Bring your heart in here.

I want to speak to you.

I won't stand this place.

I want to get out of here alive.

What are you saying to people?

I'm going to tell that captain wait for me.

Yes.

I'm afraid if you sit quiet for one moment, I'll have a look at you.

So, stay still with you.

Well, how can I, you're remarkable?

The remarkable weather we're having.

A doctor?

Hold.

Hold on.

How about having you remove some of the six of the stars?

Hold.

Is that you?

No, I can't tell.

Hold on.

Hold on.

I can't tell you this.

Hold.

Wait a second.

Hold on.

Hold on.

I can't.

Hold.

Hold on.

Hold on.

Hold on.

Hold on.

Hold on.

Hold on.

Man, this woman said, he's right, so, that's fine.

So let them know by some signal that she's coming in the house.

Now they know.

Go down that sidewalk, and I don't care.

Be sure to have some sleep.

And that's when we can hear from the children

my auntie there soon, though.

He's grown, he's grown.

What did I say?

He comes there.

From where?

Now it's a call for sleep.

He was in there, watching these windows.

They must have seen the contentory just come out.

So there's a car waiting in front of this house,

and he's climbed up and changed places with the guys after that again,

quick to the auntie to ride on it.

Yes, thank you, sir.

Watson, do you remember that?

I kept it for a couple of months, so I won't do it any harm.

I'm sorry, but that's a little bit of a follow-up in here.

It is.

It is.

It is.

It is.

Thank you, Watson.

It was down there.

Thanks so much.

Watson, you wanted to have the doctor.

So a time ago, it's been waking up at least.

Yes, sir.

Thank you, sir.

I'm so good to tell the driver to come in here and get a police.

You come and tell him that's the one that's the day you get sick.

I'm going to do Watson.

It's time for you to tell your man never to take the first care that comes on call.

No, yes, the second.

The third, maybe the sixth.

But, hold that low-life heart.

I'm going to do that.

I'm going to do that.

I'm going to do that.

I'm going to do that.

I'm going to do that.

I'm going to do that.

I'm going to do that.

I want to take him down.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I want to show up.

Wait a minute, driver.

To the Head Office, and I'll do it.

The Watson.

I'll write you a little bit of paper.

I'm going to go over here to drive it.

I mean, take that case back a bit.

Anyway, I'll have to cut it.

I'll hold it.

I you need to pull this back.

A little thing is it's back that I wouldn't like to do it.

Just want to make sure that it's locked up at the lawyer here.

I mean to the stinking pair of stinking pair.

So I still want to hold myself.

Ah, you always make me understand I hold myself.

This is the end of the...

I eventually dreamed that it might be a little quite so other place.

I'll be able to hold myself over later.

But there's no way out there. I'm quite sure of nothing.

Take away from me.

I am so glad there was an end of the strange case of metallic focus.

What about the list?

Oh, the letters.

They were returned to their reclone over and out of the go.

I expected them to start,

and this focus was really a nice go, huh?

Yeah, what is it all about?

Time's just expecting my dear wasn't.

The more you out of the way London,

the more of you will be criminal experts.

That has become a singularly uninteresting today.

One's morning paper of editable willed enough at boredom.

No, this is no.

Yes, ma'am.

It's a lady, sir.

It opens for an hour.

He's got to see it, sir.

It's a lady, sir.

He's got to think very well.

From which I deduced that she was a lady of over forty-one

and less than forty-spire,

and the strange dark museum considerable social evidence.

When she was just about years from there,

she's now wearing a large blood ruby on the second thing

of the left hand.

Hold on.

How do you know these things?

It's a lady, sir.

Elementary, my dear wasn't.

Elementary.

The child's clear deduction.

I recognize the Columbia Broadcasting System

through its affiliated station, Toaster Coast,

has brought to you awesome whales and the mystery saver

on the air, the 12th production and the unique series

featuring broad layers and radios,

no celebrators to the alphabet for you to come in here.

This evening, the play was also well-known adaptation

of William Gillette's Sherlock Holmes.

In the cast, Dr. Watson played by Ray Collins.

Dallas Posner, by Mary Taylor,

Nellieby, by Ben DePaul,

James Nellieby, by Etter Barrier,

the sector foreman, by Morgan Polly,

Triggand, by Richard Wilson,

Rathick, by Alfred Shirley,

Mary, by William Allen,

Delay, by Arthur Anderson,

Professor Moriaff here, by uses wire,

and Sherlock Holmes, by Orton Whale.

The orchestra was conducted by Bernard Herman,

and the production was supervised

for CBS by David P. Taylor,

given an answer to the slight challenge.