THE STRAGE CASE OF ALICE FAULKNER from MERCURY THEATER'S 'THE IMMORTAL SHERLOCK HOLMES'

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The Columbia boardhouse consists of great pleasure in bringing you the clouds in a series

of weekly boardhouse, featuring awesome welds and the luxury theater on the air.

Tonight, the board base at radio, the Colorado Theatre Theatre for Producing Company, brings

to life the best love character in detective fiction, the immortal Sherlock Holmes.

The play is awesome well-zoned adaptation for radio of William Gillettians during the

based on the famous stories by Dr. Coleman Doyle.

Before the performance begins,

here is a director of the Mercury Theater.

A star and producer of these unique broadcasts.

Awesome, well, good evening.

Well, tonight it's back to Baker Street,

back to that unlikely London of the 19th century

where high-adventure weightfall would seek it.

In a handsome cab or under a gas lamp in an infinite cave.

But tonight we pay tribute to the most wonderful member

of that most wonderful world.

A gentleman who never lived and who will never die.

There are only a few of them these permanent profiles

have a lasting silhouette on the edge of the world.

There is first a little hunchback with a slapstick

whose hope knows his shape like his cap.

There is now and always will be the penguin-footed hobo

in the derby in the back.

The small boy with a wooden hip,

the long rusty knight on horseback,

and the sat knight who could only procure a charge on foot.

There is also the tall gentleman with a hawk's face,

and the underslung pipe before an ass cap.

He'd know them anywhere and call them easily fighting.

Hunch and the Charity, Catherine McCarty,

the beauty, the charm, and Sherlock Holmes.

Now, your relevance is this may seem we as the Mercury Theatre

are very much artistically prepared for a revival

of a final domestic part.

A lot of people remember it's only for a lovely part,

which is too much Johnson.

It's often with William Gillette,

which reminded us as it reminds you of Sherlock Holmes.

Everybody knows that celebrated American inventor of underacting

lent his considerable gifts as a playwright

to the indestructible legend of the Conan Doyle detective

and produced the play, which is as much a part of the Holmes literature

as any of Sir Arthur's own romances

and as nobody will ever forget.

He gave his face to him.

For William Gillette was the aqualine

and actual embodiment of Holmes in Sir.

It's too little to say that William Gillette

resemble Sherlock Holmes.

Sherlock Holmes looks exactly like William Gillette.

Sounds like him too, we're afraid, and hope

development at the Mercury Theatre

and the radio will take none of the glamour

from the beloved fable of Baker's feet,

from the pipe and the violin and the hideous purple dressing gown,

from the needle and the cigar on the window ledge,

and the dry, final, famous lines,

elementary and ideal Watson,

elementary, the mere child's play of deductions.

My name is Watson.

I am a doctor.

I was a 3-year 18-year-old at Holmes and I

were introduced by a mutual acquaintance.

At the time, we were both looking for a lodging

that would suit our mod with means.

This we found on the second floor of a house

that could play on the Baker's feet

and it was during the years

that we occupied these chambers together

that Holmes established

a unique international reputation

as a consulting detective.

During that time, I was privileged to be his daily companion

and I have done my modest share in giving to the world

and account of some of his most famous pages.

Most famous of these are the ones

in which I have written under the names

of the Steppel Sand,

sign of four,

out of the back of the house,

and the studying scholar.

They represent, however, only a minute section

of the 643 cases,

Holmes successfully starved

during the years that we shared the lodging in Mississippi.

Other cases I hope one day

to give to the world

to include the Paladin murders,

the sudden death of Cardinal Tuxta,

the adventurer of recollecting

of the Tuxta and his abominable wife,

the case of Mrs. Starrantosh,

the Secretary of State,

and the case of the royal family of Scandinavia,

each illustrious in their own way

that are mockable genius

of my friend, Sherlock Holmes.

Since my marriage three years ago,

Holmes has continued to occupy the Baker's feet lodging

for himself,

and yet almost every afternoon

in my work in the office of Stinney,

I am in the habit of calling on him.

The sitting room that you go in

is exactly as it has been for the past 13 years,

to warn their skin-rug,

to use soap on,

cover with faded chins,

to matter at least cover

with miscellaneous objects,

unanswered letters and piles

of loose tobacco.

On one side of the fireplace,

in the deep palm chair,

despite curling forth

slow wreaths of packaged tobacco,

shaped in his hideous,

pepper-jettling gown,

to Sherlock Holmes

with his violin under his chin.

Oh, oh boy.

Come out.

Oh, what's my jiffy?

Are you old?

I'm driving to see you.

Pleasant light.

It's on my word, I am.

But that's how I deserve your wife.

She has gone a little visit.

visit. But how do you know how to die when I like that? How do I know anything? How

do I know you've been getting yourself very wet lately that you've been extremely

careless several girls who moved out dressing table to have the room. Oh, if you had

lived a few centuries ago that it burned you alive. Yeah. Such a confidation of the

safety of a great deal of problems. And I mean, how did you know all that? Too simple to talk

about scratches. It comes and comes and comes by yourself on the inside of your shoe there.

It's where the fire light strikes. It scratches. Cuts. And this gets the way it cuts

in London. It is bad there. Bad there. Scraped the shoe along with it. There's your wet foot

under what's in it. You've got a certain girl on one shoe. They stand to shave the right side.

I know it used to be on the left. Like, must come to the other side. I can go and move your

window. Must move the dressing table. How did you know my wife was away? I wanted to do

she. Your second wife could put them lost. What did you do? She's yesterday's bucket

air doing it. Today's the pill. And why did you steal what the expression was? I thought it's

elementary. I just elementary the child's direction. I'm only doing it for your amusement.

Before we pass on to more serious matters over the novel. What's in my description of

the enthusiasm which has prompted you to protocol and if you would excuse my saying so somewhat

too indelish my little adventure? The occasion has seen six individuals a certain element of

romance which is stuck in here being just a trifle out of tape. Something like working in

a loop means in the fifth proposition of lucrative. I am very referred to this in case you

should see six of times. It's a time to chronicle a case on which I am best in luck.

The strange case of Professor Robert Moriotti. Moriotti? I don't remember ever having heard of

the problem. No, once you haven't. It's precisely this quality of indivisibility that makes

the Professor Moriotti the podium of time seeing motionless like an ugly venomous spider in the

center of his web. But that web having a thousand radiations in the spider knowing every

civil of every one of them. And within 48 hours I'll have the lines drawn so tightly around him

that he can't move. And the rest isn't the entire game. My bones is a very dangerous thing.

My idea is I was supposed to do life for. My whole life is spent in a series of tragic endeavours

with tape from the very common places of existence. From this period I escaped. This could

be a tragedy. The day before yesterday I received in this room the vision of a certain fallen

nobleman who was recently inherited a very considerable title. And it was about to be married.

Seems that this title gentleman was still in the screech as to fall in love with a young

English lady who had the name of Faulkner socially in Syria. And she makes an autonomous

acknowledge. Later his family's insistence that things broke and thought they were broken

hot. He's behind the sister. Also, instead of evidence in the fall of letters,

photographs and pure evidence, descriptions. These the sister kept these together with the

sister and now being held in a house in John's ward by a pair of blackmailers who go with them

to check wouldn't. So far you see my dear Watson fairly ordinary case of blackmail,

my attention last night. On my inspection, a certain element was yielded to her,

but when there was a case far more important than I expected and that element was the sister

Moriata. Tell him. Is there a problem with your own? Yes, there a problem with it.

Tell him and you have a name of a woman. Come in, direct. Yes, Mr. Holmes. Come in Mr.

Holmes. You're in the apartment. I was in this inspector's apartment.

Before yesterday he asked for the position of Butler under the name of Judson and the

home of Mr. and Mrs. Chetwood, the blackmailer and Mr. John's Wood. No for him? Any news?

Yes, the morning of the law for nine, Chetwood and his wife go away in a fall wheel out.

It turned about 11. That's it with them. You know him the years when I last

had the occasion to meet Mr. Chetwood. That's two years or six, Gregor. You want for them?

Well, I took this man's message in the library. I got a look at him from the outside,

and Mary was opening up the safe, but it didn't seem to let us go on. In the end,

we'll make up a safe open. It was empty. But let us go on. It seems like the

folks no girl got them back somehow. I got them pretty excited. Chetwood went out to send

a telegram. Have we got a copy of it? Yes, yes. There it is though. Concorde.

Mariata. That's not so much. In this case, it's the most promising turn.

Norman, your turn at once to the house in John's Wood.

In ten minutes, I should be there myself. If I remember correctly, the

pictures immediately below the drawing room. Yes, when I knock over the chair on the drawing room,

you rub it in a lamp in the kitchen, scatter smokeballs, and give them a alarm of fire.

All of the instructions remain unchanged. That'll be good though.

All right, Thomas. Yes, it will.

Well, my dear Watson, it seems to look like a most interesting evening.

Yeah.

Hi, good evening. My name is Sherlock Holmes.

I'm from the wisdom scene of the home. Oh, thank you so much, Mr. Chetwood.

I have much of an ounce by the buckle on my way up. I didn't very well.

I'll hear you. Yes, ma'am. It's both in the begging of the home to excuse me.

It's not well enough to see anyone to see me.

No, you see, Sanders, God, they're supposed to say the dies.

They don't pardon with the home, but it's five years of us, really.

Oh, I'm so sorry to hear it.

Yeah, it's all for this.

I've agreed to say quite an invalid.

You're unable to see anyone.

Her health is so poor.

Well, it never occurred to you, Mr. Chigweb,

that you might be confined to the house too much.

How does that continue?

There are dozens.

I think you make the suggestion.

I'd like to see you do, though.

What about his name?

Joseph.

You know, very well, Joseph.

No, I'm taking my card up.

Very good, Joseph.

Well, this is really too good.

Well, of course, you can take up your card, or your note,

or whatever it is if you wish it so much.

I was only trying to say you have a trouble.

I think.

Oh, then it's over drugs, and it's kind.

You know, Mr. Holmes, you interest me very much.

Oh, really?

Oh, my word, yes.

You've always had of your wonderful methods.

You're punishing men, I am, for you gain information

from the most pipelined details.

Now, I dare say, in this brief moment or two,

you've discovered any number of things about me.

Well, I have consequences.

Check one hour.

How do you more than ask myself why you've seen this dress

to see if it's a particular moment?

And what's there can possibly be about the seat

and the lower part of that dress?

Because you're such pink like that.

Very good.

Very good indeed.

If those things were only two now, I'd be wonderfully impressed.

It would be excellent if there were these.

Oh, Joseph.

A message for you, Mr. Joseph.

You'll excuse me, I can't.

It's from his partner.

Yeah, really?

He says it to be allowed to see him at the home.

He absolutely implores it.

Well, I suppose I shall have to just wave.

Joseph, ask this partner to come down to the drawing room.

Say that, Mr. Holmes is waiting to see her.

Very good indeed.

Quite remarkable, on my soul.

May I ask, if it's not an infotainment question,

what message you send up that could throw her out

as an infotainment desire to come down?

And then there's the sure thing down here,

and five minutes, I'd go up.

Oh, that was it.

Got you.

And then, last time, Greg didn't take a night here

with a young lady on the chair.

In case she had a dinner in the house to spare.

It is a stoke now.

What's the introduce of the shell at home?

Mr. Holmes?

No.

This is a stoke now.

I'm ready, Mr. Tom, to meet you.

Although a job look at the children,

may we come down and sacrifice their second day.

Thank you very much indeed for concerning the steaming of the stoke now.

But forget to observe that you will put to the trouble

to the rapid change of birth.

Oh.

Yes, I did.

How do you talk like this?

Mr. Holmes is quite sitting after the reputations,

isn't he, Greg?

Come in.

Yes, ma'am.

What are you doing here, Doctor?

I didn't know that.

I was answering the bell.

What bell?

The door in the door.

What do you mean you blocked it?

No one rang the bell.

I'm quite sure it was one, though.

Well, I told you it was not right.

Your brother is right.

Let's check, would be.

What do you know?

I rang it.

What do you want?

Let's send my car to the real Ms. Fockner.

The real?

I said the real Ms. Fockner.

Justin, yes, do.

Oh.

What place have you to ring for servants and give orders in my house?

What's right of you to prevent my car from reaching their destination?

Now, as it happened, if you were this woman,

or assorting the trickery and deceit of the event,

may some seeing Alex Fockner.

Through some trifling oversight, Justin,

neither of the cars I handed to him has been delivered.

Kind of see that this error does not occur again.

My orders.

Ah, you have orders.

I can't say you go.

You are told not to deliver my car.

What business is it of yours?

I'd like to know.

I shall satisfy your curiosity on that coin.

It is a short time to check, would be.

Yes.

And you'll find out in a very short time

that it isn't safe to meddle with me.

It wouldn't be any trouble at all

for me to throw you out into the street

and have possibly not.

But trouble would swiftly follow such an experiment

on your path, because it must be something for you.

Yes.

Well, Miss Fockner comes down.

You go on on yourself.

Ah, myself.

I'll call the police.

But Mara, do it now.

Oh, no.

You will.

I'll do it now.

You will remain where you are.

Under the lady I came here to see you enter this room.

What makes you so sure of that?

Because you will prefer to avoid an investigation

of your suspicious conduct, Mr. James Leatherbeer.

Now, that is the name under which you are known to start

and you are, and I believe Mr. Chetwood.

The city here is your wife.

See you, Dupin.

You will either deliver that car to Miss Fockner at once

or see it in the police station tonight.

That is a small consequence of me, what you do.

Tell me.

Tell me, go, sir.

Or, um, take up a car.

It makes no difference to me.

Uh, short time since Leatherbeer, you've just stayed

and it keeps anxiety.

It leaves a room.

Please allow me to tell you who are your wife.

Any longer?

Oh.

Do you prefer to remain while I talk to Miss Fockner?

We do, Miss Fockner.

Ah.

Max, Miss Fockner.

Is he in the house?

Yes.

Do you wish to be there?

Very much indeed, Miss Fockner.

But I'm sorry to see that you are far from well.

I do not.

No.

Take your time.

This is not me.

Oh.

And nothing?

Yeah.

And the mark she on your neck,

may be showing the clutch of a man's fingers.

Does that mean nothing also?

Does it mean that I expect her next mission of this possibly?

You can finish one, Mr. Leatherbeer.

It seems to have occurred in your own house.

What does it mean?

It doesn't understand that it isn't healthy for you or anyone else.

You know what might be?

Ah.

That is your business.

Yes, that's much at least.

Maybe she didn't Fockner.

I don't know who your home is, Mr. Holmes.

The value is here.

I should be very glad indeed to explain.

And this is this.

I didn't consider this the possibility of obtaining from you certain measures of the dress to your sister,

which is supposed to be in your position.

I cannot see what my sister does in Fockner.

The other thing is besides her then.

And it's punishment.

Ah.

Believe me, Miss Fockner.

You're nothing more to say.

You're nothing, Mr. Holmes.

I'm John, Miss Fockner.

Oh, I'm so sorry.

How come you, Miss Tello, this chair?

Oh, my gosh.

What is it, Mr. Leatherbeer?

That's not all for Taylor.

What is it, Mr. Leatherbeer?

I'm here.

I am here.

I'm here.

But I hope that the life of the city could pass.

It's not all for Taylor, every dollar is made in prison.

Quick talk.

Oh, my gosh.

Don't alarm yourself, Miss Fockner.

There is no fire.

Don't stop.

The smoke was all arranged for it.

All right, I'm still telling you to move in the cell.

The existence of that means I wanted the package

of letters in the scope term.

If I found your eyes just now and you thought there was a fire,

I discovered it would have hidden them in the opposed

service chair.

Quite elementary, you see.

And now that they're in my position,

that seems to be the reason you need to remain any longer

in the source.

Good night, Miss Fogna.

Miss Fogna.

Yes?

All right.

I can't take this, Miss Fogna.

Is there a vlog to you?

Hi, Sandra, I can't ask you anything.

Unless you can possibly change your mind

and let me have the love of your angry will.

I've been still too good.

I'm just going to return to you.

And, uh, you know, friends, don't let it.

I'm going to return it to the fire.

Oh, no, I'm not supposed to do this.

You walk out of the house with the car.

I'm not going to come today.

I'm just going to return it to the right for a moment.

Miss Fogna, here are your letters.

You should never change your mind and be so generous.

Who could be giving us to wish to return these letters

to the ones who wrote for you, have my address.

Any events that you're sure there will be no more

of course, any no more persecution in this house.

Thank you, Miss Fogna.

You are perfectly safe for your property in Miss Fogna.

I have so many things that you're afraid of.

It's best to be heard.

Miss Fogna is heard.

It will be very unfortunate for those who are responsible.

And for you, Miss Fogna, at the end of the year,

to you, to them.

I believe you don't understand.

It's between your persecution and that you're already

at your hotel.

Good night.

Miss Fogna.

Come here, Miss Fogna.

Now, are you going to give me those letters?

No, no, no.

Are you going to give me those letters?

No!

Miss Fogna.

No, Miss Fogna.

Who could be those with a hoarse voice?

You're all right.

Come on up in the door.

Go.

This is my husband.

If you call me at him, I'll sing for him more.

I'll sing you at him.

I'll sing for him, madam.

There's no one left to go.

Get ready to go.

He's got his watch.

What's he going to do with something that's alone?

Let's begin for our harvest.

You mean...

Is that something that's left to you?

That's for my name.

Once left in the harvest, you'll start with some homes

for each person.

Don't you worry about the men.

I told you, if you're just a memorial,

you'll get a few different names tomorrow night.

We won't wait for long either.

And when these flights will move to death.

Let's go that way now.

Ready to go?

Too bad.

What are you going to do tonight?

Great.

And this would be that.

I'm not afraid of anything as dangerous as it is today.

And tomorrow, I'll have to bring you to your about there.

And so, this is all that time that's been done.

He doesn't realize, or he's just began to remove his face

but it's like that, it's like that, he's wearing the coat yet.

And he's moving on and moving on.

That's what I found out before.

Yes, that's what I found out.

Yeah, that's what I found out.

Like just a little myth and that.

Like a haunted house.

to grab a gas chain with a set net about a night.

It has cleaned in there as a part of the floor chair with his crew.

There were a lot of the guys who wanted him to write a letter,

but he stood off the room to study some of the things.

You see here at 7 o'clock,

basically, since you're a minute nine in the night,

but still off the room,

the housing is consistent, yeah.

Here you go, there you go.

Yes, sir.

There you go, sir, there you go, there you go, myself.

I think you do the mother night, sir.

You don't want to go, sir, there.

I think you can bring your children in.

Be yourself.

You don't have any news from the mayor.

I hear a way I, I think that's it.

Two more cranes throughout the room.

Two more cranes in very classic heads.

Yeah.

Ha, ha, ha.

Ha.

Ha.

Ha.

Ha.

Ha.

Ha.

Ha.

Ha.

Ha.

That evening, Holmes and I dined together at Scott's in a very certain.

After dinner, we went to a concert at Queen's Hall.

I could still see him on his particular night of the Moriarticase,

well-knowing that his life was in tell,

and he decided he was told, rest in the most perfect happiness.

This evening, the seller started to play the violin.

Desperating his long, thin fingers in time for music.

When it was over, he'd go, put on his long coat

and shot it with long steps in the direction of the two.

That made it a lot easier, so on the bigger screen.

I have an idea.

It's very cool.

We're seeing most things in this area.

Oh, we have a hazard.

And it's between down-digit three.

It seems that the light was turning on the second star

to put it on B.

We've been up the dark now, sir.

Oh!

The boy did it with waiting for him there.

Oh!

Here it is.

This is out in a couple of minutes.

As he lost an obstacle to you.

No, where is this happens?

Downstairs in the situation.

Oh, my compliments, right?

I don't think you can.

Where's your ear?

You can get inside, sir.

Oh, the grass will be in this world.

It is most terrible in the world, sir.

It seems as if you want to know what the rest of the grass is in the morning.

Yeah, the same.

It seems as if it's in the morning.

Yeah, this morning.

It seems that it doesn't exist.

You want it here.

All right.

It won't be here to know.

Yes, sir.

Is that OK?

That's OK, sir.

Yes, that's OK, sir.

But we still don't.

There's a limit for the shadow of the people.

The limit is two minutes to go.

Hmm.

We really want to know this, sir.

Not so much of a good thing, sir.

Yes, sir.

Hmm.

Yes, sir.

I hope you won't say that again, sir.

I have the honor to inform you that this costume has changed the mind.

It's not in the letter, except for the original theme.

And if we started to dispose of them for a monetary consideration, it's the original

theme.

If you wish to negotiate, you'll be at the Ninth Box of God's Monument at the foot of

Waterloo Place.

You'll see a fall from there with wooden shutters to windows.

If you have a cab follow, they'll try any other underhand fix.

You won't get what you want.

Let me know your decision.

Yours to the game's other.

Hmm.

Fine, sir.

Well, say it at the back of the television.

Sir, I'm leaving.

Yes, sir.

Did I call for where?

Ah, and it's related.

It's hard to do that.

And look, it's the driver again.

That's not my deal.

Oh, you didn't say you would go.

And I said, again, it's telling me to fix this.

It's telling me to turn.

Is this bottle, sir?

It makes it come off from the finish of the column.

You say, man, it's quite a butt.

It's quite a good look.

And we've got to walk to the finish of all of it.

And you'll see the end of it.

I'll tell you that.

It's good.

It's good.

It's good.

It's good.

It's good.

It's good.

It's good.

It's good.

It's good.

It's good, that's good.

That's good.

It's good, that's good.

It's good.

It's good.

When was the last time last time?

It was the last time I hadn't seen you once.

I'll tell you that.

Now that I've seen you.

This Erfahrung is not a Industrial system.

Yes.

Hello? Hello, hello?

The dude in this medicine is the host

who's keeping the loaded fire on

and the popular body's lining down.

I give you my word because I'm not out here.

If you take him away from the hospital, if he keeps your hand behind you like that.

I like that up.

That's nice piece of sort of revolver on the table.

You don't know me.

I think it's quite everything that I do.

I have a cell.

I think that you're five minutes.

That's good, that's good.

That's terrible.

What do you got to do with that?

I'll get to know you all.

I'll give you when you're five minutes is up.

He's probably sentenced to two days later.

That is my intention.

To the end, he's a good kid.

All right, sorry.

I'll regret the death of those people since I was a kid.

Yeah, everybody had a baby.

I used to live away with.

All right.

Yeah, I could never put this there.

Oh, that's to make you okay.

It's just that.

Look at that.

That's my out here.

You were making this all right.

The doctor and your boy there.

We'll soon return.

What?

Oh.

I don't know.

Nothing is there.

It's right for no.

So, as we can talk to them, that's over.

I have to.

So, there's not to be disturbed.

And the first reason I was calling all the things

until a few of them ran down.

It's like something thousand.

There they are.

Okay.

I'll do that.

There's no cricket.

So, Father Wisdom, I remember in the book he was talking about.

There he is.

There he is.

I'll see you.

He has a phone.

Well, here they don't do it.

I don't want it.

Got one of my own.

If you want it, we'll have someone get it for you.

I always like to say, like you're unnecessary trouble.

And it's for you.

It's for a boy.

He doesn't know exactly.

No.

No, but I have an idea that he will.

Well, it may possibly be longer than you think this is for a boy.

Yeah.

That boy.

Yeah.

That boy.

Yeah.

That boy.

Yeah.

He's just trying to know what's more.

That's it.

That's it.

That's it.

Yeah.

Do it.

It does.

I'm going to start with you.

I'm going to start with you.

I remember that you had to pick him up.

Don't you see that?

Don't you see that?

You want to try to hold me.

Yeah.

Try to hold me.

You want to go to the other side too.

Yeah.

You got my choice.

The answer is...

Yes.

So, John, I can't be pointing out to you.

you with this 45 desires to have us get or something else as a

mess hand inside co-pockets. He's not even quite in

self today and the constant is trying to do it in self.

My school says, oh, I just do attend to it for him.

Look, Tom.

I'll put it on the table. I'm not there. I'm not

able. I can read you.

Well, I guess over it.

You've got a number of things. I want to read this.

That's because let's take the trouble.

Let's call us.

Well, we made a test for this.

And now we're going to have to have your little memorandum.

But if you'll see anything else you'd like before there you go.

Any little thing you've got, if you don't want.

Just sorry.

Thank you, thank you.

Let's move over to the end of the fourth of January.

You crossed my path on the 26th,

and you're willing to motivate me.

And now, as opposed to people, I find myself

in such a position, who you're continuing to get.

And I mean, I'll do everything I can about that.

Hmm.

So, you're in a suggestion tonight.

No, I have to do something to make.

I have a test to state.

You don't probably have one.

Your life's not worth it.

Well, I'm afraid to set up.

You're doing this kind of conversation.

I'm expecting more important than it.

You excuse me a moment. Why do I get my high thoughts

in that picture?

And things that I've seen more with the home.

You see, I'm not hearing this at all.

No, no, it's right to know, I don't.

You see, it's not only if we get my proposal,

it's making certain references,

couple with respect to the rest.

You see more of the audience.

And don't see that audience.

But I'm sure he does.

But for the rest of the soul, that's for the rest of the soul.

Well, didn't I do that gun loaded?

Did you say something like that?

It's very out-conscious of you.

All right, I didn't suppose you'd want to use that gun again,

so I just don't know how far you were talking.

So it's one of my patterns.

You'll find them all there, because that's it.

There.

Yes, sir.

You think you should set them all out here at the door?

Yes, sir.

Good place, sir.

You think you should set it out here at the door?

You won't be so old.

No, no.

Get them all out there.

No.

I never will.

You're right, come in.

Yes, sir.

You're right.

You're here, good boy.

Yes, sir.

Thank you, sir.

You are listening, sir.

We can only be about casting just some certain things

in the Hawking Well and the Mercury's being

over here in Philadelphia.

We're also well in the time of the world,

and Ray Collins has got the Hawking.

We pause them a little.

We pause three, nine, eight, eight, eight.

Then we start to film the Hawking Well.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

Let's go.

We continue now with this particular presentation called

Phil at Holmes, played by Hawking Welles

and the Mercury Center over here.

The construction at our coffee shop at the home

is just a house in bigger cities.

The Qing was just constructed.

Let no one look to follow him.

If there had any new words from him by a human of the following days,

do the codified couple of dogs.

I went to win the ring of dogs,

and he went down to the street,

a tall, thin figure in a great outfit,

and when he was wrong,

the school had stepped into the direction of lion's face.

There, he entered his path.

Yeah, what are you doing like in that case?

You're not so long to wait.

You got to walk.

There might be death before he's gone back.

And then I went,

take a little touch.

I got to do so now.

Why is he looking for that world-yet, possessor ring?

Yeah, okay.

Right thing.

It's a little here.

I can't believe it.

I can't believe your voice is that what can I say?

They do, that's it.

They're not going to move.

You mean what they're going to do?

They're going to tell him where they said don'ts and he gets away on the spot they saw

you had.

They're going to have to tell me down.

They're going to get out.

They're going to shut up.

They're going to say good-bye.

Dr. Pumdo or his sister?

Then we say she's right there.

I'll be careful of that.

She's there a big one.

Uh-huh.

She's been on this job.

I'll tell that every moment.

I'll take all of that.

More or it's better.

I'll take none, whatever, that's the most.

Never have to have anything.

Don't make me break your doors.

You can do this.

You can top it down, and I am barred that fire.

Remember, I'm tied down, or it can take a glass.

I'll leave you with the floor.

And walk into your chair, take every floor.

And you can see yourself.

When the men have turned the guest on in, they re-veigh their store.

Yes sir.

You need light to get off if you're bored from the outside too.

Follow those bars overall.

You see how great you can operate some of them.

They tie a man down there.

Yeah.

You'll need to hurry up.

I think you can operate them.

Yes sir.

That's good.

Open it up.

That was very good.

We're with you.

One thing we're not about.

Whatever happens.

No shooting tonight.

On a single shot.

To be heard in the area below.

First thing is to get his revolver away before he has a shot and see it.

Two of you are right in the tension in front.

You have a camera coming from behind and smack it out of his pocket.

Then you're having it.

The ring gets right into his head.

You understand?

It looks for you.

I understand sir.

If you do this opportunity, it doesn't matter if it's a letter or you follow it.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

It doesn't matter.

Alright sir.

We've got a little finger come.

Right draw sir.

There you have it.

You got some of them in front of below but you know when you come.

I will let you know.

I know.

You can see them fighting up.

I'm down there alleyin' for a whole three times.

Very good sir.

Here you go.

What's it?

There you go.

There you go.

There you go, what is there?

The war here is in the river!

Oh, no!

Oh, it's a wound.

How did we get to this place?

I thought it was in the castle.

What have you been doing with this?

I came up here.

I was just trying to be strong, so I waited a while in my couple.

To warn him, yes!

We're going to scream when we see him.

He's telling me that after a force that is unknown.

What else are you going to do?

Wouldn't he still like to know?

I'm going to have a seat here.

Don't you, these men do you ever fuck up?

There he is now.

What?

Oh, yeah.

That's a few.

I don't know.

It's over.

It's over.

It's over.

I'll go out.

I didn't even get to go home.

There, let's go out of there.

Over there.

I said I thought I thought it started on the coast.

Have you seen me?

I've seen it before.

I had you in the castle.

What a time it was.

I thought it was time to drop himself out of the window.

It's common.

It's common.

They've never heard of him before.

So that.

They've come here to use these luxurious sanders.

It's been very nice.

Well, in that cupboard.

They're pulling out the heels.

Quite interesting.

The height of the room since then.

They're having it for the rest of their hair.

So there's only cracks in the computer.

Six pockets and 30 centers.

But no.

Oh, wow.

Well, between you and me, let's let it be.

We've heard some not altogether agreeable rumors.

The rumors seem to be very shady work.

I'm talking here.

In order to let it be a kind.

And all kinds of things.

Yes.

My surprise is correct.

It's here.

This room is called sealed.

Nothing to us.

It's nothing to us.

It might think that I could deal with some sort.

They've always been caught and jacked in this trap.

Well, it's nothing to us.

Suppose we leave it alone and get the business.

My time is a little there.

Of course.

It's a good idea to use reflections.

It could not stop there.

It's a deal to you.

It's a deal.

It seems to have a bit.

I don't know.

That's what you like.

Now, here is the list of articles of letters,

because the object of this meeting.

I haven't been told.

That tells me everything is there.

It's spoken to those not having about this affair.

We have literally names for discussion.

What do you mean?

You did every looked home just everything you said and done.

Since I've been in this room with your call,

There's never consented to this transaction that there's a little speculation in your own.

Wow.

As far as I can think of it, you're like, oh no, no, like a swimmer.

Well, I'm like a swimmer.

I'm like a swimmer.

A thousand times.

I couldn't take this.

No, what do you want?

Five pounds.

I couldn't give it.

Why don't you go home and put them somewhere else?

I didn't take it.

Because I didn't take it to the pool.

Oh, that's good.

And all but four pounds.

They'll do five.

They won't do anything.

Why not?

It's kind of the case over to me.

Maybe just please help.

It's a matter of distance that may appear in my time as many of you as yours.

I have probably made a sum of one thousand pounds.

It's all that I wish to pay.

If you'll desire to sell it this figure,

it's kind of something that has never affected wealth enough.

And this is a very good evening.

Well, you can have it.

There's no matter if I hang it over.

There's no money there.

Certainly.

Oh.

I thought you said you don't need it.

That's the problem.

All right, there.

This is it.

You brought the cycle more.

Very quick, though.

All right.

Well, you can be a little stiff when it's complete tension.

It depends on who I'm dealing with.

Yeah.

You can be that money.

Come on, quick.

Hold it all right.

No.

No.

That's what I want you, James, so that I bear.

You'd be so kind of in, so cautious, and so wise.

We couldn't find a thing to hold you, Bob.

But this little stiff will get you in forever.

Oh, it's your husband, isn't it?

Well, yeah.

What are your views about being in here?

Because I'm away from here.

I'm sorry.

I do not anticipate any particular differences there.

In front of me.

For I never really ate.

Why even if you've gone away from here?

You're ahead of me, yeah.

You're ahead of me.

You're ahead of me, yeah, yeah.

You're ahead of me, yeah, yeah, yeah.

You're here.

I'm ahead of you.

You're ahead of me, yeah?

And I'm too sure a draft is delivered a bit,

either assured of that.

Are you wearing a dress tacit to cover Android?

Come on,喀!

Hold your buffet OK.

Are you going to be excited back?

Of course.

Yeah.

Hello, guys.

Where are you going?

Well, that's us.

You gentlemen, you wait for a moment please.

What's your idea of sitting down and writing your will?

No, no, no.

I'll make a brief description of what the two of you are.

Gentlemen, please.

Wait a minute.

You better listen to me this all.

You're gonna tie your down right through the nice,

on the cold, that's it.

You'll decide, gentlemen.

Thinking of sure of anybody in this room.

And three bars go out of that window.

Bars on the bars, no more things to get off here.

The DDS wins.

There are so many reasons to let a bit of that hard day know

which one to choose.

Are you better to quit or to quit or to quit or to quit?

I have to choose this one, Mr. Triggum.

And right, so I suppose I'll go under here.

Oh my God.

Well, I think you're going to win this job.

But no, they're not.

Who do you start off, where do you start off?

Where do you start off?

Who do you start off?

Who do you start off?

Who do you start off?

Who do you start off?

Who do you start off?

Who do you start off?

Who do you start off?

No, no, no, no.

Not for the window.

I'm leaving by the door.

Oh, sorry.

Oh, sorry.

Oh, sorry.

I had a busy morning at my office in Hollywood street.

The doctor eleven before the last of my appointments was over.

And still no news of home.

The doctor was so tough on me.

Is anyone waiting?

I have to be in Baker Street at noon.

There's a one-person person who's up here.

And this guy wants to see you.

He wants to see you.

What about him?

He's been waiting for you.

And this guy's been waiting for you.

He's been waiting for you.

What about him?

He's been waiting for you.

What about him?

Call a cab for me at the same time and have a drink.

Go ahead, lady.

Yes, sir.

This is a very important place.

I'm not going to call him.

What about him?

Yes, sir.

I'm going to make two drinks.

There's no reason I can bring my car to you.

What about you?

I'm not going to call him.

No.

Tell me about his car.

I'm going to tell you about his car.

I'm going to tell you about his car.

There's nothing else he's allowed to find in the day.

This morning, I've never been to tell him about his car.

Everybody finds him.

Go to Mr. Holmes.

What?

I do.

You're welcome.

You're welcome.

Go to Mr. Holmes' house.

Yes.

Do you have a seat?

I can do you.

You can sit here.

No, you can do you.

That's not just that.

No, there's no possibility of Mr. Holmes coming in, solid.

I know.

The community goes in the town.

It will be stuck in the air.

That's not me.

I mean, Mr. Holmes.

Just stay Roma.

No.

I mean, it's all good to move over.

I do not get into a fight.

I was thinking of completing coconut, sorry.

I worry about myself I think you will.

I have no idea whether it'seless orNY.

I've got none of that content.

Not going to be nothing more...

You know there're partners.

There's probably something in the money.

Maybe this is all to do with it.

But don't allow anybody to come in so I have no more time.

I'm going to go to the wrong spot!

This is crazy, why is this?

No, I'm sitting here!

No, no, no, no!

Don't you suppose I know where I want to sit down?

You'll sit down here!

Then in the doctor!

There's a doctor, let me look at you.

He is the doctor!

He's a doctor!

You guys come and have a look at these two places.

Yeah, he's over there moving.

You were camping?

Yes, I was on the camping!

I'm the rest of it!

Rest of it!

Rest of it!

Rest of it!

Yes, I am.

Yes, I am.

I know where you are!

Yes, I am!

Yes, I am.

I'm here, come back!

I'm gonna get out of here alive.

What are you seeing?

That's me, boy.

I'm gonna tell that captain wait for me.

I must see this at the first.

How much better to sit quiet for one moment?

I'll have to look at him.

So, they still with him.

Well, how can I hear him mockable?

Mockable weather.

We're having a dozen.

Oh.

What's going on?

Oh, I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

How about having me remove some of the specific dies?

What's going on?

I'm not sure.

There are quite a few of mine.

I don't know.

There are quite a few of mine.

What's going on.

What's going on?

It's all about the windows without the mines.

There's plenty of windows too!

Nothing!

There have been some messes to let over here, so.

There's plenty of windows.

There are plenty of rooms.

There are plenty of rooms.

There are plenty of rooms.

There's plenty of rooms.

There's plenty of rooms.

I don't think so.

I don't think so.

Go to work, Roland.

Take the civilian car out.

Yes, I do.

Go to work.

They've got a problem.

They've got it outside.

Oh.

I don't know what's in my kitchen. I was dressed up there. That's the present time.

The things in my office and stuff. It's not written to the base. But you think it is.

In the open streets under some clever disguise.

What's in good terms to get a man with this woman sitting right still?

That's fine. So let them know by some signal.

If you come in the house now, they know.

Throw down that blind box and I don't care if they suck up in the street.

And that's what we should hear from Mr. Boyati there soon though.

He's grown. He's grown.

What did I say?

He comes there.

From where?

The house is called for food.

It was in there a lot of news in those.

It must have seen a contentry system else.

It was a cab waiting for the dishalter.

And he climbed up and changed places with the driver.

Get out again quick to the empty garage on it.

Yes sir. Thank you sir.

What's in there?

You remember that I kept it for a couple of moments.

I won't do it any harm.

That's a little bit of a follow-up in here.

Thank you sir.

It was down there.

Thanks so much.

Thank you sir.

Sir, you wanted us to have the doctor.

So time ago it's been waking up at least.

Yes sir.

Be so good to tell the driver to come in here and get up at least.

You come?

Tell him that's the one.

That's a very good thing.

I don't know what's in there.

Wait.

I just wanted to tell you, man,

you're going to take the first cab coming down the call.

Oh, yes, the seconds.

And

I'm going to write you a little bit of paper.

Yeah, I'm going to write you a little bit of paper.

Let me try and cut the paper.

Tell me how that's like.

I don't know, guys.

You pull the paper.

It's a little painful, but I wouldn't like to lose.

It's hard to walk the front.

And it's just as well to make the noise.

Sure.

You get a lot of stuff that's going to go right out here.

That means we're going to take a couple of things.

Yeah, there we go.

Oh my god.

You always make it in the sky at home, it's like this is the end of the day.

I eventually could dream that it might be a little tight, so all of a sudden,

it will be able to pull it away.

But there's more out there and quite sure of nothing.

There's no way for me.

I am so glad you're watching the end of the strange case of this comic book,

but what about the next one?

Oh, the next one.

And he will return to the next one over and out of the door.

I expected him to start because the book was really a nice girl.

Huh?

This is it.

What is it all about?

Time's just expecting that you're watching.

The more you aren't out of the way London,

the more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you aren't out of the way London,

the more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

The more you're watching it, the more you're watching it.

I don't see a cast.

She's a man, she says.

She's got a pink stain on which I introduced

that she was a lady of over 41 and less than 45.

And with strange, dark, museum considerable social evidence.

And she's just a few years from there,

that she's now wearing a large blood group

beyond the second thing of the left hand, home.

How do you know these things?

It's a million years.

And eventually an idea wasn't.

And eventually the child's clear deduction.

I recognize the Columbia Broadcasting System

through its affinity to space and coastal coasts

has brought through awesome whales

and the mystery saber on the air.

The 12th production and the unique series

featuring gold layers on radio

and a celebration of the African-American company.

This evening the play was also well-known adaptation

of William Gillette's Sherlock Home.

In the car, Dr. Watson played by Ray Collins.

Alex Posner, by Mary Taylor,

Matt Malibu, by Venter Ford,

James Malibu, by Etter Barrier,

and Dr. Pullman, by Morgan Polly,

Craigton, by Richard Wilson,

Rassick, by Alfred Shirley,

Mary, by William Allen,

Lily, by Arthur Anderson,

Professor Molley out here,

Mrs. Wyatt, and Sherlock Home,

by Austin Wells.

The orchestra conducted by Bernard Herman,

and the production was inspired

for CBS by David P. Taylor.

You're an outstanding talent.

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